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    A Big Rodeo Surprise

    REO Speedwagon pulls a Rodeo surprise: These old rock stars don't give a damn what you want

    Tarra Gaines
    Mar 11, 2014 | 2:53 am

    There’s something rather inspiring about witnessing an artist of a certain age metaphorically say: Fuck it. I’m NOT too old for this shit, and I’m going to do what I want.

    This might be the best way to describe what the 54,039 REO Speedwagon fans experienced at Reliant Stadium Monday night when their band took the stage for a RodeoHouston concert.

    Not that lead singer Kevin Cronin, his gravity defying white hair visible from any seat in the house, ever used those words the many times he talked with the audience in between songs. (Maybe he spotted the kids in the crowd usually accompanied by what looked to be their middle-aged fathers.) Yet with their opening song “Don’t Let Him Go,” it became apparent that this much older, but still kickin' it REO Speedwagon was going to play as they wanted and what they wanted.

    The guitar air jumps, stage runs, guitar solos and Hitt’s need to go shirtless halfway through the performance all point to a band having immense fun.

    Those in the crowd who came expecting to see the familiar Top 40 radio and early MTV stars might have been surprised to meet REO the classic rockers from the '70s and early '80s.

    This latest incarnation of the band — one of many since REO formed in 1967 — consists of long-time members Cronin, Bruce Hall on bass guitar and Neal Doughty on keyboards along with newer members Dave Amato who joined the band in 1989 and drummer Bryan Hitt who joined in 1990. The guitar air jumps, stage runs, multiple guitar solos and Hitt’s need to go shirtless halfway through the performance all point to a band having immense fun and who seemed just happy to be in the middle of the Reliant stage looking up at all those fans surrounding them.

    When Cronin told the crowd they had played some big gigs in the past, “but nothing like this,” there might have even been a little awe in his voice. Yet, the band seemed least likely to act their age when the spirit of classic rock took hold of them.

    REO sprinkled their hour long play list with several of their biggest hits everyone could sing along with: “Take It On the Run,” “Fly” and “Keep on Loving You.” When they got to the one we all were waiting for “Can’t Stop This Feeling,” Cronin gave a bit of music history lesson, explaining how they wanted to emulate the Beatles' ability to cross rock and pop genres, that they were attempting to write their own “Yesterday.”

    But by placing their biggest hit only halfway through the concert, they made it clear this song was just one of many they love to play.

    The crowd might have cried for and sang every note of “Can’t Stop This Feeling,” but the hearts of REO belonged back in the 1970s, if Cronin’s eloquent introduction to “Golden Country” was any gage. This political song written when they were young men who thought they had something to teach the world and the closing song of the night — “Ridin the Storm” a release from 1973 — might not have served fan expectations.

    Instead these songs proved that for deep, energetic performances it’s best to let rockers of a certain age rock on any way they please.

    Set List:

    Don’t Let Him Go
    Take It On the Run
    Keep Pushin
    Golden Country
    Can’t Fight This Feeling
    That Ain’t Love
    Fly
    Back On the Road
    Keep on Loving You
    Roll with the Changes
    Ridin The Storm Out

    REO Speedwagon showed it's having more fun than ever at the Houston Rodeo.

    Photo by Michelle Watson CultureMapSnap
    REO Speedwagon showed it's having more fun than ever at the Houston Rodeo.
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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