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    RodeoHouston 2022

    Journey faithfully rocks out classics for massive RodeoHouston crowd

    Johnston Farrow
    Johnston Farrow
    Mar 10, 2022 | 11:39 pm
    Lead singer Arnel Pineda soared.
    Lead singer Arnel Pineda soared.
    Photo courtesy of Houston Livestock Show and Rodeo

    Judging by the response of the massive 72,000 in attendance for their RodeoHouston debut on Thursday, March 10, there are plenty of fans that haven’t stopped believing in classic rock act Journey.

    If the goal of RodeoHouston event organizers is to appeal to the widest segment as possible, the classic rock act checked all the boxes. On the concourse before the show, guys and gals decked out in cowboy gear mingled with diehard rock ‘n rollers, trimmed beards mixing with shaved heads and goatees, crisp plaid shirts next to leather jackets.

    A review of the group that started in San Francisco wouldn't be complete without talking about the current lead singer, Arnel Pineda, who stepped into the shoes most notably worn by the legendary Steve Perry who left the group in 1987. Searching for a new frontman after Perry's replacement Steve Augeri came down with a throat infection, lead guitarist Neal Schon — the only original member of the band when it started in 1973 — found Pineda singing Journey cover songs with his band in The Philippines via YouTube in 2007, and invited him to join the band.

    In other words, Journey quite literally had to go to the ends of the earth to find someone who could match Perry's range. That's absolutely bonkers. But if one closed their eyes throughout the night's performance, one would be hard pressed to know the difference between Perry and Pineda, the latter with the same raspy, soaring pipes that endeared Perry to millions.

    Coming out to the 1973 Led Zeppelin song, "D'yer Mak'er," the proceedings kicked off with Schon blasting through a rousing rendition of "Star Spangled Banner" that got the crowd primed, akin to Jimi Hendrix’s famed Woodstock performance all the way down to the left-handed guitar.

    With the decibels up, the entire band kicked into "Stone in Love" from the 1981 chart-topping album, Escape, transporting NRG in a time machine to 40 years ago when Journey filled stadiums of this size on the regular. The group was extremely comfortable in front of a huge crowd with always active Pineda using the entire star-shaped stage, including the star points that raised him high into the air several times throughout the concert.

    Whereas some debut acts don't know how to take advantage of the sprawling set, Journey showcased their rock and roll lifer pedigree. "Only the Young," most notably used in the 1985 Matthew Modine wrestling movie, Vision Quest, indulged in the nostalgia, ending with an extended guitar jam, a great rendition of the album, Frontiers.

    No surprise here to say that "Don’t Stop Believin'", another track from Escape, drew the biggest response of the night, turning NRG Stadium into one giant karaoke bar for thousands while Pineda nailed the extreme high notes with gusto. The indelible tune has aged like fine wine and might be even more popular today than it was when it hit No. 4 on the charts back in 1981.

    Then it was back to 1978 for "Lights," which drew the cellphone flashlights from pockets, images of San Francisco playing on the giant video screen behind the band.

    "Dead or Alive" featured a nice spotlight on the baby grand piano by longtime member Jonathan Cain, sounding like the training montage to countless '80s sports movies. Once again, it was a great vocal turn by Pineda, showcasing his high energy, the song ending with a prog-rock bassline and extended drum flourish finish that the crowd lapped up.

    "We paid the price for life on the road," Cain said, introducing the next song. "It made me think of those who are paying the price for the life they are living, those who are here competing in the rodeo. Cowboys and cowgirls, this goes out to you."

    The Rock and Rock Hall of Famers then dipped into their bread and butter with "Faithfully," the cellphone flashlights back for a faithful rendition of the Frontiers radio hit.

    Yet another hit, “Separate Ways" followed with a big scream from the crowd as the unmistakable keyboard riff rang out. Like "Don't Stop Believin'," the song has aged well, even if the parody-prone video hasn't (see the recent New Kids On The Block video for proof). The hits kept coming with the 1978 jam "Wheel in the Sky," complete with its recognizable harmonized chorus.

    It produced yet another singalong from the adoring fans throughout the cavernous stadium. Another extended jam led by Schon brought the heat with shades of hair metal, a drum solo finish drawing huge applause. The youngest song of the set, the 1986 jam "Be Good to Yourself" was next, taken from the band's last top ten album, the aptly named Raised on Radio.

    Schon truly impressed here with his fretwork, basically serving as a clinic for the veteran guitar player. The short, but amazingly executed set ended at just over an hour with 1980 hit single "Any Way You Want It," Pineda indulging in a call-and-response with the still-full stands.

    While many rock fans might consider Journey uncool, the band did all they could to dispel that notion on Thursday night, putting on an electrifying performance that had the crowd on their feet for most of the show. They smartly stuck with the hits and the RodeoHouston faithful were thankful for it.

    "Houston, we'll be friends forever," Pineda exclaimed, the band taking a bow. The feeling was mutual.

    Setlist

    “Star Spangled Banner”

    “Stone in Love”

    “Only the Young”

    “Don’t Stop Believing”

    “Lights”

    “Dead or Alive”

    “Faithfully”

    “Separate Ways”

    “Wheel In the Sky”

    “Be Good to Yourself”

    “Any Way You Want It”

    Lead singer Arnel Pineda soared.

    Journey Rodeo Houston 2022
    Photo courtesy of Houston Livestock Show and Rodeo
    Lead singer Arnel Pineda soared.
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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