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    Iconic Houston Nightclub

    Iconic Houston nightclub gets the movie treatment: Only-in-Montrose story to finally be told

    Elizabeth Rhodes
    Mar 2, 2015 | 2:55 pm

    For more than three decades, Numbers has been the go-to club for the different, the disaffected and those who simply love to dance. The venerable club on lower Westheimer continues to draw large crowds on Friday nights where '80s music rules and on Saturdays it features special events for those interested in underground hip-hop, electronic music and hardcore.

    Now, three Houstonians are determined to capture the club's illustrious history in a new film. Director Marcus Pontello, along with producers Jeromy Barber and James Templeton of Dinolion, recently launched a Kickstarter campaign to fund a documentary about the legendary Montrose nightclub and concert venue. The club has occupied its space at the corner of Westheimer and Mason St. since 1978 and, as Pontello says, "it's a fixture of the neighborhood."

    Given Numbers' 36-year history, there's a lot of ground to cover in their documentary, titled Friday I'm In Love after The Cure's 1992 hit.

    "It's a place that's always been a kind of come-as-you-are, 'be yourself' establishment. That's why Numbers is so great."

    "On a broad scope, we're trying to go through the journey of the building and the various stages the building has seen in terms of DJ's and music, because that's what brings people to Numbers, whether it's 1970s gay disco or new wave or goth industrial," Pontello says.

    "Beyond that, we're trying to highlight the people who were very much responsible for the various stages — the different owners, promoters and DJs who really have had a strong influence on the club. And past that, we want to hone in on stories from patrons who go to Numbers because they're accepted there.

    "It's a place that's always been a kind of come-as-you-are, 'be yourself' establishment. That's why Numbers is so great."

    All are welcome

    Repeated over and over — and with good reason — is the common sentiment that Numbers is an incredibly accepting place that's welcoming to absolutely anyone.

    "I've been finding that people of different generations and ages have had similar experiences," Pontello says of the interviews they've been conducting with patrons. "It's always the same kind of narrative. 'I went to Numbers because I wasn't accepted in the suburb I was living in,' — or even in other parts of Houston — 'so I found this kind of entryway into subculture.' It's pretty amazing."

    "What I think is interesting about Numbers is that Houston and Texas are traditionally very conservative," Barber notes. "There's definitely an arms-wide-open kind of community that congregates at Numbers. To this day, you'll go and see soccer moms and Midtown bros and goth queens and 60-year-old dominatrix slaves, all on the same dance floor."

    Passion project

    Barber describes Friday I'm in Love as a "passion project for three Houston kids," all of whom have experienced Numbers in different ways over the years.

    For the now 26-year-old Pontello, he's been frequenting the nightclub since he was a 15-year-old student at the High School for the Performing and Visual Arts. Although he didn't originally plan to make a film about Numbers, he says the project actually began two years ago as a hobby.

    "I was living in LA, going to school there, then New Orleans, so I spent time away from home — which is Houston — and in my time away I was always trying to find a place like Numbers in another city, but there just wasn't a place like it anywhere else. So I started traveling back and forth, starting to do research and interviews, really just out of curiosity.

    "(During interviews) so many people's first reactions are 'Oh, I went to Numbers,' and I ask if they have any really interesting stories and they say, 'Oh my god, you're bringing me back.' There are people who remember very specific details, but there are also people who haven't thought about it in 20 years or more. Our conversation starts and then they start remembering all these amazing memories."

    Pontello says he's found many former patrons through Facebook, specifically through Numbers' own page and a page called the Friends and Loyal Patrons of Numbers Nightclub. Additionally, the group has already interviewed some of the artists who left a strong impression on the club, including Andy Bell and Vince Clark of Erasure, Groovy Mann and Buzz McCoy of Thrill Kill Kult and Bliss Blood of Houston's The Pain Teens.

    "There's so many amazing things about Montrose that have just gone into the recesses of peoples minds," Pontello says."I feel like there's something about the spirit of the city, or maybe Montrose specifically, that runs the risk of being lost if stories like this don't get told."

    The Kickstarter

    "A big part of the conversation from the beginning was that we needed to raise money for this," says Barber, speaking of their Kickstarter campaign. "It actually took a long time to get us to the point where we were actually raising money."

