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    A Big Rodeo Surprise

    REO Speedwagon pulls a Rodeo surprise: These old rock stars don't give a damn what you want

    Tarra Gaines
    Mar 11, 2014 | 2:53 am

    There’s something rather inspiring about witnessing an artist of a certain age metaphorically say: Fuck it. I’m NOT too old for this shit, and I’m going to do what I want.

    This might be the best way to describe what the 54,039 REO Speedwagon fans experienced at Reliant Stadium Monday night when their band took the stage for a RodeoHouston concert.

    Not that lead singer Kevin Cronin, his gravity defying white hair visible from any seat in the house, ever used those words the many times he talked with the audience in between songs. (Maybe he spotted the kids in the crowd usually accompanied by what looked to be their middle-aged fathers.) Yet with their opening song “Don’t Let Him Go,” it became apparent that this much older, but still kickin' it REO Speedwagon was going to play as they wanted and what they wanted.

    The guitar air jumps, stage runs, guitar solos and Hitt’s need to go shirtless halfway through the performance all point to a band having immense fun.

    Those in the crowd who came expecting to see the familiar Top 40 radio and early MTV stars might have been surprised to meet REO the classic rockers from the '70s and early '80s.

    This latest incarnation of the band — one of many since REO formed in 1967 — consists of long-time members Cronin, Bruce Hall on bass guitar and Neal Doughty on keyboards along with newer members Dave Amato who joined the band in 1989 and drummer Bryan Hitt who joined in 1990. The guitar air jumps, stage runs, multiple guitar solos and Hitt’s need to go shirtless halfway through the performance all point to a band having immense fun and who seemed just happy to be in the middle of the Reliant stage looking up at all those fans surrounding them.

    When Cronin told the crowd they had played some big gigs in the past, “but nothing like this,” there might have even been a little awe in his voice. Yet, the band seemed least likely to act their age when the spirit of classic rock took hold of them.

    REO sprinkled their hour long play list with several of their biggest hits everyone could sing along with: “Take It On the Run,” “Fly” and “Keep on Loving You.” When they got to the one we all were waiting for “Can’t Stop This Feeling,” Cronin gave a bit of music history lesson, explaining how they wanted to emulate the Beatles' ability to cross rock and pop genres, that they were attempting to write their own “Yesterday.”

    But by placing their biggest hit only halfway through the concert, they made it clear this song was just one of many they love to play.

    The crowd might have cried for and sang every note of “Can’t Stop This Feeling,” but the hearts of REO belonged back in the 1970s, if Cronin’s eloquent introduction to “Golden Country” was any gage. This political song written when they were young men who thought they had something to teach the world and the closing song of the night — “Ridin the Storm” a release from 1973 — might not have served fan expectations.

    Instead these songs proved that for deep, energetic performances it’s best to let rockers of a certain age rock on any way they please.

    Set List:

    Don’t Let Him Go
    Take It On the Run
    Keep Pushin
    Golden Country
    Can’t Fight This Feeling
    That Ain’t Love
    Fly
    Back On the Road
    Keep on Loving You
    Roll with the Changes
    Ridin The Storm Out

    REO Speedwagon showed it's having more fun than ever at the Houston Rodeo.

    Photo by Michelle Watson CultureMapSnap
    REO Speedwagon showed it's having more fun than ever at the Houston Rodeo.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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