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    RodeoHouston 2022

    From the King of Country to Bun B's H-Town Takeover, these are the top RodeoHouston concerts to catch

    Johnston Farrow
    Johnston Farrow
    Feb 25, 2022 | 2:55 pm
    George Strait will close out RodeoHouston 2019 on March 17.
    George Strait will close out RodeoHouston 2019 on March 17.
    Courtesy Houston Livestock Show and Rodeo

    Saddle up, Bayou City. RodeoHouston is back.

    The entertainment portion of the Houston Livestock Show and Rodeo makes its heralded return, nearly two years after the 2022 season shuttered halfway through proceedings due to a then-unknown coronavirus. Things didn't get much better in early 2021, first forcing the postponement, then the eventual cancellation of that season. The economic loss for Houston mounted into the hundreds of millions.

    Thankfully, NRG Stadium is prepped and ready to play host to three weeks of shows for its 90th edition, lassoing all the favorite performers, including many of the same acts set to play back in 2020. And even though CultureMap didn't nail down every prediction for this year's roster of artists (scoring 6 out of 13), those taking to the star-shaped stage after missing out two years ago makes for a pretty cool redemption story.

    The great thing about RodeoHouston is its diversity — drawing on different styles and genres to hit almost every segment of life across Greater Houston. Every show is a reason to make a side-visit to the midway for fried delicacies, but we've picked the 10 must-see shows that should bring the fire.

    Cody Johnson
    Monday, February 28

    It really wouldn't matter who performed the first RodeoHouston show, that's how triumphant the moment will be once the lights go down in NRG Stadium and the crowd roars. The win-win opening night slot means a chance for someone who might not carry as big a spotlight as someone like George Strait (more on him later). And the entertainment bookers chose well, keeping it close to home with charming country crooner Cody Johnson.

    Very much keeping with the country theme, the native of small East Texas town Sebastopol (population 120) first tried his hand at bull riding before taking a job in the Huntsville prison complex. While grinding out a paycheck, he bet on himself and released a string of independent albums that were each more successful than the last, landing him at a major label.

    Amazingly, he'll ride into his RodeoHouston for his fourth performance on top of the Hot Country charts with his first No. 1 song, "'Til You Can't." Not too shabby.

    Tim McGraw
    Wednesday, March 2

    On a hot streak right now, Tim McGraw is experiencing a late-career renaissance as an actor, appearing on Yellowstone spin-off, 1883, with his wife, Faith Hill. Even without the hit show, the surprisingly progressive-minded artist is one of the most celebrated and thirst-worthy male country acts ever, with three Grammys, 14 Academy of Country Music awards, 11 Country Music Association awards, 10 American Music Awards, and three People's Choice Awards to his name.

    Simply put, the nine-time RodeoHouston performer is responsible for some of the catchiest songs in the history of the genre like "I Like It, I Love It," "Just to See You Smile," and "Live Like You're Dying."

    Ricky Martin
    Friday, March 4

    We'll all be "Livin' La Vida Loca" when Puerto Rican heartthrob Ricky Martin makes his first appearance at RodeoHouston, only months after performing a sold-out show with another Spanish-speaking heartthrob, Enrique Iglesias. While he hasn't had a major English-speaking hit in 20 years, Martin has racked up countless Latin music hits.

    But due to his untouchable run as a crossover artist early on with English songs "Shake Your Bon-Bon," "She's All I Ever Had," and "She Bangs," there will be plenty of folks in attendance who will enjoy songs from both periods of his career.

    Kane Brown
    Wednesday, March 9

    Hours before his 2020 appearance, fast-rising country artist Kane Brown was informed that he would not be able to perform due to the cancellation of the the rest of the RodeoHouston season.

    The Georgia-raised, modern country crooner's return will be extra special in 2022. An immediate star from his debut album onward, he reached No. 1 on the Billboard Top 200 with the 2018 album, Experiment, and has three No. 1 country songs under his belt buckle, including "What Ifs," "Lose It," and "One Right Thing" with fellow RodeoHouston performer, Marshmello.