    "I feel like there's something about the spirit of the city, or maybe Montrose specifically, that runs the risk of being lost if stories like this don't get told."

    The project's Kickstarter campaign has raised more than $31,000 as of March 2— inching closer to the $40,000 goal with only a few days remaining (the completion deadline is 9 p.m. on Friday, March 6). Depending on the donation amount, backers can score goodies like exclusive posters, T-shirts and even VIP tickets to the film's premiere.

    (UPDATE: As of March 4, the group has exceeded their goal and has raised $41,096 with one day of fundraising left.)

    With an expected completion date of fall 2016, Barber not only wants to host local screenings but also plans to send Friday I'm In Love to film festivals, specifically South by Southwest, given that the film's subject matter revolves around music subculture in Texas.

    "Our goal is to document the film, to document Numbers, to make that a real thing that happens," Barber says. "Send the film out to festivals so that more people know about this place, because it's still a place that exists and it's a people can come visit. And that's exciting. Maybe it drives a little bit of tourism, maybe it'll bring some people out of the woodwork, even from within the area, who've never experienced Numbers. At the end of it, it just documents the story, it's sort of like a preservational piece.

    "The culture of this super-accepting place is at the heart of the story. And it's an awesome story. It's an awesome story about Numbers, an awesome story about Houston, an awesome story of the last 36 years, and that's amazing."

    The dance floor at Numbers is always covered in dancing patrons, lasers and disco lights, especially on a Friday night.

    Numbers interior lights disco ball
      
    Photo courtesy of Dinolion
    The dance floor at Numbers is always covered in dancing patrons, lasers and disco lights, especially on a Friday night.
    dance
    news/entertainment

    howling for you

    Houston's interdimensional art exhibit books 4 local acts for summer concerts

    Jef Rouner
    May 12, 2025 | 5:37 pm
    The four members of Swimwear Department hugging
    Photo provided by Meow Wolf
    Swimwear Department is heading to Meow Wolf

    Things are heating up this summer at Meow Wolf as they host their first ever summer concert series. Four hometown bands will take the stage at the immersive art complex for a series of shows in June and July.

    “Houston’s music scene has always been bold, genre-defying, and deeply original, so it felt natural to bring that same energy into our Radio Tave world,” said Aaron Johnson, general manager of Meow Wolf Houston. “This concert series is about celebrating the artists who define Texas' sound and give guests a new reason to experience Meow Wolf in a whole new way.”

    Ever since Meow Wolf first opened during Halloween last year in Fifth Ward, the collection of artistic spaces has wowed, delighted, and sometimes confused audiences. Cowboix Hevvven, the venue's "dive bar" with possible links to extraterrestrials, was designed by fifth generation Texan Cole Wilson and features a jukebox of 30 original songs Wilson created in collaboration with other Texas artists. Radio Tave, Meow Wolf's name for the exhibit as a whole, has been a huge critical and popular hit for Meow Wolf, winning two Webby Awards last month.

    It's also the perfect place to show off some of the more esoteric bands that make up the Houston sound. The odd four-piece rock band Swimwear Department burst onto the scene in 2023, winning over audiences with their songs about pools and malls as well as a series of stellar music videos shot around the city. Their potent mix of quirk and early-alternative music has made them one of the best novelty acts in Houston.

    Meanwhile, The Mighty Orq and Mango Punch have been mainstays for more than a decade. Orq is swamp blues royalty, and always adds a sense of the strange to his concerts thanks to his near-mystical aura. Mango Punch is almost custom built for Meow Wolf thanks to a hectic swirl of Top 40, disco and cumbia.

    The schedule for the concerts is below with links to tickets.

    • Swimwear Department, June 6, 8 pm
    • Night Drive, June 20, 8 pm
    • The Mighty Orq, July 11, 8 p.m.
    • Mango Punch, July 25, 8 p.m.

    Though Houston has never hurt for places weird bands can play, wedding the popular immersive art space at Meow Wolf with concerts is an opportunity to reframe music as performance art rather than just something to listen to while having a drink (though you can still do that at Meow Wolf). Should the summer concert series prove a success, it could quickly become one of the prime venues in the city, at least for groups looking to be a little out there.

    meow wolfconcerts
    news/entertainment
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