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SXSW Interactive 2010

Old-fashioned conversation trumps new technology at South by Southwest Interactive

Jason McElweenie
Mar 15, 2010 | 10:03 am
News_ South by Southwest Interactive_convention floor_March 2010
Photo by Jason McElweenie

As South by Southwest Interactive (SXSW) nears the home stretch, the overwhelming consensus from attendees I have met is that although the panels haven't offered a lot of new stuff, there has been a lot to learn from each other. Sure, there has been some great content here, but the true takeaway has been the relationships you walk away with.

The interactive world is in a bit of a hover pattern when it comes to breakthroughs in technology. Facebook and Twitter seem almost tired by now. Since those platforms took off, there have been significant changes in the way we access the online world but no singular moment that has helped define this generation. Smart phones have made it easier to interact online but they haven’t been as significant at building online communities as the social media tools.

The aura of Web 2.0 and Social Media has cooled in these parts. What I have noticed more than anything this weekend is that everyone is returning to old fashioned conversations and networking. There hasn’t been much discussion of the panels from the people that I’ve met. Instead they are cutting loose and enjoying themselves.

In years past there has been a collective interest in new discovery. This year the focus seems to be to have fun while getting whatever you can out of it.

As the conference grows, with panels spilling out into nearby hotels, the selection of parties has grown as well. There are so many to choose from that I’ve spent every night hopping from one to the next. A couple of bashes stand out.

On Saturday night, Stubb’s was host to Kevin Rose and Alex Albrecht of Diggnation. They delivered for their rabid fans with a live taping of their popular online show before The Walkmen took the stage. Although the show and party lasted about five hours, there was much to do and talk about.

Southby.tv set up an audition booth at the back of Stubb’s in hopes of finding a new online personality. Partygoers waited in line to tape their own 15 seconds of fame in hopes that Rose and Albrecht would tap them as the next big online thing.

I’ll admit that I was one of them although I had two partners in crime, Citizen Cohen and Brock Landers. When asked by Southby.tv what our show would be like, I stated that it would be as amazing as a fat unicorn eating a rainbow that farted glitter. I feel pretty safe that this won’t be my big break.

Sunday evening brought the first of two CultureMap co-sponsored events, the Kirtsy/Alltop party. Held at Allen’s Boots, it was a mix of good food, great music and fantastic people. Houston’s SXSWi contingent was out in full force soaking up the Shiner beer and Rudy’s BBQ. I’m pretty damn proud of what the Kirtsy team have done over the past few years and how it has impacted the Houston community.

They took a simple concept — a voting news site — and built it into a reliable source for new and relevant information. Laura Mayes, one of Kirtsy’s founders, has been a big influence in the lives of many Houston women over the last few years. Her passion, determination and genuine love for her community has helped give other people around her the confidence to push forward.

This seems to be the overall theme at this years SXSWi: How can I make a change in myself and my community to help us all get to the next level?

Yes, there haven't been too many breakthroughs in technology but finally the dust has settled. The social media vultures that were once so visible in recent years have been pushed so far out of the circle that people are free to move forward with the tools that we have instead of waiting until the next big thing happens.

We haven’t found it yet ,but we aren’t resting on our laurels until we do. If there is one thing we geeks have learned over the past few years is that when the next big thing does happen we will be more wise in how we harness it. Until then, we are going to enjoy ourselves

Follow Jason McElweenie on Twitter @deneyterrio

Laurie Smithwick, left, Guy Kawasaki and Laura Mayes

News_South by Southwest Alliance_March 10
Photo by Jason McElweenie
Laurie Smithwick, left, Guy Kawasaki and Laura Mayes
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Movie Review

Supergirl fails to take flight in a movie weighed down by grief

Alex Bentley
Jun 26, 2026 | 3:15 pm
Milly Alcock in Supergirl
Photo courtesy of DC Studios and Warner Bros. Pictures
Milly Alcock in Supergirl.

Last year's Superman reboot brought a renewed sense of optimism for, if not the concept of the comic book movie, then at least the DC Comics universe. After more than a decade of DC films that felt mostly creatively bankrupt, the leadership of James Gunn gave the story a sense of fun. That included the brief introduction of Kara Zor-El, aka Supergirl, who’s now getting her own showcase in, naturally, Supergirl.

When we first met her in Superman, Supergirl was in rough shape, arriving at the Fortress of Solitude visibly inebriated. Nothing has changed at the beginning of this film, save for her aimlessly traveling around the universe with her rambunctious dog, Krypto. One of her random stops puts her in the same bar as Ruthye (Eve Ridley), who is looking for help tracking down Krem (Matthias Schoenaerts) and a group known as the Brigands after they brutally murdered her family.

Kara is initially loath to offer aid, but when Krem shoots a poison dart into Krypto while escaping, her motivation goes way up, especially since Krem holds the antidote. Kara, with Ruthye doggedly following her, uses every means available to her to find Krem, a journey that is hampered by galaxies having different colored suns than the one that gives her powers, the yellow sun.

Directed by Craig Gillespie and written by Ana Nogueira, the film is a big step back in the fun category, not least because Supergirl is deep in her feelings for much of the film. Her personal trauma, which is detailed in occasional flashbacks, gives a reason for her depression, but fails to land fully. The story seems to want everyone to be sad, as it includes a child trafficking ring and multiple instances of families being murdered.

Milly Alcock and Krypto in Supergirl Milly Alcock and Krypto in Supergirl.Photo courtesy of Warner Bros. Pictures

To try to counteract that downer material, the filmmakers give Supergirl many opportunities to show off her fighting skills. While still CGI-heavy, the action scenes contain enough of a semblance of reality that they feel exciting. Unfortunately, this is undercut by the inclusion of several slow-motion sequences, giving the impression that the filmmakers didn’t trust the actors to deliver the goods on a consistent basis.

Superman (David Corenswet) makes a handful of appearances in the film, and while his presence is welcome given how well the character came across in the previous movie, it also doesn’t allow Supergirl to become her own person. Almost everything she does is colored by either her cousin or her parents, and since her powers are identical to those of Superman, there is very little that makes her story unique aside from how she’s dealing with the fallout.

Alcock (House of the Dragon, Sirens) gives an appealing performance despite her character being drunk and/or moody most of the time. She definitely sells what Supergirl is going through, so if given a better story in a future film, she’s proven her capability. Schoenaerts makes for a pretty good villain, although he’s aided by a look that includes a face full of studs. Jason Momoa has a memorable supporting role as the bounty hunter Lobo, even if his character doesn’t add much to the story.

While not a full-on disaster, Supergirl does not continue the momentum that Superman started. With a story that’s more concerned with showing audiences death scenes than a hero saving people, the film doesn’t seem to understand the appeal of a character like Supergirl or how to make her someone audiences will return to over and over again.

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Supergirl is now playing in theaters.

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