Club Nomadic Day 3

Taylor Swift closes out Club Nomadic with her only show of 2017 in dazzling concert

Superstar Taylor Swift performed her first — and last —concert of the year at Club Nomadic Saturday night, as a crowd of 9,000 jammed the temporary venue for its farewell Super Bowl concert. “As far as I know I'm doing one show in 2017. As far as I know, this is that one show," Swift told the crowd. "By coming here tonight you are essentially attending 100 percent of this year’s tour dates, so thank you."

Around 11:30 pm, the singer, wearing a black sequin-and-fringe mini dress and black bedazzled booties, appeared in a cloud of smoke and launched into "The Night is Still Young" (and "So Are We," the crowd sang along, waving LED wristbands that flashed bright colors to the music), "New Romantics" (the bonus track from her hit album 1989), and "Blank Space." The hits kept coming throughout the nearly two-hour concert, with such favorites as "Bad Blood," "We Are Never Getting Back Together," "Out of the Woods," "You Belong With Me," "All Too Well," and "Wildest Dreams" during the 17-song set.

Swift also offered the first live performance of her new ballad, "I Don't Wanna Live Forever" from the new Fifty Shades Darker movie. Before performing an acoustic version of the song she apologized that her collaborator Zayn Malik wasn't there to join her on the duet and asked the crowd to take his place.

In a segment about top-selling songs she has written, Swift performed "Better Man," a No. 1 country song she wrote for Little Big Town — it's the first time she has performed the song live — and an acoustic version of Rihanna's "This Is What You Came For," which she and her ex, Calvin Harris co-wrote.

And, to no one's surprise, she ended the show with her monster hit, "Shake It Off," telling the crowd, "It's time to dance."

The show was vintage Swift, with high energy songs punctuated by a slower segment in the middle in which she showcased her considerable talents on the guitar and a silver baby grand piano. Throughout each song, kicky graphics and awe-inspiring photos flashed on a screen that ran the length of the long stage in the slick production.

The only thing that wasn't perfect was Swift's hairdo. She experienced a bad case of "Houston hair," as her blond locks went limp amid the heat and humidity in the venue as the show progressed. But it didn't seem to slow her down as she wiped the sweat from her face often between songs and then resumed her trademark movements, with a flip of the head and a nod to the crowd.

Celebrities turned out in droves for the concert, which was billed as DIRECTV Now Super Saturday Night. Olympians Simone Biles and Aly Reisman posed for photos with John Legend on the the red carpet and Legend's wife, Chrissy Teigen, seemed in better spirits than the night before when she refused to be photographed.

Other celebs included New York Jets receiver Brandon Marshall and Heisman winner Tim Tebow, both wearing white shirts, actors Chris Evans, Vince Vaughn, Jeremy Renner, and Adrian Grenier, actress Lea Michelle, TV personality Maria Menounos, and quarterbacks Tony Romo and Eli Manning.

Orange is the New Black co-star Ruby Rose DJed sets before and after Swift's appearance.

Although a temporary venue, Club Nomadic got high marks as a concert space. Organizers added a walkway over the gravel leading to the venue, which made walking in high heels much easier for the ladies, and, inside, it was easy to move around even amid the large crowd. The acoustics were excellent and, although the venue is large, it seemed intimate as we stood only about 40 feet from the stage in the general admission section during Swift's performance.

While there was a long Uber line at the end, traffic in the area was surprisingly easy to navigate. After the concert, my friends and I walked a few block to Washington and easily called Uber to take us home in a matter of minutes.

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Taylor Swift set list:

New Romantics
22
Blank Space
I Knew You Were Trouble
Style
I Don't Wanna Live Forever
You Belong With Me
This Is What You Came For
Better Man
Red
We Are Never Ever Getting Back Together
Love story
All Too Well
Enchanted/Wildest Dreams medley
Bad Blood
Out of the Woods
Shake It Off

Taylor Swift performed her first — and last —concert of the year at Club Nomadic Saturday night.

Getty Images for DIRECTV

Taylor Swift performed her first — and last —concert of the year at Club Nomadic Saturday night.

super-bowl

Movie Review

Steven Spielberg captivates with new aliens drama Disclosure Day

Photo courtesy of Universal Pictures and Amblin Entertainment

Tommy Martinez, Emily Blunt, and Josh O'Connor in Disclosure Day.

With the release of Disclosure Day, Steven Spielberg has now directed 17 feature films over 26 years in the 21st century, the exact same number over the exact same period of time he did in the 20th century. The first half of his career was mostly defined by his blockbuster films, while the second half has seen him exploring a lot more serious material. Disclosure Day marries the two for an experience only he could deliver.

The film starts in medias res, as Dr. Daniel Kellner (Josh O’Connor) is being pursued by Noah Scanlon (Colin Firth) and a team of henchmen for stealing intellectual property from Wardex, a government contractor for which he works. As the audience gradually discovers, Daniel is a cyber-security programmer who has discovered evidence of alien life in the company’s servers. He and others within the company, including Hugo Wakefield (Colman Domingo), are determined to release the information to the public.

Concurrently, television meteorologist Margaret Fairchild (Emily Blunt) starts experiencing weird things, including the ability to speak multiple languages and read people’s minds. Without either of them actively trying to seek each other out, Daniel and Margaret are set on a path to meet, with Scanlon (with the help of a mysterious alien device) trying to track their every move.

Directed by Spielberg and written by David Koepp, the film is an almost even mix between classic Spielberg wonder and a deep story about what it is to be human. By starting the film in the middle of the story, Spielberg immediately ramps up the excitement level. While the movie has relatively little action, that sequence and a few others deliver the type of propulsiveness for which Spielberg is revered, keeping the 145-minute film moving at a brisk pace.

Of the different types of alien movies Spielberg has made over the years, this one is closer to Close Encounters of the Third Kind than E.T. The story ponders the ethical, religious, political, and sociological effects that revealing the existence of aliens could have on the world. The debates had by various characters purposefully take the film out of being a sheer popcorn flick, forcing the audience to grapple with issues that they may have never considered before.

Unlike some other Spielberg films, he and Koepp don’t hold the audience’s collective hand throughout the story. There are a lot of times when viewers have to use context clues to understand exactly what is happening. That especially goes for an extremely important aspect of the world in which the story takes place that could pass you by if you’re only paying attention to the main characters’ dialogue. Spielberg’s using only subtle allusions for an element which would be the main focus of most other films is a fascinating choice.

O’Connor (Wake Up Dead Man, Challengers) has that everyman quality that a story like this needs. It always feels like it's him against the world, and does a terrific job of exuding both confidence and fear. Blunt delivers a fantastic performance, switching between confusion and composure with ease. Firth makes for a solid villain, and the story is helped by great turns from Domingo and Eve Hewson.

The idea that the nearly 80-year-old Steven Spielberg is still making blockbuster-style movies over 50 years after he made Jaws is astonishing, and the fact that he still knows how to make them work is even more impressive. Disclosure Day may not be the type of alien movie many were expecting, but it’s another high water mark in a career that has been full of them.

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Disclosure Day opens in theaters on June 12.

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