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    move over, bezos!

    Out-of-this-world weightless flight experience blasts off from Houston this spring

    Chantal Rice
    Feb 25, 2022 | 1:21 pm
    Zero-G Experience
    Take weightless flight above Austin this March.
    Zero-G Experience/Instagram

    If you were over the moon after witnessing the recent flights hauling billionaires Jeff Bezos and Richard Branson — and even final frontier fave Captain Kirk — to space, then an out-of-this-world experience launching from Houston may have you thanking your lucky stars for the chance to become a bona fide space cadet.

    The Zero-G Experience, operated by privately held space entertainment and tourism company Zero Gravity Corporation, will land in Space City on March 19, giving locals the opportunity to hop aboard the FAA-approved G-Force One, a modified Boeing 727-200 that allows passengers to experience the feeling of weightlessness — without actually traveling to space.

    Billed as an experience that’s like nothing on earth, the Zero-G Experience enables flyers to encounter a weightless environment in which they can “float, flip, and soar like an astronaut,” all without actually slipping the surly bonds of Earth.

    According to the Zero Gravity Corp., here’s how it works: “The process starts with the aircraft flying level with the horizon at an altitude of 24,000 feet. The pilots then gradually increase the angle of the aircraft to about 45 degrees relative to the horizon until reaching an altitude of 32,000 feet. During this phase, passengers feel the pull of 1.8 Gs. Next, the plane pushes over the top of the parabolic arc and the zero-gravity phase begins. For the next 20-30 seconds, everything in the plane is weightless. Finally, the plane gently pulls out of the maneuver, allowing flyers to gradually return to the floor of the aircraft.”

    The flight enables guests to experience lunar gravity (one-sixth their weight), as well as Martian gravity (one-third their weight).

    And you don’t even have to be a rocket scientist to enjoy this spaced-out experience. However, from the come-back-down-to-earth reality side of things, you will have to drop a pretty penny for the once-in-a-blue-moon opportunity.

    The five-hour Houston Zero-G Experience, which includes 15 parabola (gravity-free) acrobatic maneuvers, costs $8,200 per person. (People of all abilities and ages 8 and older are welcome; though those with certain medical conditions may need to get doctor approval.) The purchase price includes a Zero-G flight suit, Zero-G merch, a certificate of weightless completion, and photos and videos from the experience.

    A Zero-G medical pro will also conduct a rapid COVID-19 test on all passengers prior to flight.

    Houstonians can book tickets for the local flight here.

    Aside from Houston, the only other Texas city the Zero-G Experience will visit is Austin, with the flight taking off from Capital City on March 20.

    For more info and to watch videos of the Zero-G Experience, visit the Zero-G website.

    naturetechnologytransportation
    news/entertainment

    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

    moviesfilm
    news/entertainment
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