    Journey
    Thursday, March 10

    This pick is simply for those who want to shout-sing, "Don't stop. Beliiiiiieeeeviiinggg" with thousands of people in unison. The authors of one of the best karaoke songs ever is somewhat of a karaoke version of Journey these days.

    Original lead singer, Steve Perry, involved in the band's most recognizable hits, broke from the band years ago only to be eventually replaced by Arnel Pineda, a cover band singer who was discovered in his native Philippines, via YouTube. It's hard to replace the charismatic pipes of Perry, but classic rock fans should be able to suspend disbelief long enough to belt out the hits such as the aforementioned, "Don't Stop Believing," "Any Way You Want It," and "Faithfully."

    Bun B’s H-Town Takeover
    Black Heritage Day, presented by Kroger

    Friday, March 11

    Let's call this the Super Bowl Halftime Show of Houston hip-hop. Led by former UGK member, Bun B, RodeoHouston is about to bring together most of the legends of the city's storied '90s "chopped and screwed" era that launched local artists to the upper echelons of the Billboard charts. The much deserved and long-time-coming acknowledgement of the cultural impact made by these artists will feature appearances by a who's-who of local rap, including Slim Thug, Lil Flip, Lil Keke, Z-Ro, Paul Wall, Baby Bash, Big Pokey, Frankie J, and H-Town Watch out for a tribute to the man credited for starting the movement: DJ Screw.

    Gwen Stefani
    Tuesday, March 15

    Did you know that Gwen Stefani played a show at University of Houston in 1992 with her neo-ska band, No Doubt, and hardly anyone cared? The pop queen will have a much more attentive audience when she performs in front of a much bigger crowd at NRG Stadium.

    Since spreading her wings from her old band, the former judge on The Voice developed a chart-topping solo career buoyed by an electric fashion sense and a savvy eye for collaborators, scoring hits such as the No. 1 "Hollaback Girl," "The Sweet Escape," and "Wind It Up."

    Don't be surprised if she busts out a country tune with a special guest appearance. Married to five-time RodeoHouston performer Blake Shelton, the two recorded a duet in 2020, "Nobody but You."

    Khalid
    Wednesday, March 16

    Filling in the R&B/pop bucket, the 24-year-old sensation Khalid made waves upon his 2017 double platinum debut, American Teen. Since then, he's racked up awards and No. 1 songs, including "Love Lies," "Eastside," and "Better."

    He's won six Billboard Music Awards, three American Music Awards, and a MTV Video Music Award. He'll likely share new songs from his soon to be released third full-length, Everything is Changing.

    Marshmello
    Friday, March 18

    Started back in 2017, RodeoHouston took a gamble, bringing EDM into its stable of genres presented on the dirt and dust. At first it didn't make sense, but event organizers proved everyone wrong when The Chainsmokers delivered an energetic, fun-filled set — glowsticks and lasers included — that many parents brought their TikTok generation kids to see. Two years later, German-Russian producer Zedd threw it down with equal aplomb.

    Set to play in 2020, the foam-headed DJ, Marshmello, is back to reclaim the rave mantel, no doubt set to mix collaborations with the Jonas Brothers, Selena Gomez, and fellow Rodeo performer Khalid into his set. This slot should draw some big numbers, falling on Friday night of Spring Break for many local school districts. In other words, get on your dancing shoes.

    George Strait
    Sunday, March 20

    The King of Country shattered RodeoHouston attendance numbers in 2019, his appearance with Texas country greats, Robert Earl Keen and Lyle Lovett, hosting 80,108 fans. While that number might be tough to top due to some COVID-19 insecurities, if there is any artist who can do it, its George Strait, performing at RodeoHouston for an extraordinary 31st time. He'll be joined by 2019 CMA New Artist of the Year, Ashley McBryde.

