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    Popp Culture

    An eyewitness to March's greatest moment of Madness

    Steve Popp
    Mar 18, 2010 | 10:33 am
    • Christian Laettner hit the greatest shot in NCAA Tournament and Popp was there.
    • James Naismith wouldn't recognize his game today.

    Ever since I witnessed Duke’s Christian Laettner drain a last second shot in overtime to beat Kentucky in the 1992 NCAA East Regional Finals, I’ve been hooked on March Madness.

    Eighteen years ago, three friends and I innocuously walked into the Philadelphia Spectrum on March 26 and joined 18,000 others for three games over two nights. We paid a total of sixty bucks for tickets that seated us in a cramped upper deck, nestled in a rowdy Seton Hall section, with a view from the behind the baseline. With an encompassing look down on the court, the stadium, and the spectacle, we knew going into the first game that we would most likely be treated to some excellent sports entertainment.

    At tournament time, you expect some great college basketball. You expect the boisterous and battling college bands. You even expect some close finishes.

    What you don’t expect is to be a witness to The Game Of The Century. When the buzzer went off two nights later, after we watched Grant Hill hurl that perfect football pass to Laettner at the other end of the court, we all walked away shocked devotees to this annual insanity.

    And we had the ticket stubs to prove it.

    Being in attendance for The Game of The 20th Century produced some serious side effects however. In addition to making me one college-basketball-addled individual each March, I have a reoccurring obligation to interject in any conversation about basketball of which I am a part: “I was there when Laettner hit the shot.”

    As a testament to that game’s greatness back in 1992, without fail my anecdotal aside garners incredulous denials from fellow fans. It then engenders a flurry of “where were you when” rejoinders, followed by a nostalgic recount of the events that March. As Duke coach Mike Kryzewski explained after the game, "People who saw it knew it was a great game. They didn't need any announcer or sports writer to tell them it was.”

    Kryzewski concluded that in addition to those with allegiances to the teams on the court, “Any basketball fan who saw it felt disbelief that any of it could happen."

    One look at the face of Duke guard Thomas Hill after the shot went in illustrates just that disbelief.

    So just as my attendance in the Philadelphia Spectrum that night prompted me to indelibly set aside these days in March on my calendar for nothing but basketball, Houstonians will likewise have the opportunity to witness in person the NCAA tournament next weekend.

    Our city is again hosting the South Regional after successfully accommodating thousands at Reliant Stadium last year. Games will start March 26 and continue on March 28, the same two dates that I was in the Spectrum 18 years ago. Regardless of whether you watch the games on TV or make it to the show at Reliant, you just can’t help but catch a little case of March Madness.

    You might also just leave in disbelief.

    A Bit of Basketball Heritage

    The games that will be played across the country this week evolved from an ancient game called “duck-on-a-rock.” “Duck-on-a-rock” consisted of throwing rocks, or “ducks,” at a larger stone to see if it could be toppled. Dr. James Naismith, who used to play “duck-on-a-rock” as a child, modeled basketball in the 1890s after this rudimentary, rock-strewn game.

    According to basketball lore, Naismith ditched the rocks and brought a soccer ball into play. Then, he utilized two peach baskets as the goals.

    Naismith’s new game could be played indoors, during the inclement winter season, and did not require a great space. When Naismith took his game to Kansas University in 1898, he not only helped inaugurate a new sport as athletic director, he set the foundation for a storied college basketball program. If the Houston Cougars make it to the Sweet 16, they will most likely have to get past the Big 12 champion and No. 1-ranked juggernaut Kansas Jayhawks.

    Some NCAA Tournament Trivia

    • 1939 was the first NCAA tournament. The Ohio State Buckeyes, the No. 2 seed in the Midwest Regional this year, lost to the Oregon Ducks 46-33. The 1939 tournament, however, wasn’t much of an extravaganza. Only eight teams played in the tournament. Today, there are 65 teams that play, including the “play-in” game. There's also renewed chatter about expanding the field to 96 teams soon.

    • UCLA holds the record for most NCAA tournament championships at 11. Legendary Bruins coach John Wooden is responsible for 10 of those championships.

    • The first women’s tournament took place in 1982. The University of Connecticut, the dominant force in women’s college basketball today, clinched their 16th Big East title recently, and is heading into this year’s tournament on a 72-game winning streak.

    Upset Special?

    This year, the University of Houston will have the opportunity to be a spoiler in the first two rounds, starting with tomorrow night's game against No. 4 seed Maryland. After a long absence from the tournament, however, winning a few games might go a long way to put the UH program back on the map.

    A win might also soothe some of the still painful wounds inflicted by the North Carolina State Wolfpack back in 1983. That year, North Carolina State derailed Houston’s championship bid and toppled the famous Phi Slama Jama team in the championship game with one the most unbelievable endings in college basketball history. The Cougar fans I know still are not over the loss, and they probably don't want to see that clip of the late JImmy Valvano running around looking for somebody to hug ever again

    Next to the Villanova's win over Georgetown in 1985, the UH loss was one of the biggest upsets in tournament history.

    More Madness

    That 1983 loss, though, is ancient history. Those memories certainly won’t dampen the excitement on the University of Houston’s campus this weekend.

    Whether the Coogs go to the Sweet Sixteen or bow out the first round, head coach Tom Penders made history of his own right after guiding the team to the NCAA tournament. Penders is now one of only nine coaches to lead four teams to the NCAA tournament. Before this success at Houston, Penders brought Rhode Island, Texas, and George Washington to the Big Dance.

    The 64-year-old coach, whose job was in jeopardy after a lackluster regular season and five prior years of no NCAA bids, described the win to get in the tourney as "the most gratifying because, you know, in many ways when I came to Houston it was almost considered Mission Impossible.”

    Houston guard Aubrey Coleman — the nation's leading scorer — concurred, and then called out all the doubters.

    "The whole year, it was he said, she said about coach Penders being fired," reminded Coleman. "What are they going to say now?"

    Probably “madness.”

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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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