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    spoiler alert

    Guaranteed Academy Award winners: Win your Oscar pool with these Internet picks

    Duncan Carson
    Feb 26, 2012 | 4:23 pm
    News_Oscars_2010_generic_March 10
    Replicas of Oscars on display in a shop in front of the Kodak Theater in Hollywood, California
    Photo by Gabriel Bouys

    Spoiler alert: I'm going to ruin the Oscars for you.

    I used to watch the ceremony on the edge of my seat, though I've always been an avid cinephile, I could never outguess the Academy: Why would Million Dollar Baby beat The Aviator after it won so many technical categories? How could Crash possibly win anything?
    But a few years ago I discovered the cottage industry of blogs that follow every Oscar precursor, every press release and For-Your-Consideration ad, know all the angles and can predict what will win most categories.
    Basically these blogs do all the hard work for you, making charts of each Critic's circle award, the SAGs, the Golden Globes, the BAFTAs and all of the individual filmmakers' guild awards that correspond to the technical categories. They work out which ones match up to the Oscars and predict accordingly — there are even Vegas odds for Best Picture.
    The Internet, like it does for most everything, can remove the wonder from the Oscars but give you the upper hand. It'll drain Sunday night of most of its inherent drama (you can bet on just how wacky host Billy Crystal will be!), but you'll win your Oscar pool if its full of casual moviegoers that don't know Hugo from a hole in the ground.
    This year it's clear that The Artist has a deathgrip on Best Picture, as well as Best Director and Editing (the two most important Best Picture indicators). Star Jean Dujardin (the titular "Artist") has a slight edge on George Clooney for Best Actor, and since The Artist is a silent movie, composer Ludovic Borce had to carry so much weight that he's assured the Best Original Score statue. Plus it's a period piece, it can count on Best Costumes as well.
    Use these in your pool, and if you win then let me know (that I haven't wasted my last three winters obsessing over the Oscar-guessing industry for no reason).
    But the juggernaut ends there: The more colorful, expansive Hugo will beat it for Art Direction, and since it has no dialogue it'll lose Best Original Screenplay to Midnight in Paris (the screenplay category is basically Woody Allen's homefield).
    The Help was the only Best Picture nominee that people actually saw, so it has to take home something: Expect Viola Davis and Octavia Spencer to win Best Actress and Best Supporting Actress, respectively. Christopher Plummer will win Best Supporting Actor for Beginners, in a classic "He doesn't have an Oscar yet?" move of respect.
    Alexander Payne's The Descendants will have to console itself with Best Adapted Screenplay, and then we have some miscellaneous categories and techs: Rango is clearly the frontrunner for Best Animated Feature, A Separation the obvious Best Foreign Film winner and Hugo will probably take both Sound Mixing and Sound Effects Editing.
    Paradise Lost 3 (about the recently released West Memphis 3) seems to have the edge in Documentary feature, the song from The Muppets will easily beat the song from Rio, and Meryl Streep's Thatcher-ization will carry The Iron Lady to a Best Makeup victory.
    The Tree of Life was incomprehensible, but beautiful, so it ought to take home Best Cinematography. Andy Serkis' motion-capture performance in The Rise of the Planet of the Apes should guarantee that film Best Visual Effects.
    That just leaves the three short films: I'm not going to lie, these are nearly impossible to get right. The Fantastic Flying Books of Mr. Morris Lessmore seems like the most memorable of the animated shorts (though it has to beat La Luna from powerhouse Pixar). No one on the Internet can agree about the other two, so I'm arbitrarily going with The Tsunami and the Cherry Blossom because it's the most depressing-sounding Documentary Short, and Time Freak for Live Action Short because I love time travel.
    The full list of picks is below. There are always surprises on Oscar Sunday, but if you're a nerd like I am, it's because Transformers inexplicably loses Visual Effects to The Golden Compass, not an upset in the big categories. Use these in your pool, and if you win then let me know (that I haven't wasted my last three winters obsessing over the Oscar-guessing industry for no reason).
    Picture: The Artist
    Director: Michel Hazanavicius, The Artist
    Actor: Jean Dujardin, The Artist
    Actress: Viola Davis, The Help
    Supporting Actor: Christopher Plummer, Beginners
    Supporting Actress: Octavia Spencer, The Help
    Original Screenplay: Midnight in Paris
    Adapted Screenplay: The Descendants
    Editing: The Artist
    Cinematography: The Tree of Life
    Score: The Artist
    Song: The Muppets
    Art Direction: Hugo
    Costumes: The Artist
    Sound Mixing: Hugo
    Sound Effects Editing: Hugo
    Makeup: The Iron Lady
    Visual Effects: The Rise of the Planet of the Apes
    Foreign: A Separation
    Animated Feature: Rango
    Doc Feature: Paradise Lost 3
    Doc Short: The Tsunami and the Cherry Blossom
    Animated Short: The Fantastic Flying Books...
    Live Short: Time Freak
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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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