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    The Arthropologist

    In advance of Carnegie Hall debut, WindSync works to shape a new future for classical music

    Nancy Wozny
    nancy wozny
    Mar 16, 2013 | 9:00 am

    It's been more than two years since I sat down with Tracy Jacobson and the rest of WindSync at The Shepherd School of Music at Rice University. I left that room feeling way less worried about the future of classical music.

    A lot has happened since then. They have new members, graduated from Rice, tried living in the same house, were named the 2011-2012 Ensemble in Residence for the Da Camera of Houston Young Artist Program, won a 2012 award from the Concert Artists Guild, the Sylvia Ann Hewlett Adventurous Artist Prize and a Houston Arts Alliance pre-incubator award.

    Oh, and I became a WindSync groupie.

    "In trying to create a program that is outside of the box, we actually decided to present a concert that is completely inside of the box."

    Whether you are a fan or newbie, head on down to their next show, "Where in Time is WindSync," which features works by Hindemith, Reicha, Taffanel, and Tomasi, at 5 p.m. Saturday, at First Unitarian Universalist Church.

    "What’s interesting about WindSync’s upcoming show is that, in trying to create a program that is outside of the box, we actually decided to present a concert that is completely inside of the box," says Anni Hochhalter, a French horn player, who joined the group in 2010. "I’m going to use a bad word, but this will be our most ‘traditional’ program to date."

    Trust me, this is the boy band (with women) of wind quintets. There will be surprises.

    Breaking news

    Drum roll, please. WindSync makes its Carnegie Hall debut this November, presented by Concert Artists Guild, in an evening recital. This incredible milestone came after their 2012 Concert Artists Guild win. Thanks to this big honor, they now have several engagements lined up for the 2013/2014 concert season.

    "We have full creative license over the Carnegie Hall program," boasts Hochhalter. "You know what that means. The wheels have started spinning. We're investigating the size of the stage, the number of costume changes possible, the technical capabilities of lights and, oh, the possibilities."

    As with most groups that emerge from music school, some reshuffling of the members is expected. This past year WindSync welcomed two new musicians, Erin Tsai on oboe and Jack Marquardt on Clarinet. "Both have contributed to a significantly heightened level of artistry, and we now feel like a five-person power team that is truly unstoppable," says Garrett Hudson, the founding flutist.

    WindSync, which was named the 2012 Music for Autism Spotlight Artist, is headed back to Jackson Hole, Wyoming, for a ‘Music in Nature’ residency with the Grand Teton Music Festival.

    "This will be our second summer in residence and it's a fantastic summer escape," says Hochhalter. "Our hobbies include moose sightings, driving a huge Ford Suburban through the national parks, and singing songs about Wyoming and the Wild West."

    Growth mode

    The HAA award bolstered WindSync’s operation significantly this year. The group was able to kickstart its community concert series at First Unitarian, and to offset costs for WindSync’s Play Different Project, their anti-bullying project at Crockett Elementary.

    Their “anti-bullying” crusade focuses on a larger range of topics such as friendship, tolerance and an appreciation of differences.

    It focuses on a larger range of topics such as friendship, tolerance and an appreciation of differences. This one-of-a-kind program was developed with teachers, administrators, parent volunteers and students.

    "We worked with students to create a school anthem using lines of their own poetry as the lyrics, and now the school has their own short song to remember the residency," says Hochhalter. "As five individual musicians of bizarre instruments, we come together everyday to create a beautiful composite despite our differences."

    Being almost internationally famous can be tricky

    It's not easy having honors and major gigs thrust upon a young troupe, especially considering how many things Windsync does in a typical season."Selecting new repertoire and creating new programs is always a challenge for the group, but it's also one of our favorite aspects in terms of what we get to do as a creative team," says Hudson. "Coming up with our wildest ideas and forming those into appropriate concert productions is a process that we don’t take for granted."

    The troupe lived together for a year, where they discovered the joys and trials of too much togetherness. "Living under one roof allowed us a year to brainstorm 24/7, and was invaluable in terms of the group’s history. In that time together we came up with our most diabolical plans because our creative thinking, out-of-the-box thinking was constantly encouraged," explains Hudson. Today, they work out of a studio space where they can come together daily to let the creativity flow then return home to their own lives.

    According to Hochhalter, they all have their own forms of coping. "I eat lots of vegetables. Jack has lucky underwear. Erin stays centered with yoga. Garrett hums to himself constantly and Tracy travels to Europe often."

    Don't even try to laugh while playing a wind instrument

    The troupe is famous for their whimsical theatrics, which often involves animated narration, wearing tights, wigs and sometimes the male members donning a dress. "A dream come true," jokes Hudson. "You have no idea how hard it is to keep a straight face and play an instrument when all your view across the stage is Jack’s chest hair bursting from his ornate corset and Garrett is batting his eyelashes underneath an all-too convincing wig and bonnet," quips Hochhalter.

    Besides being top musicians, they are all excellent communicators as public speaking is an everyday part of the job."These two qualities go hand in hand in creating the type of performance experience that WindSync strives to present," Hudson says.

