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    Texas Music Moment

    With deep Texas roots, Eli Young Band travels through 10,000 Towns

    Meredith Rainey
    Meredith Rainey
    Mar 5, 2014 | 8:30 am
    Eli Young Band
    Eli Young Band's 10,000 Towns includes songs about the bandmembers' wives.
    Photo by Joseph Llanes

    “10,000 Towns is one of those albums where we had ample time to make sure the songs that we were picking were the right songs for where we are in our career,” Eli Young Band frontman Mike Eli tells me during a call from the road on his way to a gig in Erie, Pa., with Darius Rucker.

    The nationally acclaimed country band, whose roots are planted firmly in Texas, is hitting the road hard in the coming months to promote its second album release on a major label. 10,000 Towns was released yesterday and the band is front and center at the Houston Livestock Show and Rodeo tonight.

    “We’re still these four young kids out on the road dreaming about playing shows,” says Mike Eli. - -

    The four college friends, who met at University of North Texas, have come a long way since first forming the band in 2000. After 14 years of hard work, Eli Young Band plays high-energy shows on large stages across the country for its quickly growing fan base of national — and international — enthusiasts. The Texas country rockers have won an Academy of Country Music Award for Song of the Year for “Crazy Girl,” and scored three No. 1 hits — including “Drunk Last Night,” the first single off the new record.

    “After being out on the road and playing as many shows as we have, we’ve become better musicians, better songwriters and better entertainers,” Eli explains. And despite growing older, getting married, and starting families, the quartet’s roots haven’t changed: “We’re still these four young kids out on the road dreaming about playing shows.”

    Playing an increasing number of live shows on the road — and enhancing the entertainment value of those performances — was a driving factor for the content of the new record. “It’s so important that these are the best shows we’ve ever played,” Eli says. “If the record was missing something, we were guided by what we need for the live show.” The result is the most up-tempo album of the band’s career. “It’s the best record we’ve ever made,” he says. “It’s the most fun record we’ve ever made, definitely.”

    The band didn’t shy away from harnessing the talents of some of Music Row’s songwriting heavy-hitters for its latest release. Title track “10,000 Towns” (co-written by Craig Wiseman, one of Nashville’s most successful songwriters in recent years) captures the Eli Young Band’s experience of traveling around the country playing music.

    In addition to tapping into Nashville talent, the band also had a hand in writing seven of the album’s 11 tracks. “Prayer for the Road,” for instance, was inspired by a tradition of the bandmates’ wives. “James and I were talking about how our wives write us these little notes and leave them in our bags and then we find them down the road, and that was where the song started,” Eli explains.

    With help from drummer Chris Thompson, bassist Jon Jones, along with Kyle Jacobs and Billy Montana, the song came to life. “It’s my favorite song on the record, so I think that we came out of that writing session really feeling like we knocked it out of the park.”

    With the new album, the members of Eli Young Band hope to not only spread the word about the band’s music, but also put a greater spotlight on Texas-bred music. “There are a lot of incredible musicians and songwriters in Texas and I’ve always hoped what we do will further other people’s careers,” Eli says. “Our goal is to open doors for bands like us that will fight that regional struggle.”

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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