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    A Big Rodeo Surprise

    REO Speedwagon pulls a Rodeo surprise: These old rock stars don't give a damn what you want

    Tarra Gaines
    Mar 11, 2014 | 2:53 am

    There’s something rather inspiring about witnessing an artist of a certain age metaphorically say: Fuck it. I’m NOT too old for this shit, and I’m going to do what I want.

    This might be the best way to describe what the 54,039 REO Speedwagon fans experienced at Reliant Stadium Monday night when their band took the stage for a RodeoHouston concert.

    Not that lead singer Kevin Cronin, his gravity defying white hair visible from any seat in the house, ever used those words the many times he talked with the audience in between songs. (Maybe he spotted the kids in the crowd usually accompanied by what looked to be their middle-aged fathers.) Yet with their opening song “Don’t Let Him Go,” it became apparent that this much older, but still kickin' it REO Speedwagon was going to play as they wanted and what they wanted.

    The guitar air jumps, stage runs, guitar solos and Hitt’s need to go shirtless halfway through the performance all point to a band having immense fun.

    Those in the crowd who came expecting to see the familiar Top 40 radio and early MTV stars might have been surprised to meet REO the classic rockers from the '70s and early '80s.

    This latest incarnation of the band — one of many since REO formed in 1967 — consists of long-time members Cronin, Bruce Hall on bass guitar and Neal Doughty on keyboards along with newer members Dave Amato who joined the band in 1989 and drummer Bryan Hitt who joined in 1990. The guitar air jumps, stage runs, multiple guitar solos and Hitt’s need to go shirtless halfway through the performance all point to a band having immense fun and who seemed just happy to be in the middle of the Reliant stage looking up at all those fans surrounding them.

    When Cronin told the crowd they had played some big gigs in the past, “but nothing like this,” there might have even been a little awe in his voice. Yet, the band seemed least likely to act their age when the spirit of classic rock took hold of them.

    REO sprinkled their hour long play list with several of their biggest hits everyone could sing along with: “Take It On the Run,” “Fly” and “Keep on Loving You.” When they got to the one we all were waiting for “Can’t Stop This Feeling,” Cronin gave a bit of music history lesson, explaining how they wanted to emulate the Beatles' ability to cross rock and pop genres, that they were attempting to write their own “Yesterday.”

    But by placing their biggest hit only halfway through the concert, they made it clear this song was just one of many they love to play.

    The crowd might have cried for and sang every note of “Can’t Stop This Feeling,” but the hearts of REO belonged back in the 1970s, if Cronin’s eloquent introduction to “Golden Country” was any gage. This political song written when they were young men who thought they had something to teach the world and the closing song of the night — “Ridin the Storm” a release from 1973 — might not have served fan expectations.

    Instead these songs proved that for deep, energetic performances it’s best to let rockers of a certain age rock on any way they please.

    Set List:

    Don’t Let Him Go
    Take It On the Run
    Keep Pushin
    Golden Country
    Can’t Fight This Feeling
    That Ain’t Love
    Fly
    Back On the Road
    Keep on Loving You
    Roll with the Changes
    Ridin The Storm Out

    REO Speedwagon showed it's having more fun than ever at the Houston Rodeo.

    Photo by Michelle Watson CultureMapSnap
    REO Speedwagon showed it's having more fun than ever at the Houston Rodeo.
    unspecified
    news/entertainment

    Movie review

    Will Arnett shines in Bradley Cooper’s divorce drama Is This Thing On?

    Alex Bentley
    Jan 9, 2026 | 10:30 am
    Will Arnett in Is This Thing On?
    Photo by Searchlight Pictures/Jason McDonald
    Will Arnett in Is This Thing On?.

    With 12 Oscar nominations in the past 12 years in multiple categories, Bradley Cooper has turned into not only an acclaimed actor, but also a touted filmmaker. Given that pedigree, it might be difficult to remember that he first gained recognition as a comedy star in movies like Wedding Crashers, Yes Man, and The Hangover series. For his latest directorial effort, he has married comedy with drama in Is This Thing On?.

    Unlike the previous two films he directed, Cooper only has a supporting role, ceding the lead to Will Arnett. He plays Alex Novak, who, as the film begins, is starting the process of divorce from his wife of 20 years, Tess (Laura Dern). Forced to move to a depressing apartment in New York City and only getting limited time with his two kids, Alex finds the unexpected outlet of stand up comedy when he signs up for open mic night at the famous Comedy Cellar.

    The film follows Alex as he continues to pursue comedy while still having to see Tess on a regular basis, thanks to a shared custody agreement and get-togethers with friends like Balls and Christine (Cooper and Andra Day) and Stephen and Geoffrey (real life couple Sean Hayes and Scott Icenogle). While the comedy serves as a form of counseling for Alex, truly moving on proves more difficult than expected.

    The film, co-written by Cooper with Arnett and Mark Chappell, is loosely based on the real-life story of British comedian John Bishop, so one of the biggest things they needed to get right was the comedy itself. Alex’s marital situation lends his comedy more of a confessional style than actual jokes, and his evolution in that space is done well. Shooting in the actual Comedy Cellar and populating the club with real comedians like Amy Sedaris, Jordan Jensen, Reggie Conquest, and more gives those scenes an extra dose of realism.

    As if to underscore the personal and emotional nature of the story, Cooper and cinematographer Matthew Libatique make liberal use of closeups with handheld cameras. The camera is constantly moving around and often seems to be right in the actors’ faces, something that is most noticeable when Alex is performing. As if the stories Alex was telling weren’t intimate enough, having Arnett's entire face fill the frame forces the audience to pay attention to what his character is saying.

    If there is something to knock about the film, it’s a lack of dramatic stakes. While there’s natural tension between Alex and Tess due to the divorce, it’s way less than in a movie like, say, Marriage Story. There’s also a sneaking suspicion that Cooper was just looking to have fun with the film, casting himself as the comic sidekick and working with good friends like Arnett and Hayes. If ever there was a good hang divorce movie, this is it.

    Arnett rarely gets to be in movies, much less as the lead, but he ably embodies this somewhat dramatic part. It helps that he’s given a great scene partner like Dern, who knows when to dial her acting up or down for a particular situation. Cooper and Day are also good despite their story being slightly superfluous, and Christine Ebersole and Ciarán Hinds as Alex’s parents lend the film some extra gravitas.

    Is This Thing On? is a much different type of film from Cooper’s first two directorial efforts, A Star is Born and Maestro, and it’s nice to see the filmmaker offer something new. It has a relatable story for anyone who has ever been married while offering an element of uniqueness with someone discovering an undiscovered skill late in life.

    ---

    Is This Thing On? opens wide in theaters on January 9.

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