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    Derulo At The Rodeo

    Shirtless Jason Derulo searches for H-Town's 'It Girl' and gets the party started at sexy Rodeo debut

    Brittaney Wilmore
    Mar 5, 2016 | 6:45 am

    Jason Derulo made it clear early in his debut at RodeoHouston: If you didn’t come to dance, you were in the wrong place. “We came all the way to Houston to party, and I heard this was the hottest party in Houston, tonight,” he shouted out to an excited crowd of 59,236 on Black Heritage Day at NRG Stadium Friday night.

    The sexy 26-year-old singer kicked off the show with “Trumpets”, “Wiggle” and “Get Ugly” before turning the stage over to his dancers. Fans were on their feet, but it seemed the dancing didn’t really get started until he roared back with “Whatcha Say,” his 2009 debut single.

    And for the fans who’ve followed Derulo’s career, he had another treat. “Single ladies that love Jason Derulo make some noise. If you’re not single, I bet by the end of this song, you’ll be riding solo," he said.

    What can I say? The man knows how to work a segue between songs. But it was enough to get a laugh and keep people moving well after his break-up anthem “Ridin’ Solo” was over.

    Derulo wasn’t alone for long, though. He hopped off the rotating stage to touch fans’ hands and get one question answered.“All these beautiful ladies over here, and I was wondering if my ‘It Girl’ was in Houston, tonight," he said.

    For the purposes of this segment, she was. The strobe lights, glass-breaking sound effects and dance-offs mid-song all faded into the darkness as the spotlight shined on the fan he pulled from the crowd.

    However, it left me thinking, how could I do that? I want to be the “It Girl.” Are these girls vetted? But I digress.

    The chosen fan did exactly right: She milked the moment, sneaking in kisses (on the cheek). At one point, she and Derulo were so close, I began to wonder if I should run out to the floor and offer breath mints. My favorite part of the serenade was how supportive the crowd was, cheering her on the entire time.

    On that note, Derulo moved into an acoustic version of “Don’t Wanna Go Home,” but it was brief.

    He brought back the dance party and upped the sex appeal in a way that many fans knew had to be coming. He ripped off his shirt. I don’t think you could say his chest was sweating. It was more of a glisten. But the fans didn’t seem to mind as he transitioned into “Talk Dirty.”

    Derulo set up his finale in a way I thought was meaningful and believable, despite him being half-naked. “This next song is a celebration, and I want today to be a celebration of life. Let’s celebrate our health. Let’s celebrate that we can get up and do what we want to do," he said.

    That part made me think. I’d wondered if that celebration of life was a nod to the near-death experience he had four years ago, when a neck-injury sustained from dancing could have left him paralyzed.

    Derulo spoke with humility about his journey and success from the moment the show started until the final thank you, when he introduced his hit single,“Want To Want Me.” (He and Luke Bryan did an excellent karaoke version of that song. Maybe Derulo should make a cameo appearance at Bryan’s RodeoHouston concert on March 10. Can we make this happen?)

    Derulo ended the show shirtless on horseback and rode off into the sunset – or rather, backstage. Gasps could be heard (or maybe that was just me?) when the horse sped off, catching Derulo off guard. But he laughed it off.

    Overall, I found Derulo to be a talented, high-energy performer who mixed the hits fans love (“In My Head,” “The Other Side,” “Cheyenne”) with the vocal range he reminded everyone he has (“Marry Me”). Add in the snippet of “Broke” – a collaboration with Keith Urban and Stevie Wonder – and Derulo may have just danced, glistened, and ridden his way to another Rodeo.

    I found Derulo to be a talented, high-energy performer who mixed the hits fans love (“In My Head,” “The Other Side,” “Cheyenne”) with the vocal range he reminded everyone he has (“Marry Me”).

    Jason Derulo at Houston Rodeo
    © Michelle Watson/Catchlight Group
    I found Derulo to be a talented, high-energy performer who mixed the hits fans love (“In My Head,” “The Other Side,” “Cheyenne”) with the vocal range he reminded everyone he has (“Marry Me”).
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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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