move over, bezos!

Out-of-this-world weightless flight experience blasts off from Houston this spring

Take weightless flight above Austin this March.

If you were over the moon after witnessing the recent flights hauling billionaires Jeff Bezos and Richard Branson — and even final frontier fave Captain Kirk — to space, then an out-of-this-world experience launching from Houston may have you thanking your lucky stars for the chance to become a bona fide space cadet.

The Zero-G Experience, operated by privately held space entertainment and tourism company Zero Gravity Corporation, will land in Space City on March 19, giving locals the opportunity to hop aboard the FAA-approved G-Force One, a modified Boeing 727-200 that allows passengers to experience the feeling of weightlessness — without actually traveling to space.

Billed as an experience that’s like nothing on earth, the Zero-G Experience enables flyers to encounter a weightless environment in which they can “float, flip, and soar like an astronaut,” all without actually slipping the surly bonds of Earth.

According to the Zero Gravity Corp., here’s how it works: “The process starts with the aircraft flying level with the horizon at an altitude of 24,000 feet. The pilots then gradually increase the angle of the aircraft to about 45 degrees relative to the horizon until reaching an altitude of 32,000 feet. During this phase, passengers feel the pull of 1.8 Gs. Next, the plane pushes over the top of the parabolic arc and the zero-gravity phase begins. For the next 20-30 seconds, everything in the plane is weightless. Finally, the plane gently pulls out of the maneuver, allowing flyers to gradually return to the floor of the aircraft.”

The flight enables guests to experience lunar gravity (one-sixth their weight), as well as Martian gravity (one-third their weight).

And you don’t even have to be a rocket scientist to enjoy this spaced-out experience. However, from the come-back-down-to-earth reality side of things, you will have to drop a pretty penny for the once-in-a-blue-moon opportunity.

The five-hour Houston Zero-G Experience, which includes 15 parabola (gravity-free) acrobatic maneuvers, costs $8,200 per person. (People of all abilities and ages 8 and older are welcome; though those with certain medical conditions may need to get doctor approval.) The purchase price includes a Zero-G flight suit, Zero-G merch, a certificate of weightless completion, and photos and videos from the experience.

A Zero-G medical pro will also conduct a rapid COVID-19 test on all passengers prior to flight.

Houstonians can book tickets for the local flight here.

Aside from Houston, the only other Texas city the Zero-G Experience will visit is Austin, with the flight taking off from Capital City on March 20.

For more info and to watch videos of the Zero-G Experience, visit the Zero-G website.

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Movie Review

New horror movie Faces of Death puts a modern twist on cult classic

Photo courtesy of of IFC Films

Dacre Montgomery in Faces of Death.

True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy — in which content creators go to increasing lengths for clicks — is a clever twist on a concept that other films have done.

The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

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Faces of Death is now playing in theaters.

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