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    RodeoHouston 2018

    Zac Brown Band showcases superb sing-along set list at RodeoHouston

    Chris Gray
    Mar 13, 2018 | 1:49 am
    Zac Brown Band Zac Brown mid-song singing
    Brown channeled country icons such as Alabama.
    Photo by Jacob Power

    The Zac Brown Band saves their fans the trouble of playing that old “spot the influences” parlor game — they just throw ’em into the set list. On March 12, that meant we got Van Halen, Van Morrison, Eagles, Kings of Leon, and one huge tease when the opening bars of “Homegrown” sideswiped ZZ Top’s “Got Me Under Pressure.” Missed it by that much.

    Meanwhile, the singalongs were loudest on originals like “Sweet Annie” and “Toes.” That’s how you know a band is really special.

    March 12 was ZBB’s seventh RodeoHouston appearance in eight years, skipping only 2016, and the announced attendance of 70,319 was ready for it. These guys pick the hell out of their instruments. They harmonize. Brown says things like “We love you, Texas” and sounds like he means it.

    On the first day of spring break, their opening run of “Keep Me In Mind,” “Homegrown,” and “Toes” couldn’t have sounded more appropriate if Brown and his mates had been standing on Galveston’s East Beach. This band was made for one of those plastic coolers with a built-in boombox; a good bit of their repertoire sounds like it should come served in a coconut.

    But they’re also smart enough to understand there is more than just one season. In fact, one of their most poignant songs — and probably one of the decade’s best absentee-musician ballads — is called “Colder Weather.” They may have ushered in the chills with Kings of Leon’s “Use Somebody,” but they kept them going by by threading their own “Free” into Van Morrison’s “Into the Mystic” and Eagles’ “Take It to the Limit” around “Colder Weather.”

    Much credit is due to Brown for underplaying the James Taylor angle, but he has such a terrific tenor it’s hard to ignore the similarity. Those harmonies really clicked, too.

    It might be easy to forget when you’re grooving on the lava-lamp visuals of “Keep Me In Mind,” but this band is loaded for bear with fantastic musicians. They belong on on the same timeline as Alabama, the ’80s pop-country juggernaut disguised as suave ’70s soft-rockers; and The Band, ’60s roots-rockers with the chops of seasoned jazz players. ZBB takes all that stuff and delivers it with the genre-melting glee of your average Spotify playlist.

    That’s how you get moments like the totally badass “Panama” cover — talk about kicking off spring break in style — and songs like “Beautiful Drug,” a sort of bluegrass/EDM romp that shouldn’t work on paper but in concert comes off as a remix-friendly endorphin engine that, were this any other band, could probably close their show.

    But as it should, that honor remains with “Chicken Fried,” still pure happiness formatted into song. The climactic hoedown sounded enough like Alabama’s “If You’re Gonna Play In Texas” that it purged the memory of last week’s godawful “if you’re gonna run in Texas, you can’t be a liberal man” Ted Cruz ad. Handily, and not a moment too soon.

    Zac Brown Band set list

    Keep Me In Mind
    Homegrown
    Toes
    Use Somebody (Kings of Leon)
    Sweet Annie
    As She’s Walking Away
    Free
    Into the Mystic (Van Morrison)
    Colder Weather/Take It to the Limit (Eagles)
    Knee Deep
    Panama (Van Halen)
    Beautiful Drug
    Chicken Fried

    Brown thrilled the packed stadium with his favorites, plus a range of covers.

    Zac Brown Band individual shot
    Photo by Jacob Power
    Brown thrilled the packed stadium with his favorites, plus a range of covers.
    rodeoconcerts
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    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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    news/entertainment

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