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    RodeoHouston 2022

    Journey faithfully rocks out classics for massive RodeoHouston crowd

    Johnston Farrow
    Johnston Farrow
    Mar 10, 2022 | 11:39 pm
    Lead singer Arnel Pineda soared.
    Lead singer Arnel Pineda soared.
    Photo courtesy of Houston Livestock Show and Rodeo

    Judging by the response of the massive 72,000 in attendance for their RodeoHouston debut on Thursday, March 10, there are plenty of fans that haven’t stopped believing in classic rock act Journey.

    If the goal of RodeoHouston event organizers is to appeal to the widest segment as possible, the classic rock act checked all the boxes. On the concourse before the show, guys and gals decked out in cowboy gear mingled with diehard rock ‘n rollers, trimmed beards mixing with shaved heads and goatees, crisp plaid shirts next to leather jackets.

    A review of the group that started in San Francisco wouldn't be complete without talking about the current lead singer, Arnel Pineda, who stepped into the shoes most notably worn by the legendary Steve Perry who left the group in 1987. Searching for a new frontman after Perry's replacement Steve Augeri came down with a throat infection, lead guitarist Neal Schon — the only original member of the band when it started in 1973 — found Pineda singing Journey cover songs with his band in The Philippines via YouTube in 2007, and invited him to join the band.

    In other words, Journey quite literally had to go to the ends of the earth to find someone who could match Perry's range. That's absolutely bonkers. But if one closed their eyes throughout the night's performance, one would be hard pressed to know the difference between Perry and Pineda, the latter with the same raspy, soaring pipes that endeared Perry to millions.

    Coming out to the 1973 Led Zeppelin song, "D'yer Mak'er," the proceedings kicked off with Schon blasting through a rousing rendition of "Star Spangled Banner" that got the crowd primed, akin to Jimi Hendrix’s famed Woodstock performance all the way down to the left-handed guitar.

    With the decibels up, the entire band kicked into "Stone in Love" from the 1981 chart-topping album, Escape, transporting NRG in a time machine to 40 years ago when Journey filled stadiums of this size on the regular. The group was extremely comfortable in front of a huge crowd with always active Pineda using the entire star-shaped stage, including the star points that raised him high into the air several times throughout the concert.

    Whereas some debut acts don't know how to take advantage of the sprawling set, Journey showcased their rock and roll lifer pedigree. "Only the Young," most notably used in the 1985 Matthew Modine wrestling movie, Vision Quest, indulged in the nostalgia, ending with an extended guitar jam, a great rendition of the album, Frontiers.

    No surprise here to say that "Don’t Stop Believin'", another track from Escape, drew the biggest response of the night, turning NRG Stadium into one giant karaoke bar for thousands while Pineda nailed the extreme high notes with gusto. The indelible tune has aged like fine wine and might be even more popular today than it was when it hit No. 4 on the charts back in 1981.

    Then it was back to 1978 for "Lights," which drew the cellphone flashlights from pockets, images of San Francisco playing on the giant video screen behind the band.

    "Dead or Alive" featured a nice spotlight on the baby grand piano by longtime member Jonathan Cain, sounding like the training montage to countless '80s sports movies. Once again, it was a great vocal turn by Pineda, showcasing his high energy, the song ending with a prog-rock bassline and extended drum flourish finish that the crowd lapped up.

    "We paid the price for life on the road," Cain said, introducing the next song. "It made me think of those who are paying the price for the life they are living, those who are here competing in the rodeo. Cowboys and cowgirls, this goes out to you."

    The Rock and Rock Hall of Famers then dipped into their bread and butter with "Faithfully," the cellphone flashlights back for a faithful rendition of the Frontiers radio hit.

    Yet another hit, “Separate Ways" followed with a big scream from the crowd as the unmistakable keyboard riff rang out. Like "Don't Stop Believin'," the song has aged well, even if the parody-prone video hasn't (see the recent New Kids On The Block video for proof). The hits kept coming with the 1978 jam "Wheel in the Sky," complete with its recognizable harmonized chorus.

    It produced yet another singalong from the adoring fans throughout the cavernous stadium. Another extended jam led by Schon brought the heat with shades of hair metal, a drum solo finish drawing huge applause. The youngest song of the set, the 1986 jam "Be Good to Yourself" was next, taken from the band's last top ten album, the aptly named Raised on Radio.

    Schon truly impressed here with his fretwork, basically serving as a clinic for the veteran guitar player. The short, but amazingly executed set ended at just over an hour with 1980 hit single "Any Way You Want It," Pineda indulging in a call-and-response with the still-full stands.

    While many rock fans might consider Journey uncool, the band did all they could to dispel that notion on Thursday night, putting on an electrifying performance that had the crowd on their feet for most of the show. They smartly stuck with the hits and the RodeoHouston faithful were thankful for it.

    "Houston, we'll be friends forever," Pineda exclaimed, the band taking a bow. The feeling was mutual.

    Setlist

    “Star Spangled Banner”

    “Stone in Love”

    “Only the Young”

    “Don’t Stop Believing”

    “Lights”

    “Dead or Alive”

    “Faithfully”

    “Separate Ways”

    “Wheel In the Sky”

    “Be Good to Yourself”

    “Any Way You Want It”

    Lead singer Arnel Pineda soared.

