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    Book Review

    Jenny Sanford's account makes you wonder why she stood by her man for so long

    Elizabeth Bennett
    Feb 16, 2010 | 12:00 am

    When the sordid story of South Carolina Gov. Mark Sanford’s affair with an Argentinian woman made headlines last June, his wife came across as a new role model for political wives. Instead of standing by her man while he confessed his infidelity in a rambling, embarrassing appearance on national TV, Jenny Sanford let him deal with the press in his own inept way. She later issued a statement saying she had asked her husband to leave.

    In Staying True (Ballantine. $25), however, instead of admiring Jenny Sanford, I found her too often playing the martyr to her self-absorbed, cheap, womanizing husband and father of her four sons, ages 17, 16, 13 and 11. Why in the world would an intelligent woman with her background stick it out for over 20 years and continue to defend him?

    The author was a successful investment banker on Wall Street when she met Mark Sanford, then finishing his MBA at the University of Virginia, and there were plenty of warning signs he would make a lousy husband.

    They had barely started dating when he invited her to spend New Year’s weekend at his family’s farm in South Carolina. But instead of meeting her at the airport, he leaves his stick-shift car, which she doesn’t know how to drive, for her to manage on her own through foggy roads of unfamiliar country.

    When they decide to get married, he insists on reworking the wedding vows, leaving out the promise to be faithful. Every woman I know would immediately spot a red flag at that point, and Jenny Sanford admits that “in retrospect, I suppose I might have seen this as a sign that Mark wasn’t fully committed to me.” But she rationalizes that she saw it as “a classic case of pre-wedding cold feet” and writes that she had “unshakable faith” in him.

    Later, he turns out to be a true cheapskate, once returning a diamond necklace she loved that he had given her for her birthday. “He could see I was disappointed,” Jenny Sanford writes, though she again rationalizes his inexcusable deed. “In truth, once I knew he thought he had overspent, I also knew it would pain him to see me wear the necklace had I insisted on keeping it. I wouldn’t have felt comfortable wearing it in his presence, so what was the point.”

    One of the most amazing stories in Staying True is when Mark Sanford begs his wife’s permission to continue seeing his mistress in Argentina after the affair had gone public.

    “Mark still saw me as his sounding board,” writes Jenny Sanford, who had often worked as his campaign advisor. “. . . He wondered aloud to me if he shouldn’t just follow his heart. What if he could find true happiness only in Argentina? Would he always live his life in regret, in wonder, because he didn’t take this chance? Clearly, these were thoughts I wished he’d kept to himself.”

    And although her husband never told her, she would learn secondhand that he had also had other “dalliances” over the years.

    It's hard, when starting to read this book, not to feel sorry for Jenny Sanford. Later on, it’s hard to understand why she put up with so much or to feel much sympathy for an educated, intelligent woman who allowed herself to be treated so badly for so long.

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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