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    Texas Music Moment

    With deep Texas roots, Eli Young Band travels through 10,000 Towns

    Meredith Rainey
    Meredith Rainey
    Mar 5, 2014 | 8:30 am
    Eli Young Band
    Eli Young Band's 10,000 Towns includes songs about the bandmembers' wives.
    Photo by Joseph Llanes

    “10,000 Towns is one of those albums where we had ample time to make sure the songs that we were picking were the right songs for where we are in our career,” Eli Young Band frontman Mike Eli tells me during a call from the road on his way to a gig in Erie, Pa., with Darius Rucker.

    The nationally acclaimed country band, whose roots are planted firmly in Texas, is hitting the road hard in the coming months to promote its second album release on a major label. 10,000 Towns was released yesterday and the band is front and center at the Houston Livestock Show and Rodeo tonight.

    “We’re still these four young kids out on the road dreaming about playing shows,” says Mike Eli. - -

    The four college friends, who met at University of North Texas, have come a long way since first forming the band in 2000. After 14 years of hard work, Eli Young Band plays high-energy shows on large stages across the country for its quickly growing fan base of national — and international — enthusiasts. The Texas country rockers have won an Academy of Country Music Award for Song of the Year for “Crazy Girl,” and scored three No. 1 hits — including “Drunk Last Night,” the first single off the new record.

    “After being out on the road and playing as many shows as we have, we’ve become better musicians, better songwriters and better entertainers,” Eli explains. And despite growing older, getting married, and starting families, the quartet’s roots haven’t changed: “We’re still these four young kids out on the road dreaming about playing shows.”

    Playing an increasing number of live shows on the road — and enhancing the entertainment value of those performances — was a driving factor for the content of the new record. “It’s so important that these are the best shows we’ve ever played,” Eli says. “If the record was missing something, we were guided by what we need for the live show.” The result is the most up-tempo album of the band’s career. “It’s the best record we’ve ever made,” he says. “It’s the most fun record we’ve ever made, definitely.”

    The band didn’t shy away from harnessing the talents of some of Music Row’s songwriting heavy-hitters for its latest release. Title track “10,000 Towns” (co-written by Craig Wiseman, one of Nashville’s most successful songwriters in recent years) captures the Eli Young Band’s experience of traveling around the country playing music.

    In addition to tapping into Nashville talent, the band also had a hand in writing seven of the album’s 11 tracks. “Prayer for the Road,” for instance, was inspired by a tradition of the bandmates’ wives. “James and I were talking about how our wives write us these little notes and leave them in our bags and then we find them down the road, and that was where the song started,” Eli explains.

    With help from drummer Chris Thompson, bassist Jon Jones, along with Kyle Jacobs and Billy Montana, the song came to life. “It’s my favorite song on the record, so I think that we came out of that writing session really feeling like we knocked it out of the park.”

    With the new album, the members of Eli Young Band hope to not only spread the word about the band’s music, but also put a greater spotlight on Texas-bred music. “There are a lot of incredible musicians and songwriters in Texas and I’ve always hoped what we do will further other people’s careers,” Eli says. “Our goal is to open doors for bands like us that will fight that regional struggle.”

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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