    Journey Rodeo Houston 2022
    Photo courtesy of Houston Livestock Show and Rodeo
    Lead singer Arnel Pineda soared.
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    Pretty please, HLSR

    Post Malone, P!nk, and The Killers: 18 artists who should play RodeoHouston 2027

    Craig Hlavaty
    Mar 24, 2026 | 4:00 pm
    Post Malone RodeoHouston
    Courtesy of the Houston Livestock Show and Rodeo
    It's time for Post Malone to return to the rodeo.

    While I’ve still sweeping out the last of the onion ring dander from my moustache from the 2026 Houston Livestock Show and Rodeo, a dream lineup for RodeoHouston 2027 is already taking shape in my bald head. It’s a delicate science, really. Balancing the traditional "King George" energy with the modern, genre-bending stars that keep the stadium seats packed until the artist rides off on a horse, Ford truck, or a SLAB.

    A specific kind of magic happens when the rotating stage starts to spin at NRG Stadium, and while the 2026 lineup gave us everything from the nostalgia of Creed to the powerhouse vocals of Kelly Clarkson, my eyes are already fixed on 2027.

    With the way the current touring landscape is shifting, the possibilities for next year’s RodeoHouston are wide open. In 2026, female acts were much bigger draws than ever, so don’t be surprised if men are in the minority next year.

    With that, here are my annual suggestions for HLSR’s consideration. Let the record reflect that seven of last year’s predictions came true. How about at least eight in 2027?

    Braxton Keith
    Like Zach Top before him, Braxton Keith represents the "throwback" sound that Houston’s traditionalist fan base craves. Throw in some George Strait covers, and he’s a lock to make the jump from rodeo cookoff headliner to the varsity team.

    Bun B Returns
    In 2027, a "Southern Soul & Blues" Takeover featuring artists like Gary Clark Jr., Nicky Diamonds, and Leon Bridges would be a massive draw. Heck, let’s throw in Khruangbin while we’re at it.

    Ella Langley
    I am calling my shot now that Ella Langley will open RodeoHouston in 2027, like her duet partner Riley Green did in 2026. Her single “Choosin’ Texas” was ubiquitous this rodeo season, and I am pretty sure I heard it blaring from every carnival booth and even the restroom line inside NRG Center.

    Flatland Cavalry
    They have spent the last two years systematically checking every box required to graduate to the NRG Stadium stage. In 2024, they were headlining White Oak Music Hall. This summer, they are co-headlining the Cynthia Woods Mitchell Pavilion with the Randy Rogers Band.

    Goo Goo Dolls
    Thanks to a few million trending viral videos, younger generations have a newfound obsession with the Goos. Sure, “Iris” was nice, but we all know that the best single off of 1998’s “Dizzy Up The Girl” was “Broadway.”

    Incubus
    As long as we’re doing the millennial dad rock thing, let’s have Brandon Boyd shirtless in a cowboy hat for the soccer moms singing “Interstellar” while their children divert their eyes.

    Kacey Musgraves
    It’s time for Kacey to return to RodeoHouston as her next album cycle seems to be telegraphing a hard right turn into traditional country, but ya know, hornier.

    The Killers
    Now a 2000s legacy act with huge international appeal, The Killers would be an easy sellout at NRG Stadium. They’ve even admirably covered Kenny Rogers in the past, and lead singer Brandon Flowers has always dressed a little tonk-ish. Set closer is “Mr. Brightside,” and all the elderly millennials trudge hastily out into the concourses because Gen-Alpha babysitters charge like $40 an hour now.

    Miley Cyrus
    It’s time for Miley to enter her true, country music era and not just save it for one-off singles and collaborations.

    P!nk
    It’s astonishing that P!nk has never played RodeoHouston, granted her shows feature tons of aerial stunts and feats of strength. Maybe she could be the first musical performer at the rodeo to compete in the actual rodeo beforehand?

    Post Malone
    Posty is the rare artist who satisfies the hardcore country fans (with his 90s-style hat act) and the rap fans (with his decade of hits). Having drawn more than 70,000 people in 2025, he’s the safest bet for a record-breaking attendance night. He’s due for a new album soon, too, and programming this one on the last official Sunday of rodeo, like Cody Johnson, would break records especially with some like-minded openers.

    Sheryl Crow
    Sheryl Crow is the perfect rock and country hybrid who has never actually played a solo headline night at RodeoHouston. Her catalog of hits is tailor-made for a stadium singalong, just like Kelly Clarkson.

    Sierra Ferrell
    I’m just gonna keep asking for this until I get it. Her next album cycle is looming and her Dolly-esque style -- with piercings and tattoos thrown in the mix -- would make her counterprogramming for the likes of Megan Moroney and Carly Pearce.

    Stephen Wilson Jr.
    Stephen Wilson Jr. is one of the most logical "next up" candidates for the rotating stage. His trajectory is mirroring guys like Koe Wetzel and the Red Clay Strays, both of whom just made their rodeo debuts in 2026. His self-described "Death Cab for Country" sound resonates.

    Tyler Childers
    This is one where I would love him to play, but keeping him to 45 minutes seems like a sin. Is he too political for RodeoHouston? Well, somehow Oliver Anthony played in 2024 and the world didn’t end.

    The War and Treaty
    This husband-and-wife duo would bring a level of vocal power and "tent revival" energy that has been missing at RodeoHouston. They’ve been staples at the CMAs and Grammys for the last two years, too.

    Zach Bryan OR Zach Top
    Which of the two top Zachs would you prefer? Flip a coin. Either way, you’re going to need to order more beer for the concession stands.

    Post Malone RodeoHouston
    Courtesy of the Houston Livestock Show and Rodeo

    It's time for Post Malone to return to the rodeo.

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