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    100th anniversary of tragedy

    Behind the scenes: Museum of Natural Science's Titanic exhibition is laid outwith care

    Whitney Radley
    Mar 14, 2012 | 2:02 pm
    • Each item in the exhibition must be carefully placed.
      Photo by Whitney Radley
    • A thin pair of glasses and a leather case.
      Photo by Whitney Radley
    • A vase boasting the White Star Lines logo.
      Photo by Whitney Radley
    • David Galusha, conservator with Premiere Exhibitions, helps set up the travelingexhibit.
      Photo by Whitney Radley

    The Houston Museum of Natural Science's much-anticipated Titanic: The Artifact Exhibition opens Friday, but an exclusive CultureMap sneak peek of the gallery space earlier this week indicates that there is still quite a bit to be put on display with careful, gloved hands.

    David Galusha, conservator with Premier Exhibitions, meticulously placed a pair of dainty eyeglasses and a small leather case on one pedestal, and a faceted glass vase etched with the logo of the White Star Line on another.

    "You'll see this White Star Logo on a lot of the artifacts in the exhibit," Galusha said — it's the logo of the Titanic's cruise line.

    "You'll see this White Star Logo on a lot of the artifacts in the exhibit," Galusha said — it's the logo of the Titanic's cruise line.

    Galusha acknowledged that each step along the way in the 300-artifact touring exhibition must be done painstakingly — not to mention the procedure involved with conserving the artifacts in the first place.

    The process of conservation (not preservation or restoration, Galusha explained) first involves finding the artifacts among the debris at the site of the Titanic's wreck, where they fell on April 15, 1912. Then, Galusha said, the items are retrieved from the ocean floor two miles below, photographed and cataloged on the surface, then re-submerged in cold ocean water before undergoing the stabilization process.

    A large metal wrench in the exhibition has decomposed to look like a piece of driftwood. Textiles that were discovered in a leather trunk, however, look as pristine as if the pants, vest and gloves had lain folded in a dry closet these past 100 years; the leather inhibited the growth of bacteria.

    The exhibition space itself is reminiscent of the ocean floor on which the objects were found: A deep sea blue, projections of sunlight on ripples of water cast across the floor, photographs of findings and pedestals topped with artifacts lining the walls.

    "You start losing yourself in different galleries," said Galusha.

    As for the rumored paranormal activity surrounding the traveling exhibition?

    "I've heard of that happening," smiled Galusha, who admitted to getting chill bumps while conserving the personal effects of the victims in the lab.

    The exhibition will be open in Houston from Friday through Sept. 3. For details, click here.

    unspecified
    news/entertainment

    Movie Review

    Live action Lilo & Stitch remake offers up frenzied fun and nostalgia

    Alex Bentley
    May 23, 2025 | 2:30 pm
    Lilo & Stitch
    Courtesy of Disney
    Lilo & Stitch returns to theaters this weekend.

    The project to turn every single Disney animated movie into a “live action” film has rarely seemed like anything but a money grab by the movie studio. Most of the films have failed to update the original in any meaningful way, and in many of the cases, they’re almost shot-for-shot remakes, making the reason for the new film’s existence even more confusing.

    Having almost exhausted the supply of their 20th century movies, Disney has now remade 2002’s Lilo & Stitch. The film follows an alien experiment, originally known as 626 (voiced by Chris Sanders), created by Jumba ( Zach Galifianakis) for the benefit of an alien race led by the Grand Councilwoman (Hannah Waddingham). Unfortunately, 626 is too uncontrollable for them, and is banished to the faraway planet known as Earth.

    Landing in Hawaii, the creature soon to be known as Stitch gloms on to a young girl named Lilo (Maia Kealoha), who mistakes it for a dog while looking for companionship following the death of her parents. Tracked by Jumba and fellow alien Pleakley (Billy Magnussen), now in human form, Stitch leaves a trail of destruction wherever he goes, much to the chagrin of Lilo’s older sister, Nani (Sydney Agudong).

    Directed by Dean Fleischer Camp and written by Chris Kekaniokalani Bright and Mike Van Waes, the film will surely be a blast of nostalgia for anyone who was a kid when the original came out. The now-3D Stitch is just as chaotic as ever, and they even included cast members from the first film like Tia Carrere (now playing a social worker for the orphaned sisters) and Amy Hill as a kindly neighbor.

    But for all of the frenzied fun that Stitch offers, there’s very little else that holds the story together. For one, the Lilo character as a real person doesn’t work as well as she does in animated form, as there’s something fluid that happens in animation that feels stilted when it’s an actual little girl. Perhaps sensing this fault, the film is loaded to the hilt with bite-sized moments that try to make the audience laugh, but do little to give the story any meaning.

    The difference between animation and live action is never more evident than with Jumba, Pleakley, and CIA agent Cobra Bubbles (Courtney B. Vance). Characters that are goofy and enjoyable in animated form come off as weird and off-putting in human form. They’re supposed to bring a sense of fun and even suspense to the film, but instead they feel like characters who are getting in the way of a better story.

    Kealoha, making her professional debut, is definitely cute and offers up some interesting moments opposite Stitch and Nani, but her lack of experience shows. Agudong turns in the best performance, giving a bit of emotional weight to a film that needed more. Galifianakis and Magnussen would have been better served as voice-only roles; neither comes off well when their characters turn into humans. Hill is like a warm hug every time she comes on screen, and the story could have used more of her.

    The new Lilo & Stitch is not an abomination, but like most of the Disney live action remakes before it, it fails to stand on its own merits. Never given a chance to be its own thing and featuring storytelling too disjointed to be effective, the film is another so-so effort from a studio that knows how to make much better movies.

    ---

    Lilo & Stitch is now playing in theaters.

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    news/entertainment

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