    What to expect when the Texas cowboy swaggers onto stage? The simple answer is: hits. Strait has 60 No. 1 country singles to pull from and for those who were there in 2019, he likes to play from his entire catalog. His previous appearance included 32 songs, an almost unheard of amount for a RodeoHouston show. You'll get your money's worth from this one.

    Tickets for RodeoHouston shows can be purchased here.

    East Texas native Cody Johnson opens RodeoHouston festivities, celebrating 90 years, on Monday, February 28.

    Cody_Johnson
    Courtesy RodeoHouston
    East Texas native Cody Johnson opens RodeoHouston festivities, celebrating 90 years, on Monday, February 28.
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    Movie Review

    Over-the-top acting and incoherent plot drag down Her Private Hell

    Alex Bentley
    Jul 23, 2026 | 3:00 pm
    Sophie Thatcher in Her Private Hell
    Photo courtesy of Neon
    Sophie Thatcher in Her Private Hell.

    Danish filmmaker Nicolas Winding Refn is not someone who plays nice with the general film world. His 2011 film Drive introduced him to American audiences in a big way, but that pulsating thriller was followed up with artier films like Only God Forgives and The Neon Demon that eschewed coherent plots in favor of moody, atmospheric pieces.

    Winding Refn, who hasn’t made a feature film in 10 years, has gone fully down the rabbit hole with Her Private Hell. Taking place in a liminal space that kind of resembles Earth but also feels like someone’s dreams/nightmares, the film focuses on Elle (Sophie Thatcher), an actor currently starring in a sci-fi film. Staying at a hotel with newcomer Hunter (Kristine Froseth), the two bond over their shared passion and the legend of Elle’s father, Johnny Thunders (Dougray Scott), who’s now married to Elle’s friend Dominique (Havana Rose Liu).

    After spending a good amount of (mostly incomprehensible) time with that group, Refn introduces Private K (Charles Melton), who seems to be living in post-World War II Japan. He is looking for his daughter, who might have been taken by a mysterious figure known as “Leatherman,” and he will stop at nothing to find her, fighting whoever stands in his way.

    It becomes clear almost right away that Winding Refn has no desire to engage in traditional storytelling in this film. The main characters wander through neon-drenched streets and buildings, which are often surrounded by a mist that is referred to on multiple occasions but never explained. Everyone speaks as if in a constant state of wonderment, and there are many moments where it’s unclear if events are actually happening, part of a movie-within-a-movie, or something else entirely.

    Unlike his previous films, Winding Refn has taken the characters in this film completely out of the real world, with every scene taking place in a sparsely decorated room or street that is obviously a movie set. While there are moments where this decision really works, especially the striking first shot of a human-like figure mixed in with a cityscape and clouds, most of the time it only adds to the stilted nature of the film as a whole.

    In fact, the entire movie has the feel of an avant-garde theater exercise. Every actor seems to be trying to outdo the others with awkward performances and out-sized reactions. Two very specific characters make appearances in both sides of the story for seemingly no reason other than to inject their weirdness into both spaces. The shocking violence that crops up on occasion would have more of an impact if it was related to anything intelligible.

    Thatcher (Companion) and Liu (Tuner) are among the young stars who have had breakout moments in recent years, but neither of them is served well by this hot mess of a movie. They, along with Melton, still demonstrate the talent they possess, but the oddity of the film weighs them down. Scott makes an impression for all the wrong reasons, while Froseth is called upon to play a character who might as well not be there at all.

    If there’s any kind of message that Winding Refn was trying to convey with Her Private Hell, it’s lost among the flashing lights, overload of pink, and jewel-like structures. Filmmakers who try to make art for art’s sake have a place in the world, but this film too often feels like people are making things up as they go, with no real goal in mind.

    ---

    Her Private Hell opens in theaters on July 24.

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