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    The CultureMap Interview

    Stage superstar Sarah Brightman brings soaring songs to Houston

    Joel Luks
    Feb 22, 2019 | 3:42 pm

    Would it be weird to begin a Sarah Brightman interview with a plea for her to "sing, my angel of music?" After all, the unmistakably famed line was delivered by the namesake character of Phantom of the Opera at chorus girl Christine Daaé, a character written for Brightman by her former husband and grand poobah of musical theater Andrew Lloyd Webber.

    The 58-year-old English artist has had an illustrious career that has included mostly singing and some dancing on many of the world's most fabulous stages such as making her debut in the inaugural production of Cats in London's West End. Then there was performing at a handful of Olympics opening night ceremonies, a duet with Andrea Bocelli that topped most European charts and being named a 2012 UNESCO Artist for Peace. This gal is one busy chanteuse.

    Brightman's latest project, her album Hymn, is the main focus of her concert tour that brings her to Houston on February 25 at the Smart Financial Centre in Sugar Land. CultureMap caught up with the singer to get the latest on her pursuits.

    CultureMap: Hymn came after your rigorous training in the Russian Space Program. The Big Issue wrote that the album reconciles your fascination with science and a belief that a vacuum of spirituality has resulted in quite challenging times. What are you saying with Hymn?

    Sarah Brightman: I withdrew from the space program training for various reasons, not much to do with me. When I left the harsh environment in the Russian military, I had a very long time to focus on what was happening in the world. I took note of what was happening around me. People were unsettled. Situations were chaotic. Economies were crumbling and crises were everywhere. I wanted to offer something that was joyous and uplifting. I found material from all over the world to give people a sense of optimism.

    CM: What brings you joy?

    SB: The simplest things do. When I lost my father a few years ago and with the realization that his breath had stopped, the simple act of breathing brings me joy. I love my family and simple things like taking a walk by the sea and watching movies.

    CM: Let's time travel to your beginnings as an entertainer. Your first break was in Disco, yes?

    SB: I was a teenager and disco was the genre of my time. It was the end of an era right before punk came to Britain in the '80s. Easy disco to the likes of Olivia Newton-John. That meant high, girlie and poppy voices.

    CM: Has there been a character you’ve played on stage that most resembles your own journey and sensibilities?

    SB: There are certainly moments of a character, for example the character of Rose Vibert in Aspects of Love. Rose is a young actress that works hard to gain acceptance and respect in her field. I know what that feels like.

    CM: Let’s talk about your former husband, Andrew Lloyd Webber, with whom you continue to have a professional relationship after your divorce. Do you have a favorite moment during that marriage?

    SB: Lots of them, actually, but that was a long time ago and some of my memory has faded. But being near the beach in the south of France when he was composing and I was singing at the piano. The experience was very personal and more than just work.

    CM: You trained with Elizabeth Hawes at Trinity Music College and with Ellen Faull at Juilliard. What were important lessons that you learned from those two influential women in music?

    SB: That timing is incredibly important. You have to deliver on time at the right time for audiences to connect with what you have to say. And to never push your voice. To keep the natural quality of your voice, always, to keep it moving and keep it flexible. They also taught me when to let go and let the art take over.

    CM: Your Hymn tour is quite demanding, often singing day after day in different cities. Between traveling and performing, how do you take care of your voice?

    SB: I plan my tours well, so I rest between a heavy touring schedule and other projects like recording. I do huge amounts of vocal work with coaches around the world. I often perform one-off concerts in between tours just to always remember what it feels like to be on stage. Right before a busy tour, I build up so I'm strong vocally.

    CM: What inspires you lately?

    SB: I'm grateful that I live an extraordinary life, visit many places and get to meet incredible people. I love learning from different people I meet during my travels.

    ---

    Sarah Brightman performs at the Smart Financial Centre in Sugar Land on Monday at 8 p.m. Tickets start at $55 and can be purchased online.

    Brightman became world famous for her role in Phantom of the Opera.

    Sarah Brightman
    Photo by Simon Fowler
    Brightman became world famous for her role in Phantom of the Opera.
    interview
    news/entertainment

    Movie Review

    New horror movie Faces of Death puts a modern twist on cult classic

    Alex Bentley
    Apr 10, 2026 | 4:00 pm
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy — in which content creators go to increasing lengths for clicks — is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

    moviesfilm
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