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    Live Music Now

    These are the 5 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Feb 4, 2020 | 9:30 am

    Big music news this week. First off, as CultureMap predicted in December: Lizzo is coming to RodeoHouston.

    Also, congratulations to the little music venue that could. McGonigel's Mucky Duck, the intimate and friendly club near the intersections of Kirby Drive and Richmond Avenue (2425 Norfolk St.) is celebrating its 30th anniversary this year.

    Founded by Teresa and Rusty Andrews in the summer of 1990, the Duck is known for its loyal customers and shows with two sets a night instead of the traditional one. The venue has been an incubator for local talent, as well as a home away from home for touring musicians, often drawing names that could play — and sell — much bigger venues.

    That's the kind of love the Duck has built over three decades. Do yourself a favor and head over for a beer, a bite, and some of the best music in town, including one of the following shows of the week.

    CultureMap show of the week: Sarah McLachlan at Hobby Center
    Founder of Lilith Fair. 40 million albums sold worldwide. Multiple Grammy award wins. There's not much that Canadian singer-songwriter Sarah McLachlan hasn't done during her career. Starting off with ethereal, folk inflected pop of her early work, 1988's Touch and 1991's Solace, McLachlan started gaining a wider audience with the edgier, pop-oriented Fumbling Towards Ecstacy in 1993, right as the coffeehouse craze kicked into full gear, the perfect setting for her sound.

    McLachlan became a superstar when she founded Lilith Fair, bringing together female-led acts for a multi-city tour, blowing down the doors of a male dominated industry and showcasing the power women had in selling records. Her subsequent album, Surfacing, with hit songs "Adia," "Sweet Surrender," and the infamous SPCA song, "Angel," sold millions and drove the point home and now today's pop climate is now dominated by the ladies. McLachlan hasn't played Houston in ages, so this is a special treat to catch up with the expressive performer.

    Sarah McLachlan takes to the Hobby Center stage, located at 800 Bagby St., on Thursday, February 6. Tickets start at $50.50 plus fees. Doors open at 7 pm.

    Bob Schneider at McGonigel's Mucky Duck
    One of the favorites on the Texas music circuit, Bob Schneider, has been writing and releasing music for over 25 years. His former band The Ugly Americans once opened for Dave Matthews Band on tour and included members from Cracker and Mojo Nixon before he set off on his own. His solo career has been varied, embracing folk, rock, funk, and country, including his latest album, Blood and Bones, a mash-up of those styles with introspective slow-burners and upbeat rockers, such as the Beck-sounding "Texaco."

    Bob Schneider performs at McGonigel’s Mucky Duck, located at 2425 Norfolk St., on Thursday, February 6. Tickets start at $32 plus fees. Shows starts at 7 and 9:30 pm.

    Yola at Heights Theater
    Fresh off four Grammy nominations and a taping of Austin City Limits, British singer-songwriter Yola kicks off her American Walk Through Fire tour based on the 2019 album of the same name. She’s toured with Massive Attack, shared the stage with Dolly Parton of the Newport Music Festival, and Dan Auerbach of The Black Keys produced her critically acclaimed debut. (Not too shabby.)

    Combining country, soul, pop, and R&B, this might be the last chance audiences can see uber-talented performer in such an intimate setting. If you need proof of her power, check out her recent turn on NPR's Tiny Desk Concert series.

    Yola headlines Heights Theater, located at 339 W 19th St., on Friday, February 7. Thomas Csorba opens. Tickets start at $20 plus fees. Doors open at 7 pm.

    Highly Suspect at Revention Music Center
    Consisting of a trio of friends, Johnny Stevens on guitar and vocals, and twins Rich and Ryan Meyer on bass and vocals and drums, respectively, the Brooklyn-based group Highly Suspect capitalized on the success of their hit 2016 album, The Boy Who Died Wolf, to earn key slots at major music festivals across the country. It was just a few years ago we saw them play a well-received set at the now defunct In Bloom Festival. Based on their hits, “Lydia,” “My Name is Human,” and “Little One,” we suspect these guys really like Queens of the Stone Age and Kings of Leon.

    Highly Suspect performs at Revention Music Center, located at 520 Texas Ave., on Saturday, February 8. NAV opens. Tickets start at $35 plus fees. Doors open at 7 pm.

    CultureMap recommends: The New Pornographers at White Oak Music Hall
    The second Vancouver act to grace local stages this week (Sarah McLachlan being the other), the Canadian indie supergroup the New Pornographers are on the road with their smart, energetic, and catchy-as-hell sound, touting their latest critically acclaimed album, In the Morse Code of Brake Lights.

    Bringing together some of the best musicians from the West Coast, including the incredible vocal pipes of Neko Case and sharp lyricism of leader A.C. Newman, the Pornographers haven't released a bad album, starting out with a magnificent run of three almost perfect offerings in 2000's Mass Romantic, 2003's Electric Version, and 2005's high watermark, Twin Cinema. In other words, there are few, if any, bands around that do indie-rock better.

    The New Pornographers brings supergroup vibes to White Oak Music Hall, located at 2915 N. Main St., on Sunday, February 9. Diane Coffee opens. Tickets are $30 plus fees. Doors open at 7 pm.

    CultureMap show of the week: Sarah McLachlan performs at the Hobby Center on Thursday, February 6.

    Sarah McLachlan - headshot
    Sarah McLachlan/Facebook
    CultureMap show of the week: Sarah McLachlan performs at the Hobby Center on Thursday, February 6.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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