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    Inside Idol

    Forget JLo's crying: Rosen & Alaina emerge as worthy favorites in Idol's longmarch to top 24

    Tara Seetharam
    Feb 25, 2011 | 11:52 am
    • Robbie Rosen brings a combination of confidence and musical talent.
    • Jennifer Lopez went Idol soft, but her tears aren't the real story.
    • Lauren Alaina has ridiculous raw talent — and an equally ridiculous fashionsense.

    After weeks of Hollywood rounds, a new Beatles challenge in Las Vegas and a set of comically long walks down the “Green Mile” (in what appeared to be an airport hangar), the top 24 contestants were finally revealed this week on American Idol. Props to the producers for giving almost every one of the successful contestants a fair amount of airplay — though it meant three whole hours for the reveal — and for generally cutting out the drama. Even Jennifer Lopez’s much buzzed about “breakdown” after Chris Medina's elimination felt as sincere to me as it did milked.

    At the end of it all, we have an interesting and technically solid group of semifinal contestants, distinct and polished in a way that reminds me of the Season 7 cast. With so many big voices and personalities, the key to staying on top will be finding ways to make powerful, genuine connections to the music. As Jennifer so aptly put it: “Now we gotta see what you guys’ messages are as artists. What do you have to say? Do you believe what you’re singing?”

    Next week we enter the live rounds as the 24 contestants are whittled quickly down to 12 — or 13. Lets take a quick a snapshot of the group that will sing for your votes:

    The Chosen Ones

    It’s tricky business being an early front-runner on Idol: every year one or two “anointed” contestants face early backlash from the public and the near impossible task of living up to initial hype. This year’s batch includes Robbie Rosen, Julie Zorrilla, Lauren Alaina, Jacob Lusk
 and Casey Abrams.

    Robbie and Lauren have impressed me equally — Robbie with his skilled combination of confidence and musical instinct, and Lauren with her ridiculous, raw natural talent (for her inexplicable Barbie-meets-tacky-cowgirl fashion sense, I will just have to forgive her).

    Julie’s first audition with “Summertime” left me thinking “style over substance,” but we’ve since seen shades of subtlety from her, like on her superb “Something" duet with Tim Halperin. Jacob is one hell of a singer, but his notion that every performance demands every ounce of his voice is ill founded and unfortunately perpetuated by the judges (seriously, Randy, his “God Bless the Child” was the best performance of all Idol seasons?).

    And Casey? When you not only have flawless pipes but can fully — fully — invest in your performances the way he does, you have my vote.

    Hidden Talents

    Blink and you might have missed Paul McDonald, Lauren Turner and Kendra Chantelle these past few weeks, seeing as the talented trio received little to no airtime. That’s a shame, because each shows promise and originality. Paul’s quirky, nuanced voice is unlike anything we’ve heard before on Idol. His “Blackbird” duet partner, Kendra, is equally intriguing, with a voice that teeters delicately between soul and country (does she remind anyone else of Lady Antebellum’s Hillary Scott?). And Lauren infuses some much-needed grit into the pool of girls with her bluesy, muscular voice.

    Let’s just remember that we didn't hear so much as a snippet of season nine winner Kris Allen’s voice until the live semifinals — anything’s possible, folks.

    Head Scratchers

    Hailey Reinhart
seems to be taking a page from Jacob Lusk's playbook; her oversung performances have been so squeezed and stretched that you can barely understand what she’s singing about. Joining her in the questionable decision camp is the inconsistent Tatynisa Wilson, the unremarkable Pia Toscano
and the why-can’t-I-figure-out-why-I-don’t-like-her Thia Megia, whose technically proficient performances have left me cold.

    And then there are two of the most polarizing contestants of the season: James Durbin and Scotty McCreery. The rocker displays an impressive range and an admirable drive, but I still don’t hear brilliance — or correct pitch — from him. The latter sang a spot-on version of (surprise!) Josh Turner’s “Long Black Train,” but there’s something detached about his persona that I can’t quite put my finger on.

    And the Rest

    Rounding out the rest of the Top 24 are:

    • Unique performers Rachel Zevita, Naima Adedapo and Brett Loewenstern
    • Powerhouses Clint Jun Gamboa and Jordan Dorsey
    • Smooth-toned Jovany Barreto and Stefano Langone

    • Big-voiced Karen Rodriguez and Ashton Jones

    • And singer-songwriter Tim Halperin


    Quote of the Night

    “I’m here to prove that people like me can be sexy”

    -Casey Abrams before his delicious, bass-accompanied take on “Why Don’t You Do Right”

    Get more of Tara Seetharam's pop culture musings on her website www.taraseetharam.com and follow her on Twitter @TaraAshley.

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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