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    Get the Party Started

    Concert of the Year? Pink gets a gold star for dazzling show: She sings, she soars, she sparkles!

    Jane Howze
    Feb 22, 2013 | 11:05 am

    Pink, whose Truth About Love Tour kicked off its U.S. leg in Phoenix last week, with 99 total shows planned worldwide, touched down in Houston’s Toyota Center on Thursday for a sold-out performance. Even those not familiar with Pink through her 2009 Funhouse tour will remember her breathtaking, unforgettable acrobatic performance of “Glitter in the Air” at the 2010 Grammys.

    One mark of a good concert is that you may not know every song in the program when you enter, but you walk out wondering how fast you can get home and start downloading. Pink delivered that and more.

    How Pink can sing while hanging upside down suspended by three male dancers is a mystery.

    The first thing I noticed was the age of the crowd. After going to a Justin Bieber concert last year, where the average age seemed to be about 12, and a Paul McCartney concert that was geared to the baby boomer generation, the Pink fan is harder to peg and includes a slightly older crowd, though clearly not one that had to be coaxed out of their seats. Yep Yanni fans, that would be you.

    The Hives, a Swedish garage band, opened for Pink with a short, highly energetic set which, unlike many opening acts, brought enthusiastic applause.

    Game show start

    Pink’s concert starts as a TV game show, with a slightly annoying emcee scanning the crowd for someone to compete on "The Truth About Love." Surprise! Pink is selected as the contestant and then makes her entrance by being shot into the air on bungee cords as she opens with “Raise Your Glass.”

    It is a dramatic and stunning number, and how Pink can sing while hanging upside down suspended by three male dancers is a mystery.

    The 21-song setlist uses vignettes about one night stands, rejection, parties and regret as a way to introduce songs from her sixth Grammy nominated album, Truth About Love.

    I have always said that Chris Martin, frontman of Coldplay is the hardest working entertainer around, but I’m reconsidering, and now I’m giving Pink the nod.

    Pink quickly moved into some of chart topping hits and fan favorites including "Walk of Shame," "Just Like a Pill,” "F***in' Perfect," "So What," “Family Portrait” and her latest singles, “Try” and "Just Give Me A Reason," featuring Nate Ruess.

    I have always said that Chris Martin, frontman of Coldplay is the hardest working entertainer around, but I’m reconsidering, and now I’m giving Pink the nod. A Pink concert is a little like a Cirque du Soleil performance. There is so much happening on stage—the songs, the dancing and of course the acrobatics—it is a feast for the senses. Sometimes there were so many dancers on the stage that I had trouble finding Pink.

    The stage set was an elaborate production with five screens, one of which was in the shape of a heart, along with dramatic staircases, a wildly talented five piece band, two back-up singers and a high octane crew of dancers.

    Pink made numerous costume changes, many of which showed off her phenomenally toned body. I was particularly drawn to her footwear choices. For some numbers she performed barefoot, but she also sported boots, high high heels and sneakers.

    Best for last

    Pink’s voice sounded strong, especially considering that most of the numbers included strenuous dancing or physically demanding acrobatics. And if she used back-up vocals no one seemed to care.

    During one of the few pauses, Pink asked the audience how many people had been to a prior concert of hers. The audience erupted in cheers. Pink acknowledged the fans by reaching out to grasp hands of those near the stage during several numbers and chatted with fans, saying that her daughter was in the audience and appearing to wave to her saying, “She is a better dancer than I.”

    With Madonna’s last concert tour playing to mixed reviews and Lady Gaga cancelling her 2013 tour, Pink may prove to be the concert of the year.

    Pink saved the best for last. Dressed in a gold bodysuit and strapped into a harness, she flew over the crowd several times, singing “So What,” taking brief stops on perches set up on each side of the arena. She got so close that some in the audience said they could see the detail on her costume.

