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    Bronc tale grows

    Rodeo Hall of Famer: Runaway bull would have reached the fair if not for cowboyhero

    Chris Baldwin
    Mar 10, 2010 | 7:00 pm
    • Bronc didn't even have time to cinch his saddle before going bull chasing.
    • Rodeo Hall of Famer Cotton Rosser knows how difficult roping an angry bull in aparking lot is.
    • Cotton Rosser hired the cowboy who saved Houston and knows the bull that gotaway.

    You don't Taser a bull. They don't put that in police manuals, but any cowboy worth his stirrups knows that's about as sound an idea as petting a rattlesnake.

    When National Rodeo Hall of Fame inductee Cotton Rosser heard that the Houston police had tried to Taser the runaway bull at the rodeo, he knew his protege and worker Bronc Boehnlein was in for a wild, high-stakes ride — one where either Bronc won or innocent people on the Houston Livestock & Rodeo show grounds lost big time.

    "Tasering a bull just makes that bull a lot more mad and a lot more out of control," Rosser told CultureMap in an exclusive phone interview today. "When they told me about the Taser ... oh boy, Bronc had his work cut out for him."

    Bronc did that work while getting dragged across a parking lot on a borrowed horse, with the animal's hooves struggling to gain traction on the unforgiving parking lot surface while the 1,400-plus-pound bull Hardball tried to get away from Bronc's lasso. "(Bronc) told me that he was pulled across the parking lot," Rosser said, revealing more untold details about the night that rocked the Houston rodeo and turned a previously unknown rodeo grunt into a quasi celebrity cowboy hero.

    "He was on asphalt," Rosser continued."That's not a good surface for wrangling an angry bull."

    Bronc still managed to stop Hardball — knowing he had little other choice. After all, "20-30 police officers," according to Houston rodeo CEO Leroy Shafer had been unsuccessful in trying to halt Hardball.

    "At one point, Bronc told me that it was basically just him and the bull," Rosser said. "And that bull was heading for the fair. It's not that he wanted to hurt anyone. He's a bull. He just had to go somewhere and the fair was where he could go. Bronc really saved them from a bad scene."

    Bronc himself also told a Sacramento TV station that Hardball seemed to be running toward the fair and the huge crowds there.

    Rosser holds a unique perspective on the incident that happened Sunday evening, with the rodeo grounds crawling with tween girls there for the Jonas Brothers concert. The 81-year-old Rosser is not just Bronc's boss at the Flying U Rodeo Company in Marysville, Calif. He knew Bronc's grandfather, an old-school cowboy by the name of C.J. Jones. Rosser also knows the owner of Hardball, Don Hudson, who runs a ranch in Washington.

    "That's a mean bull," Rosser said. "They said he was (more than) 1,400 pounds, but I think he's around 1,800 to 2,000 pounds. He's not a small bull."

    Hardball was set to compete in the Houston rodeo last night — after having two days to calm down from his escape.

    Rosser — who was inducted into the National Rodeo Hall of Fame last year — planned to call up Shafer (an old friend of Rosser's) to give the Houston rodeo CEO a little ribbing over what type of cowboy managed to prevent a bull tragedy in the nation's fourth largest city.

    "I'll give him a little grief about Texas needing a California cowboy to save it," Rosser said. "Just a little joshing."

    Rosser laughed when asked if a rivalry existed between Texas and California cowboys though.

    "No, no, not anymore," he said. "All the cowboys in California are moving to Texas. A cowboy can sell his small place here and go buy an acre in Texas. There's a lot more horses in Texas than California now."

    Sudden Cowboy Celebrity

    Bronc Boehnlein lived a pretty simple modern cowboy life before word of his runaway bull heroics started spreading. This isn't one of the rodeo circuit's high-paid competitors. Bronc worked as a wrangler in Houston, a spot that's ordinarily far from the spotlight.

    Rosser estimates that Bronc makes around $2,000 a month raising show horses. And Bronc hasn't stopped moving since he stopped Hardball. After immediately leaving Houston (before Shafer could even thank him) for two days in Sacramento to help his barrel racing cowgirl wife in another rodeo, Bronc spent today driving to Palm Springs for yet another rodeo.

    After reading a story on CultureMap that detailed Bronc's exploits, a reporter from Sacramento's local ABC affiliate did interview Bronc on the air.

    "Yeah, he's getting some grief about that from the other cowboys," Rosser said. "He's the new local celebrity."

    By Rosser's seasoned estimation, Bronc deserves every bit of it though.

    It's not just Bronc's instant decision to borrow a horse and a rope from a nearby calf roper that impresses Rosser.

    "What people don't realize is that he didn't even have a chance to cinch his saddle," Rosser said. "Bronc just took off before anyone could tie his saddle. He was out there, bouncing all around on a uncinched saddle, trying to stop a 2,000-pound bull. On pavement. I don't think people who aren't in our business realize just how tough that is.

    "That's some serious roping."

    Rosser would know. He used to be one of the top cowboys in the country. Rosser won the Grand National Rodeo in 1951 before a tractor accident left him unable to compete. Bronc isn't nearly on Rosser's old level. But then again, Rosser never stopped a runaway bull in a parking lot either.

    Bronc halted Hardball by getting him into a corner of the parking lot. Once the bull realized he was hemmed in, the beast calmed down.

    "When Bronc first came to work for me, I was surprised by his skills," Rosser said. "Even though he comes from a rodeo family, you don't see skills like that in California often anymore. He's still just a kid (23). My goodness."

    It turns out, there's at least one true cowboy left.

    "I told the kid," Rosser said, laughing. "Nobody else is ever going to have a story like yours."

    unspecified
    news/entertainment

    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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