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    Big city girl meets country

    Don't expect PC in a small town rodeo & other lessons from Matagorda

    Rachel Hanley
    Mar 19, 2010 | 10:37 am
    • Cowboys getting ready for to release the bull
      Photo by Rachel Hanley
    • Cowboy riding the bronco
      Photo by Rachel Hanley
    • Cowboy in training
      Photo by Rachel Hanley
    • One of the many Fair games
      Photo by Rachel Hanley
    • Swing Carousel
      Photo by Rachel Hanley
    • Matagorda County Fair
      Photo by Rachel Hanley
    • Horses running pre-rodeo
      Photo by Rachel Hanley
    • A great view of the arena
      Photo by Rachel Hanley
    • The rodeo clown/political commentator
      Photo by Rachel Hanley
    • We all stood for the national anthem and prayer.
    • Mutton Bustin' was a highlight of the show.
    • Cowboy roping a calf – and I could see it from the stands!

    Dressed in cowboy boots, a straw hat, plaid pearl-snap shirt and jeans — I looked the part but felt completely out of place at the Matagorda County Fair Livestock Show and Rodeo.

    At first everything seemed normal — a ferris wheel, swing carousel, carnival games, livestock — everything a fair and rodeo should be. Compared to the Houston Livestock Show & Rodeo, it was of course smaller with fewer rides, only about 20 cows, three pigs and a single goat — but I expected as much.

    While Bay City — the Matagorda rodeo's base — is only about 80 miles from downtown Houston, a lot changes in those clicks of the car odometer.

    Matagorda's entire county has a population of less than 40,000. You're definitely not on Kirby anymore.

    Which can be good for your wallet. I am happy to say I could buy a meal for $5. The Houston rodeo is out to get every penny in your pocket, but in Matagorda, church groups provide healthy competition for the vendors..

    Finally, the rodeo began. My friends and I found our place on the bleachers and I realized what a fabulous view I was going to have. I watch the screens at the Houston rodeo but here, everything was going to be lifesize (versus ant-size).

    It was around this time that my friends leaned over and laughingly told me I ought to take notes of the commentators' remarks. I didn't understand at first. Then they told me, "Last year he said, 'We welcome all religions here — Methodist, Presbyterian, Baptist ... and even Catholic.' "

    I was shocked. I knew I was in small town Texas, but I confess I didn't fully understand the culture that came with it.

    Bucking broncs & Obama's health plan

    The lights turned low signaling the start of the rodeo. I was excited. The announcer opened the evening with a prayer which surprised me, but I had no problem with it. Then out came "whether you worship in a temple, a synagogue or a church we are privileged to live in a country where we can pray to the one true God."

    I wasn't sure what he meant by that, but then he ended with, "In Jesus' name." Once again, I was shocked. I haven't heard someone at a public event end a prayer with Jesus' name, I think ever. This would never happen in Houston.

    The show quickly started and there were more events than the Houston rodeo. It was a good three hours of bucking and goring and while the cowboys were not on par with the ones at the Houston rodeo, they still provided a great show.

    Another key element in the show was the rodeo clown. Heading in, I had no idea a rodeo clown would do more than make faces and taunt/distract bulls, but at this rodeo he was a key outlet to the political feelings of the commentator and the crowd.

    Of course, Obama's medical plan was a hot ticket. It began with asking the crowd if they'd like to see half of Congress on the bulls. The master of ceremonies then tried to dance around it by saying he didn't actually specify which half. If there were any question left in any of our minds, it was quickly cleared up as the clown stepped in crap and compared it to Obama's medical plan.

    Obama was also compared to a stretched-out bra — as both are losing support.

    I honestly didn't expect comments like that at a public event, but then I've never lived in a small town. I completely expect it with Bill O'Reilly, Glenn Beck, Jon Stewart (the other way) or a comedian, but not in a public event.

    The comments continued and the subject of women came up. A lady in the front row had her heels up and the clown remarked that it looked like she had a remote in her hand and was ready to watch TV. He then continued, "But I know you don't have a remote 'cause you're a woman."

    I know it was suppose to be funny, but I wasn't laughing

    It hit a little too close to home and reminded me of so many negative experiences with people who subscribe to this philosophy. They may comment jokingly, but on closer inspection I've found it's not all humorous.

    There were other comments speckled throughout the evening (A man dressed like an "Indian" for instance. Is it that hard to say Native Americans?) But there were also some genuinely funny moments. The clown tried dancing like Michael Jackson and the kids in the mutton bustin' were fabulous. It wasn't a completely bad show, but by the end, I felt like I was under a spotlight — and I dressed the part!

    I rode home with a Korean friend of mine and in a very white arena, it was uncomfortable for her as well. Another friend of mine jokingly said he was "looking for a lynching posse." It wasn't that bad, and there were other races and nationalities in the town — just not in the arena.

    As far as next year goes, I imagine I'll return. I just have a better idea of what to expect and PC is not it.

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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