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    Live Music Now

    These are the top 5 concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Feb 18, 2020 | 12:47 pm

    It's not something we really asked for, but here we are. The Masked Singer is coming to Houston.

    Well, it's coming to Sugar Land to be specific. The hit Fox show features B- and C-list celebrities dressing up in costume to perform karaoke, leaving judges and the audience to guess their real identity based on a set of clues. It's one of those truly American phenomenons that we'll all look back at in a decade or so and ask ourselves why we were so fascinated by the concept in the first place. But hey, who are we to judge — the concept will be a 46-date national tour, so there's obviously an audience for this kind of thing.

    Will the same celebrities be in every city? Will local celebrities get in on the game? The questions around the tour are as confusing as the show's popularity.

    Meanwhile, the weeks immediately before RodeoHouston are often the best time to take in a show outside the country genre. This week is proof with a variety of alt-rock, indie, hip-hop, soul and Latin music highlighting the shows of the week.

    CultureMap's biggest, best, and most notable shows of the weeks are as follows:

    CultureMap show of the week: Silversun Pickups at House of Blues
    The Los Angeles band Silversun Pickups has had an interesting trajectory in the music world. Starting off in the Silverlake region of Los Angeles, the band's current lineup solidified in the early 2000s along with their sound — driving alt-rock with Smashing Pumpkins and shoegazing influences. Their first album, Carnavas, was a minor success but the placement of standout track "Lazy Eye" in the Guitar Hero and Rock Band games helped their following album, Swoon, reach the Top 10 of the charts with the strength of single "Panic Switch." Each subsequent album brought in new elements of sound and high profile slots on tours by acts like Foo Fighters meant a bigger fan base.

    While they haven't always been able to reach the mainstream, that's been a part of the Pickups' appeal. They are a tad too arty to blow, but they rock hard enough to attract and retain a wide variety of fans. Their latest album is the synth-inflected Widow's Weeds, produced by none other than Butch Vig, who produced both Nirvana's Nevermind, and the Pumpkins' classic, Siamese Dream.

    Silversun Pickups are at House of Blues, located at 1204 Caroline St., on Tuesday, February 18. Eliza and the Delusionals open. Tickets start at $29.50 plus fees. Doors open at 7 pm.

    CultureMap recommends: Tomar and the FCs at Continental Club
    Few bands encapsulate the aura of Houston's Continental Club better than Tomar and the FCs. The Austin-based soul act is signed to the Houston record label, Splice Records, and is set to celebrate the release of their new album, Rise Above, a two year undertaking that delves into blues, rock, and funk.

    The quintet, fronted by lead singer Tomar Williams, first started gaining notice in their hometown in 2015 and started earning critical notices with their 2016 album, Heart Attack, which led them to being tapped by NPR's Tiny Desk Concert competition that year as the Austin entry. If their many festival appearances around Texas are any indication, this show will be a hot, sweaty, and earth-quaking good time.

    Tomar and the FCs play the Continental Club, located at 3700 Main St., on Friday, February 21. Tickets are $15 plus fees. Doors open at 9 pm.

    Rex Orange County at Revention Music Center
    One of the buzziest acts in the music world right now, Rex Orange County, will play a sold out Revention Music Center with tickets going for well over $100 on the resale market. Born Alex O'Connor, the British songwriter grew said buzz organically as a music student, quietly releasing his first album, bcos u will never be free, in 2015 for free via streaming apps.

    The strategy worked and he gained a number of followers, including Tyler, The Creator, who included him on two tracks on his Flower Boy album. That set the stage for his latest album, 2019's Pony, a mix of pop, jazz, soul, and hip-hop, reaching No. 1 on both the Billboard rock and alternative charts thanks to the catchy single "10/10."

    Rex Orange County performs at Revention Music Center, located at 520 Texas Ave., on Saturday, February 22. This show is sold out but tickets start are available on the resale market. Doors open at 7 pm.

    Aventura at Toyota Center
    If you need any evidence that Latin music is a top-seller in Houston, look no further than the Aventura show at Toyota Center this Saturday. The award-winning kings of bachata are back with their first U.S. tour in 10 years. At their height, the Dominican Republic-via-The Bronx bachata boy band was one of the most popular of their time, selling out arenas across the country behind singles such as "Obsesión" and guest appearances by popular artists like Wyclef Jean, Ludacris, and Akon.

    When group member Romeo Santos struck out on his own, he sold out Yankee Stadium. The group reunited for the track, "Immortal," off the latter's 2019 album, Utopia, and are on the road reminding just how much heat they bring to the live stage.

    Aventura is at Toyota Center, located at 1510 Polk St,. on Saturday, February 22. Tickets start at $59.50 plus service fees. Doors open at 7 pm.

    Young Dolph and Key Glock at House of Blues
    Sirius XFM channel Hip Hop Nation is sponsoring this showcase of up and coming talents Young Dolph and Key Glock. House of Blues has become a beacon for local hip-hop shows and this one will feature the fast-rising Memphis rapper alongside his frequent collaborator, who teamed up for the 2019 mixtape, Dum and Dummer. It was in the Memphis mixtape scene that Young Dolph got his start, eventually working with major label producers on three Top 40 albums, 2017's Bulletproof and Thinking Out Loud as well as 2018's Role Model.

    Young Dolph performs at House of Blues, located at 1204 Caroline St., on Saturday, February 22. Key Glock opens. Tickets start at $35 plus fees. Doors open at 7 pm.

    CultureMap show of the week: Silversun Pickups are at House of Blues on Tuesday, February 18,

    Silversun Pickups
    Photo by Claire Marie Vogel
    CultureMap show of the week: Silversun Pickups are at House of Blues on Tuesday, February 18,
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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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