    It was so spectacular and mind-blowing that there was not one person in the crowd who was not trying to capture the moment on their camera. But Pink was not done. Reprising her famed Grammy performance, "Glitter in the Air," she was again in the air for a hauntingly beautiful performance that had her spinning gracefully as she sang.

    With Madonna’s last concert tour playing to mixed reviews and Lady Gaga cancelling her 2013 tour, Pink may prove to be the concert of the year. Based on the reactions of fans at the Toyota Center Thursday night, Pink gets a gold star.

    Pink soared above the audience.

    Pink concert, February 2013
    Photo by Alison Finlay
    Pink soared above the audience.
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    Movie Review

    Heartfelt animal adventure Hoppers is another Pixar classic

    Alex Bentley
    Mar 5, 2026 | 3:00 pm
    Mabel (Piper Kurda) and King George (Bobby Moynihan) in Hoppers
    Photo courtesy of Disney/Pixar
    Mabel (Piper Kurda) and King George (Bobby Moynihan) in Hoppers.

    For the first 15 years of their history, animation studio Pixar delivered one classic film after another, an astonishing streak that included their first 11 movies. Things got bumpy starting with Cars 2 in 2011, and even though the majority of their output has been good-to-great ever since, their releases are no longer considered slam dunks like they once were.

    They’re back with an original film, Hoppers, trying to return to form by going back to the animal world. The film centers on Mabel (Piper Kurda), a 19-year-old environmentalist who’s trying to stop a new highway being built by Mayor Jerry (Jon Hamm) in the fictional city of Beaverton. Her activism has as much to do with helping displaced local animals as it does with being nostalgic for her youth, in which she spent years observing nature with her Grandma Tanaka (Karen Huie).

    She finds an unlikely possible solution when she discovers that her college professors have created a system that allows them to transfer — or hop — their consciousness into animal-like robots. Hijacking a beaver robot, Mabel joins up with the local wildlife, including beaver King George (Bobby Moynihan) to try to convince them to help her execute her plan. But with the highway almost complete and Mayor Jerry willing to do anything to make it happen, Mabel might be too late.

    Directed by Daniel Chong and written by Jesse Andrews from a story by Chong, the film cycles through a variety of genres in its 105-minute running time, including comedy, drama, thriller, and even a touch of Pixar-style horror. When Pixar has been at its best, it seamlessly goes back and forth between genres, trusting that audiences will go along with them for the ride, and Hoppers feels like a return to form in that respect.

    Humor rules the day as Mabel adjusts to being part of the animal world while her professors desperately try to get her and their robot back. Mabel encounters not only wildly confusing things like “pond rules” (if a predator catches you, you don’t fight it), but also the existence of a hierarchy within the world that involves kings or queens from various animal classes like reptiles, birds, amphibians, fish, and insects. Her one-track mind and the way of the world she is invading clash in a variety of funny ways.

    As the film goes along, Chong, Andrews, and the rest of the filmmaking team also find a way to burrow into the audience’s heart. There are many elements that threaten to tip into eye-rolling territory, but the filmmakers consistently pull back before that happens. The number of fun characters on both the human and animal side helps in that regard, as does the simple yet profound message they’re trying to convey.

    Pixar has assembled one of the best voice casts in recent memory for this film, including such big names as Meryl Streep, Dave Franco, Melissa Villaseñor, Vanessa Bayer, and the late Isiah Whitlock, Jr. However, due to the sheer number of characters, only Kurda, Moynihan, and Hamm truly stand out. Still, they all fit together well and give the always-stellar animation even more life.

    Since the pandemic, Pixar has only released one truly great film (Inside Out 2), but with Hoppers and the seemingly bulletproof Toy Story 5 coming within a few months of each other, they might go back-to-back on that front. Like the classic films from the studio, it has goofy, heartfelt, and exciting parts, mixing together for an enthralling time at the theater.

    ---

    Hoppers opens in theaters on March 6.

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