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    Mondo Cinema

    Major actress warns America about Greedy Lying Bastards: When science is bought

    Joe Leydon
    Mar 8, 2013 | 10:52 am

    As anyone who’s ever seen her kicking ass in Blade Runner or Kill Bill can tell you, Daryl Hannah isn’t just another pretty face.

    Off-screen, the Chicago-born actress-activist evidences the same fighting spirit while writing and speaking for various environmental causes — she’s given keynote addresses at the National Biodiesel Board Conference, the Natural and Organic Products Expo and the UN Global Business Conference on the Environment — and spreading the bad news about the dangers of climate change.

    Now Hannah is using the medium of movies to spread her cautionary messages. As executive producer of Greedy Lying Bastards — a fascinating and sometimes frightening documentary opening Friday at the AMC Studio 30, Gulf Pointe 30 and First Colony 24 theaters — she’s joined forces with director Craig Scott Rosebraugh and co-writer Patrick Gambuti Jr. to alert audiences to the threat of environmental disaster.

    They also spend hundreds of millions on these publicity campaigns to confuse people about the science. That should be illegal. I mean, that’s just really criminal.

    But wait, there’s more: The filmmakers also shed light on what they view as stealth campaigns of purposeful disinformation aimed at dismissing scientific evidence of global warming and delaying legislation that might impede the progress of climate change.

    Hannah called CultureMap this week to talk about Greedy Lying Bastards. Here are some highlights of our conversation.

    CultureMap: Have you had any problems running ads for your movie because . . . well, because you have Bastards in the title?

    Daryl Hannah: No, not so far. I guess bastards isn’t on the list of unusable words anymore.

    CM: Maybe you can thank your Kill Bill director Quentin Tarantino for blazing a trail with Inglourious Basterds?

    DH: [Laughs] Maybe so.

    CM: You’ve been active in campaigns to raise public awareness about the potential dangers of climate change for several years. But were even you surprised by some of the info gathered for Greedy Lying Bastards ?

    DH: Yes. Because I really had no idea the amount of money they’ve been spending and the effort they’ve been putting into undermining climate policy, and any kind of progress on legislation. And how they’ve tried to get the scientific evidence — which is now pretty much a consensus — dismissed through their PR campaigns.

    All these people — the World Bank, [Exxon Mobil Corporation CEO] Rex Tillerson, the Koch Brothers — they’ve publicly acknowledged that climate change is in fact happening. And they do acknowledge that it is man-made — that the Industrial Revolution has exacerbated the problem. But they still spend hundreds of millions of dollars.

    CM: Where does most of this money go?

    DH: Well, obviously, they have 764 lobbyists trying to pressure our politicians. But they also spend hundreds of millions on these publicity campaigns to confuse people about the science. That should be illegal. I mean, that’s just really criminal.

    We compare this deception to the deception of the tobacco industry, back when they had people lining up to testify before Congress that tobacco was not addictive, that it was not dangerous to your health and all those other things. Even though the tobacco companies knew this was wrong, and they later showed documents that proved these guys had plenty of warning about the health effects.

    This is very, very similar to that. Except that this has to do with the potential extinction of all life on this planet. Even the World Bank put out a report recently that computed a projection to show what would happen if we continued to emit carbons, and we raised the temperature by just four degrees Celsius. It’s so catastrophic, it’s basically beyond something imaginable. In fact, it’s so severe, it’s hard to even read the report — it’s that upsetting.

    CM: Even so, you’ve insisted that the news media haven’t been giving climate change enough coverage. Why do you think that’s the case?

    DH: The problem is that, as far as the media goes, much of their advertising money comes from these oil companies. Because the fossil-fuel industry is the wealthiest industry in the history of mankind. Back when I was growing up, news reporters did investigative reporting. Now it’s all cut and paste. You’ll actually get fired if you try to do real investigative reporting for the most part.

    I guess bastards isn’t on the list of unusable words anymore.

    We now have a media that’s no longer fair and balanced. I mean, they’ll try to appear fair and balanced by saying, “OK, we’re going to have someone on with one point of view, and then we’ll have someone with a contrary point of view." But since [climate change] is basically a consensus among the scientists, basically the only people they can get are these paid-for denialists who are hired by the fossil-fuel industries.

    And the spokespeople for the denialist campaigns get very hefty salaries.

    CM: Do you think that your acting career has suffered in any way — or that you’ve lost any roles — because of your outspoken activism?

    DH: I know that’s been the case in some instances, for sure. But that’s OK. The truth is, I’m a human being above all. I love life. And I’d love to see life go on on this planet, and thrive.

    You have to think about where your values lie, and what your priorities are. Really, I don’t get paid to do this stuff, in terms of sharing and spreading information. But it’s just that time in the world, unfortunately, when we’re facing a crisis.

    And if we don’t share this information — we’re certainly not going to get it from people who benefit from our being oblivious.

    Greedy Lying Bastards documents the power of big U.S. energy giants fighting global warming theorists.

    Greedy Lying Bastards, smoke stacks
    Greedy Lying Bastards
    Greedy Lying Bastards documents the power of big U.S. energy giants fighting global warming theorists.
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    Movie Review

    New horror movie Faces of Death puts a modern twist on cult classic

    Alex Bentley
    Apr 10, 2026 | 4:00 pm
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy — in which content creators go to increasing lengths for clicks — is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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