    Hochhalter has more ideas about their comfort in front of the crowd. "I think most of us have had secret dreams of acting or being on Broadway," she says. "I know Tracy once auditioned for West Side Story in New York City when she was a teenager. She was incredibly disappointed to get a call back because they needed a bassoon player."

    Five is the magic number

    Hochhalter, Hudson and Jacobson share the job of director, with all five splitting artistic responsibilities. Five very strong personalities can be a challenge, but the quintet has figured a few things out. "It’s not always easy, lots of pushing and pulling but in the end majority rules and final decisions are always made in the best interest of the group," adds Hudson. "I suppose in a way it’s the boy/girl band effect. Was your favorite N’Sync member Justin Timberlake? Sporty Spice from the Spice girls? Harry Styles from One Direction? The cute flute player in WindSync?"

    Hochhalter gets very diplomatic when it comes to the subject of who's the boss. "We’re very honest with each other, and have a really healthy balance of those who love debate and those who are more drawn toward resolution," she says. "Here’s the low down, but don’t tell anyone. Tracy thinks she’s the leader, and I have the loudest voice, but basically whatever Garrett says goes."

    Take a peek at WindSync's Play Different Project at Crockett Elementary

    Tracy Jacobson, from left, Anni Hochhalter, Jack Marquardt, Garrett Hudson and Erin Tsai of Windsync

    Nancy, WindSync, March 2013, Tracy Jacobson, Anni Hochhalter, Jack Marquardt, Garrett Hudson, Erin Tsai
      
    Photo by Richie Hawley Museum of Fine Arts, Houston
    Tracy Jacobson, from left, Anni Hochhalter, Jack Marquardt, Garrett Hudson and Erin Tsai of Windsync
    unspecified
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    Movie Review

    Heartfelt movie The Life of Chuck adapts optimistic Stephen King story

    Alex Bentley
    Jun 13, 2025 | 5:30 pm
    Tom Hiddleston in The Life of Chuck
    Photo courtesy of NEON
    Tom Hiddleston in The Life of Chuck.

    Just like actors, once a filmmaker becomes known for a certain genre, it can be difficult to escape that pigeonholing. Writer/director Mike Flanagan has worked for 20 years in both film and television, and literally every project he’s done has been related to horror. He’s finally breaking out with The Life of Chuck, which is ironically based on a short story of the same name by Stephen King.



    Told in three chapters in reverse order, the film is almost impossible to describe without giving away its magic. The first section centers on Marty (Chiwetel Ejiofor), a teacher grappling, like everyone around him, with what seems to be the world falling apart. He’s comforted to a degree by reuniting with his ex-wife, Felicia (Karen Gillan), but is also baffled by multiple ads touting the retirement of Charles “Chuck” Krantz (Tom Hiddleston) after “39 great years.”

    The second section consists of little more than a slightly younger Chuck happening upon Taylor (The Pocket Queen), a drummer busking on a street corner, giving Chuck and a younger woman, Janice (Annalise Basso), the inspiration to start dancing. The final section goes back to the childhood of Chuck (Benjamin Pajak), where he’s raised by his grandparents (Mark Hamill and Mia Sara), discovers dance as an outlet, and wonders about various small mysteries.

    Flanagan finds a way to deliver a lot of story with relatively little effort. Using a wry narrator (Nick Offerman), a limited number of locations, and a series of great small performances, he creates an intriguing premise with few straightforward answers. The structure of the film is designed to confuse the viewer until just the right moment, and the revelation forces you to reexamine everything that came before.

    The biggest accomplishment by Flanagan is making what are essentially three short films and having each of them resonate equally. The film contains elements of science fiction, although the first section may hit a bit too close to home for some of those watching. All three sections, though, have a heartwarming bent to them that sells their central idea without becoming overly saccharine.

    To do so, each of the characters have to connect in a short amount of time. The casting of the film is crucial, and not only does that department succeed with the main roles, but a series of small roles are filled expertly as well. Carl Lumbly as a funeral home owner, David Dastmalchian and Harvey Guillen as parents of students, Matthew Lillard as Marty’s neighbor, Q’orianka Kilcher as Chuck’s wife, and Jacob Tremblay as a teenage Chuck are just a few of the recognizable actors that do yeoman’s work in their brief time on screen.

    Hiddleston is only prominently featured in the second chapter, but his performance there and in small glimpses throughout makes a big impression. Ejiofor is given the star turn in the first chapter and he absolutely kills, both in moments by himself and in scenes with Gillan, with whom he has great chemistry. Hamill, making a rare non-voiceover appearance outside of the Star Wars universe, and Sara, in her first notable role in 11 years, are also very memorable in the final chapter.

    The Life of Chuck is a film that’s filled with emotion, but the full impact of the story is not felt until the final moments. It has a mysterious journey that is initially frustrating, but the performances keep the film going until it gets to its satisfying payoff.

    ---

    The Life of Chuck is now playing in theaters.

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