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    Music Matters

    Special Houston concert moment: Country music legend credits Texas — and the Rodeo — for his career

    Eric Sandler
    Mar 8, 2015 | 12:26 am

    A Houstonian doesn’t have to be a country music fan to recognize Alan Jackson’s music. From truck commercials to bars to sports stadiums, Jackson’s music is part of the city’s musical landscape.

    That’s why he’s now performed at the Houston Livestock Show and Rodeo 22-times in his 25 year career. That’s why he’s one of only eight members of the Rodeo’s Star Trail of Fame, alongside legends like Elvis Presley, Charley Pride and George Strait.

    Even if Jackson’s hair is a little grayer now than in his first Rodeo performance in 1992, he still looks the part of a country crooner in his blue jeans, boots and white, broad-brimmed cowboy hat.

    A crowd of 74,695 — easily the biggest of the Rodeo's first week — filled the seats and aisles of NRG Stadium, two-stepping through their favorites and clapping at the end of every familiar tune. Unlike some of the younger acts on the bill, Jackson’s audience spans multiple generations. Parents and grandparents with kids in tow settled in for an evening of traditional country music.

    “I’ve had more hits than I can remember and sold more records that I can imagine. Texas has been really great to me."

    He strode onto the stage and immediately launched into the song that’s provided the motto for his career, “Gone Country.”

    After briefly introducing his band the Stray Horns, Jackson launched into what was surely an unnecessary introduction: Telling the crowd he sings songs on topics like “Life, love, heart, drinking and dancing and having a good time.

    “I hope I play something you like tonight,” he concluded before moving into the heart of his set with "Living on Love."

    He needn’t have worried.

    “I’ve had more hits than I can remember and sold more records that I can imagine. Texas has been really great to me,” Jackson told the crowd. “I have to say thanks to the Houston Rodeo. They’ve been so great to me over the years.”

    The set showed Jackson’s mastery of his audience. Cellphones swayed throughout the stadium during 9/11 tribute “Where Were You?” Then the crowd sang along to familiar hits like “Don’t Rock the Jukebox” and “Honky Tonk Dream.”

    In the absence of Zac Brown (he’ll be here Thursday), Jackson sang a duet with his guitarist, who donned Brown’s signature stocking cap, for a cover of “Walking Away.”

    Jackson even deviated from the pre-show set list by dropping in a new song from his upcoming album, the rockabilly-tinged "You Never Know.” If it sounds like it could have come from his first, well, that’s just country music, y’all.

    After indulging in a little nostalgia, with the sentimental ballad “Remember When,” Jackson kicked it into high gear for the remainder of the set. As he noted, it was Saturday night.

    Jackson exited onto the back of a pickup truck after the final chords of closer “Cornbread” leaving the crowd wanting more. Not to worry, he’ll probably be back next year.

    Alan Jackson's Rodeo Set List:

    Gone Country

    Livin' on Love

    Little Bitty

    Drive

    Where Were You (When the World Stopped Turning)?

    Don’t Rock the Jukebox

    Chasin That Neon Rainbow

    As She's Walking Away

    You Never Know

    Remember When

    Good Time

    It's 5 O’Clock Somewhere

    Chattahooche

    Cornbread and Chicken

    Alan Jackson could not be more comfortable on the Houston Rodeo stage.

    Alan Jackson rodeo
    Photo by Michelle Watson CatchLightGroup.com
    Alan Jackson could not be more comfortable on the Houston Rodeo stage.
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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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