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Oh, no, Canada

Moment by moment: Was this the worst Winter Olympics Opening Ceremony ever?

Clifford Pugh
Feb 12, 2010 | 6:34 pm

We had such high hopes. But the opening ceremony of the Winter Olympics in Vancouver was marred by the death earlier in the day of Georgia luger Nodar Kumaritashvili, a malfunctioning Olympic cauldron and a seemingly endless production that had few real moments of magic. Here's our moment-by-moment account (from end to beginning):

11:10— Gretzy is then conveyed across town in the rain to light a second cauldron. The Opening Ceremony is over, I think.

10:53 — Here comes the torch, but there seems to be a glitch. "You have four torchbearers all dressed up with no place to go," Costas says. (Actually there are five.) One of the metal legs of the cauldron doesn't come up as hockey great Wayne Gretzky and others wait. Finally they make do with what they have. Let the games begin.

10:38 — Sensing he's losing the audience, Costas says it's only 12 minutes until the Olympic torch is lighted.

10:31 — Skaters, snowboarders, a poet, some dull speeches (zzzzzzzzz). Finally, kd Lang in a white tux and bare feet breaks the monotony with a riveting rendition of Hallelujah as hologram doves fly into the sky. But is it my imagination or the late hour? She sure looks a lot like Wayne Newton.

10:00 — I mistakenly thought the ceremony would be over in time for the news. A nice recorded rendition of "Both Sides Now," imaginary wheat fields and a flying boy hold my attention. But this ain't Beijing.

9:46 — What happened to the Olympics? I feel like I mistakenly walked into a performance of Riverdance.

9:37 — Sarah McLauglin's necklace is more dazzling than her song.

9:34 — OK, I take it back as the ice floor breaks up into water with 3-D whales and salmon swimming around — all done with projections — before totem poles rise to the top of the domed stadium. Definite "wow" factor.

9:27 — The performance art portion of the Olympics ceremony kicks in, with figures walking in slow motion and flying snow. "We are sitting in a 60,000-seat snow globe," Costas says. I, personally, could use a little pyrotechnics.

9:19 — Nelly Furtado, in an off-the-shoulder blue cocktail dress, looks like she's on her way to a disco. But at least she's not wearing a parka.

9:18 — Aboriginal dancers are still dancing.

9:14 — Huger ovation for Canadian athletes. Coolest item: Their mittens have the Canadian maple leaf on the palm side, so they're waving a flag every time they wave.

9:12 — Huge ovation for U.S. athletes in ski parkas and knit caps designed by Ralph Lauren. Good marketing for Lauren: The Polo horse emblem is as large as the Olympic circles on the jacket.

9:11 — Most impressive athletes: the Aboriginal dancers stationed around the oval. They haven't stopped dancing for more than an hour.

9:00 — A friend of mine watching the ceremony thinks the caps worn by the Peru team would look better "if they put a little fur" on them. She obviously isn't a member of PETA.

8:52 — NBC shows its umpteenth ad for "Parenthood." We hate the show already, and it won't premiere until after the Olympics.

8:46— Costas — or is it Lauer? — says India has 1.1 billion and three athletes in the Olympics. That's one for every 366 million.

8:40 — Standing ovation for the team from Georgia. They decided to march even though luger Nodar Kumaritashvili died today. Bad taste award to Costas, who says, "Eight members, only seven now, it is a small delegation."

8:39 — What else to do but compare outfits as the teams march in: Estonia wins the fashion sweepstakes thus far in white snowflake-looking suits; Finland's jackets look like a Keith Haring drawing.

8:29 — Bermuda teammates looked laid-back in Bermuda shorts. But lose the wingtips and knee socks.

8:27 — Azerbaijan wins the first fashion award with its team in modish-looking paisley pants.

8:20 — Greece leads the parade of nations, with only seven athletes. Costas utters his first nuggets of the evening: Andorra is one-sixth the size of Rhode Island; Aremnia is smaller than the state of Maryland.

8:12 — Four ice sculpture totem poles and lots of dancing Native Canadians. It's going to be a long night.

8:00 — At last! Fireworks, more nice photos of Vancouver and a snowboarder get the Opening Ceremony underway. Canadian Prime Minister Stephen Harper looks like a character in a Saturday Night Live sketch.

7:48 — Realizing we are losing our patience to get this show on the road, NBC shows an abbreviated version of the new "We are the World" video. It reminds me that a singer never looks good in supersized earphones.

7:20 — If the ceremonies are in an indoor stadium, why are ice dancers Tanith Belbin and Benjamin Agosto wearing ski parkas and ski caps? Dunno, but the deer-print knit caps are cool.

6:58 — More pretty photos of Canadian countryside and athletes NBC hopes will captivate us — and lots of stirring music. Shaun White's carrot top head of hair looks unusually curly. Still an hour to go until the opening ceremonies begin. Excuse us while we take a power nap.

6:42 p.m. — With three-and-a-half hours of coverage, the first padded feature begins — a (yawner) travelogue about the close relationship between Canada and the U.S. from Tom Brokaw. But Vancouver sure looks good on HD.

6:30 p.m. — NBC signs on its 17-day coverage of the Winter Olympics with a somber note as Bob Costas and Matt Lauer describe the death earlier in the day of Georgia luger Nodar Kumaritashvili. Brian Williams says the tragedy sets a "tough tone to overcome."

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Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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