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    spoiler alert

    Guaranteed Academy Award winners: Win your Oscar pool with these Internet picks

    Duncan Carson
    Feb 26, 2012 | 4:23 pm
    News_Oscars_2010_generic_March 10
    Replicas of Oscars on display in a shop in front of the Kodak Theater in Hollywood, California
    Photo by Gabriel Bouys

    Spoiler alert: I'm going to ruin the Oscars for you.

    I used to watch the ceremony on the edge of my seat, though I've always been an avid cinephile, I could never outguess the Academy: Why would Million Dollar Baby beat The Aviator after it won so many technical categories? How could Crash possibly win anything?
    But a few years ago I discovered the cottage industry of blogs that follow every Oscar precursor, every press release and For-Your-Consideration ad, know all the angles and can predict what will win most categories.
    Basically these blogs do all the hard work for you, making charts of each Critic's circle award, the SAGs, the Golden Globes, the BAFTAs and all of the individual filmmakers' guild awards that correspond to the technical categories. They work out which ones match up to the Oscars and predict accordingly — there are even Vegas odds for Best Picture.
    The Internet, like it does for most everything, can remove the wonder from the Oscars but give you the upper hand. It'll drain Sunday night of most of its inherent drama (you can bet on just how wacky host Billy Crystal will be!), but you'll win your Oscar pool if its full of casual moviegoers that don't know Hugo from a hole in the ground.
    This year it's clear that The Artist has a deathgrip on Best Picture, as well as Best Director and Editing (the two most important Best Picture indicators). Star Jean Dujardin (the titular "Artist") has a slight edge on George Clooney for Best Actor, and since The Artist is a silent movie, composer Ludovic Borce had to carry so much weight that he's assured the Best Original Score statue. Plus it's a period piece, it can count on Best Costumes as well.
    Use these in your pool, and if you win then let me know (that I haven't wasted my last three winters obsessing over the Oscar-guessing industry for no reason).
    But the juggernaut ends there: The more colorful, expansive Hugo will beat it for Art Direction, and since it has no dialogue it'll lose Best Original Screenplay to Midnight in Paris (the screenplay category is basically Woody Allen's homefield).
    The Help was the only Best Picture nominee that people actually saw, so it has to take home something: Expect Viola Davis and Octavia Spencer to win Best Actress and Best Supporting Actress, respectively. Christopher Plummer will win Best Supporting Actor for Beginners, in a classic "He doesn't have an Oscar yet?" move of respect.
    Alexander Payne's The Descendants will have to console itself with Best Adapted Screenplay, and then we have some miscellaneous categories and techs: Rango is clearly the frontrunner for Best Animated Feature, A Separation the obvious Best Foreign Film winner and Hugo will probably take both Sound Mixing and Sound Effects Editing.
    Paradise Lost 3 (about the recently released West Memphis 3) seems to have the edge in Documentary feature, the song from The Muppets will easily beat the song from Rio, and Meryl Streep's Thatcher-ization will carry The Iron Lady to a Best Makeup victory.
    The Tree of Life was incomprehensible, but beautiful, so it ought to take home Best Cinematography. Andy Serkis' motion-capture performance in The Rise of the Planet of the Apes should guarantee that film Best Visual Effects.
    That just leaves the three short films: I'm not going to lie, these are nearly impossible to get right. The Fantastic Flying Books of Mr. Morris Lessmore seems like the most memorable of the animated shorts (though it has to beat La Luna from powerhouse Pixar). No one on the Internet can agree about the other two, so I'm arbitrarily going with The Tsunami and the Cherry Blossom because it's the most depressing-sounding Documentary Short, and Time Freak for Live Action Short because I love time travel.
    The full list of picks is below. There are always surprises on Oscar Sunday, but if you're a nerd like I am, it's because Transformers inexplicably loses Visual Effects to The Golden Compass, not an upset in the big categories. Use these in your pool, and if you win then let me know (that I haven't wasted my last three winters obsessing over the Oscar-guessing industry for no reason).
    Picture: The Artist
    Director: Michel Hazanavicius, The Artist
    Actor: Jean Dujardin, The Artist
    Actress: Viola Davis, The Help
    Supporting Actor: Christopher Plummer, Beginners
    Supporting Actress: Octavia Spencer, The Help
    Original Screenplay: Midnight in Paris
    Adapted Screenplay: The Descendants
    Editing: The Artist
    Cinematography: The Tree of Life
    Score: The Artist
    Song: The Muppets
    Art Direction: Hugo
    Costumes: The Artist
    Sound Mixing: Hugo
    Sound Effects Editing: Hugo
    Makeup: The Iron Lady
    Visual Effects: The Rise of the Planet of the Apes
    Foreign: A Separation
    Animated Feature: Rango
    Doc Feature: Paradise Lost 3
    Doc Short: The Tsunami and the Cherry Blossom
    Animated Short: The Fantastic Flying Books...
    Live Short: Time Freak
    unspecified
    news/entertainment

    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
    news/entertainment

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