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    Don't forget the shark!

    HMNS teases expansion with Texas history, Russian jewels and a mummifieddinosaur

    Caroline Gallay
    Feb 8, 2011 | 11:10 pm
    • Megalodon sharks are as legendary as some mythical creatures. You'll be able tosee the jaw of a real one reconstructed at HMNS.
    • Or perhaps a triceratops fossil is more to your liking. And not like this one.The new one at HMNS will be mummified. Get ready to see skin.
    • Russian jewels anyone?

    From Texas to triceratops, it's going to be a big year for the Houston Museum of Natural Science. Between scatalogical jokes on Tuesday morning, visiting paleontology curator Dr. Robert Bakker (in full Indiana Jones dress, complete with hat) and associate paleontology curator David Temple revealed the museum's 2011 exhibits and plans for a 2012 expansion that will double the museum's size and make room for an immense new paleontology hall.

    Compared to other national museums, HMNS is small. Chicago's Museum of Science and Industry, for example, spans 450,000 square feet compared to Houston's 115,000. The new wing, which more than $70.3 million has been raised to build, will do much to bridge the gap — it will cover more than the length of a football field and take up two stories.

    But enough with the specs; Get ready to nerd out. Among the new wing's planned attractions are a mummified triceratops, interactive animated duels to the death and a reconstructed megalodon — whose jaw is to be reconstructed in the existing paleo hall DURING SHARK WEEK.

    But we digress. The new hall will contain several new T-Rexes (the most mounted T-Rexes of any other museum) in a narrative display concept described by Bakker as a "prehistoric safari." Gone are the days of static displays mounted on pedestals. These are interactive, contextual and vast.

    The displays will contain complete skeletons, partial skeletons and detailed casts — the latter of which makes possible more dynamic, dramatic displays like those planned, says Temple.

    The showstopper of those skeletons, though, is Sarah — the mummified triceratops that was excavated complete with her petrified skin. Visitors will travel through three billion years of fossilized history, giving them "a sense of the choreography of evolution," Bakker says.

    One of the anticipated displays features "the elephant story" — an exploration into elephants' migration via water. (Bakker says they can swim better than horses.) Beneath an elephant skeleton assembled in a swimming position will be the massive megalodon shark, which Bakker says there is evidence had once eaten elephants that dared deeper water.

    Texas history, to be explored at length in a 2011 exhibit, will spread to the paleo hall, too, with significant space dedicated to the Red Bed period of 284 million years ago. The period is particularly significant to Texas because Seymour, a town in Baylor Country, contains some of the finest specimens from this period — including a 7 by 12-foot fossil block, the largest ever excavated from a Texas Red Bed.

    But you don't have to wait until Memorial Day weekend, 2012 to get excited.

    Beginning March 6 is the Texas exhibition, organized completely in-house. Among the artifacts to be on display are the original "Come and Take it" cannon, the decree granting Mexican citizenship to James Bowie, the famous "Victory or Death" letter penned by Col. William Barret Travis, the flag that flew over the battle of San Jacinto and the Juneteenth order ending segregation in Texas.

    Opening May 20 is the Hermitage: Treasures from Russia's Winter palace, a collection of rarely loaned pieces that will be displayed exclusively in Houston through November. Negotiations have been in place for the exhibit since 1991. The pieces are to be installed in the Hermitage's new wing after their Houston vacation, and they may never travel again.

    Finally, on May 27 a collection of treasures from the lost civilizations of Ancient Ukraine, dating from between 2,000 and 1,000 B.C., will be on display.

    You can become a member or schedule a visit to HMNS here.

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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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