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    RodeoHouston 2022

    Pop queen Gwen Stefani leaves no doubt about her star power in RodeoHouston debut

    Johnston Farrow
    Mar 16, 2022 | 12:47 am
    Stefani was bananas — B-A-N-A-N-A-S — in her rodeo debut.
    Stefani was bananas — B-A-N-A-N-A-S — in her rodeo debut.
    Photo courtesy of Houston Livestock Show and Rodeo

    Well, that was hella good.

    Drawing songs from her 30-year career, the California-raised, girl-power heroine Gwen Stefani put on a show in front of 65,561 on Tuesday, March 15, making us wonder, why did it take so long for her to make her debut at RodeoHouston?

    The pandemic is quite obviously the biggest reason for the delay — two years to be exact since her 2020 show was cancelled. But Stefani could have easily rocked out NRG Stadium much longer ago, achieving superstar status as a solo artist in 2004 with the seven-times platinum-selling, Love. Angel. Music. Baby. after selling 33 million worldwide with her ska-influenced alt-rock band, No Doubt.

    Stefani has played Houston many times previously, way back to a early-years, pay-your-dues performance with her former band on the University of Houston campus in 1992, mostly ignored by students hustling to and from class.

    This time around, she had a captive, much more appreciative audience there to see the pop queen fashionista who since then has topped of the charts and sold millions of albums.

    It’s a remarkable success story. The bottled blonde singer, dressed in a gorgeous, bedazzled, gold, white and green cowgirl outfit finished with white boots, started with the pop radio hit "Sweet Escape," the title track of her 2006 album, igniting the first of many singalongs throughout the evening.

    She was flanked by a gaggle of dancers who had choreographed moves for every song, backed by a four-piece band, including the standout trombone-keyboard player, Gabrial McNair.

    "Sunday Morning," from the massive-selling 1995 No Doubt album, Tragic Kingdom, foreshadowed many songs from her time in that band and brought us back to when they ruled MTV and the radio. "It's been a two-year wait, but that’s okay!," said the 52-year-old, still stunning after decades in the game. "I can't believe it... I’m here at the rodeo in Houston!"

    "Underneath It All" from 2001's Rock Steady brought some ska and reggae flavor, complete with some light ska dancing. Stefani served as her own hype woman, keeping everyone in the stadium engaged. “I really like you, Houston! I really like you!" she said. And we liked her right back.

    A relative deep-cut, "Bathwater," the fourth single from No Doubt’s 2000 album Return to Saturn reached way back into the songbook while her dancers executed line dance-influenced moves. "I don’t want to disappoint you," she told us, alluding to her husband that has headlined RodeoHouston countless times.

    "I’m married to Blake Shelton and I'm sorry he's not here right now, but he's at home being a good dad and babysitting!" "It's My Life" came next, the 1984 cover song by Talk Talk that No Doubt took to No. 10 when it was included on their 2003 greatest hits collection, The Singles, 1992-2003. It was one of the most rocking moments of the night and a great showcase from her extra tight band.

    "Rich Girl" from the well-represented solo record, Love. Angel. Music. Baby., brought the crowd to their feet. The funkier, new wave No Doubt singles, "Ex-Girlfriend" and "Hella Good" followed, everyone jumping up and down at the singer’s command, a fun moment.

    Back to Tragic Kingdom, the '90s power ballad "Don’t Speak" drew some of the loudest cheers and had cellphone flashlights in hands as Stefani ascended 20 feet into the air to serenade the crowd. Her voice never sounded better all night.

    Known for mixing up genres in her solo work, Stefani brought something for everyone with "Wind It Up" from The Sweet Escape bringing yodeling to RodeoHouston next to Latin flourishes over a marching band beat. "Cool" from Love. Angel. Music. Baby. slowed things down to a couples-dance-at-prom speed, a hint of romance along with the slow-burn rock guitar licks.

    "Luxurious," another single from the same album, veered into bedroom soul, a tune that wouldn’t be out of place at a Boyz II Men concert. "I'm feeling nostalgic because I’ve waited two years for this," she exclaimed. "[Back then], I had a life in Anaheim, California. Now I live in Oklahoma and I’m at a rodeo. I feel like we are family now!"

    "What You Waiting For?," her timeless debut solo single kicked off and it was straight fire with rampant arse-shaking in the aisles, the most dance-music indebted song of the night with a thumping 4/4 bass drum groove. The energy now at level red, it was back to No Doubt hits, "Hey Baby" from Rock Steady, including more ska dancing and a toast by McNair.

    Tragic Kingdom single, "Spiderwebs," had anyone who grew up in the '90s with a smile on their face. "We were a band for nine years before we got a song on the radio," Stefani stated before the penultimate track. "This song is bigger now than it ever was back then."

    Debut Tragic Kingdom single, "Just a Girl," had all the ladies in the house up on their feet, a feminist anthem for the ages, the crowd practically drowning Stefani’s vocals.

    The Neptunes-produced No. 1 song "Hollaback Girl" wrapped up the evening, making NRG Stadium practically explode. Everyone sung the earworm chorus — no clean version needed — and the applause at the end of the stone cold 2005 classic might have been among the loudest moments in NRG history.

    With that, Stefani jumped on the back of a Ford truck, still hyping up the crowd until she wheeled into the tunnel. If last week's Journey show was for the Boomers, here was a performance for late Gen Xers and early Millennials, largely underrepresented at RodeoHouston.

    One welcome surprise was the number of No Doubt hits included on the setlist, a dream come true to anyone that followed the Orange County band from the beginning. And while nostalgia did play a big factor in overall success of the night’s performance, this was the kind of fan service we were completely on board to see and experience.

    Gwen — we’re on a first name basis after that performance — simply crushed it in what is in the running for the best concert of the RodeoHouston season, her neon-bright personality shining from start to finish, and her sing-shout vocals sounding excellent throughout.

    Indeed, that s**t was bananas. B-A-N-A-N-A-S.

    Setlist

    “Sweet Escape”

    “Sunday Morning”

    “Underneath It All”

    “Bathwater”

    “It’s My Life”

    “Rich Girl”

    “Ex-Girlfriend”/“Hella Good” (Vegas Version)

    “Don’t Speak”

    “Wind It Up”

    “Cool”

    “Luxurious”

    “What You Waiting For”

    “Hey Baby”

    “Spiderwebs”

    “Just a Girl”

    “Hollaback Girl”

    Stefani was bananas — B-A-N-A-N-A-S — in her rodeo debut.

    Gwen Stefani Rodeo Houston 2022
    Photo courtesy of Houston Livestock Show and Rodeo
    Stefani was bananas — B-A-N-A-N-A-S — in her rodeo debut.
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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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