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    Cutting-edge architect

    $20 million for a campus changer: Rice's new arts center to have a bold, risky look

    Tyler Rudick
    Feb 14, 2013 | 11:03 am

    Thanks to a generous donation from the Moody Foundation, Rice University is $20 million closer to creating its much-anticipated arts center.

    The 50,000-square-foot building, now dubbed the Moody Center for the Arts, will be located near the Rice Media Center on the south side of campus and has a tentative grand opening planned for 2015. Costs currently are estimated around $30 million, leaving the university already two thirds towards its goal.

    Los Angeles architect Michael Maltzan — known for MoMA's outpost in Queens — has been hired for the pre-design phase.

    Los Angeles architect Michael Maltzan — known for converting a Queens stapler factory into temporary exhibition space during MoMA's most recent renovations — has been hired for the pre-design phase to develop three types of spaces: interdisciplinary classrooms and studios, a theater for experimental productions and a pair of exhibition areas.

    With his designs ranging from LA's hyper-contemporary Inner City Arts campus to his controversial St. Petersburg Pier in Florida, Maltzan might not be the first architect that comes to mind for Rice's rather conservative set of campus buildings. But with the Brochstein Pavilion and James Turrell's skyspace, the university appears to be ready to break from its trademark Spanish Revival style.

    "We feel that Maltzan captures the spirit of what we hope the building will achieve," says Caroline Levander, an English professor whose post as vice provost for interdisciplinary initiatives has pushed her to the front line of the center's design committee.

    "The Moody Center is meant to be a hub of collaborative innovation that encourages risk-taking in art. These will be new, additional spaces that will connect disciplines from across the Rice campus. In our interdisciplinary areas, which we're calling the Arts Design Kitchen, you may have an engineer working with a historic preservation specialist or a musician co-teaching a class with a visual artist."

    The center will provide Rice with its first official student/faculty gallery as well as a secure exhibition space that will allow the university to borrow work from other museums. The 150-seat studio theater will be open and flexible enough to enable dance instruction, another first for the school.

    "We feel the building will offer opportunities to create robust partnerships not only throughout the campus, but throughout Houston," Levander says. "The Moody Center will be an integral part of the city's arts community."

    The Moody Center will feature a collaborative space dubbed the Arts Design Kitchen.

    Rice University, Moody Center for the Arts, kitchen, February 2013
    Rendering courtesy of Rice University
    The Moody Center will feature a collaborative space dubbed the Arts Design Kitchen.
    unspecified
    news/entertainment

    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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