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    Live Music Now

    10 cool concerts from Bad Bunny to Tool to catch in Houston this February

    Johnston Farrow
    Johnston Farrow
    Feb 4, 2022 | 6:00 am

    Let the good times roll! Maybe...

    Will they or won't they? That's the question many Houston music fans are asking themselves recently as shows continue to be cancelled due to COVID concerns. The past few months have been confusing for all parties involved in the music industry with concerts now a crapshoot, ticketholders praying that their favorite artists will take to the stage.

    From the venue side, it's been a patchwork of COVID rules across the Greater Houston area with some places not following any protocol, to others requiring full vaccination or a negative COVID test within the last 72 hours. Sometimes it's a venue rule, sometimes it's an artist requesting extra layers of security. It's a frustrating way to do business.

    From the viewpoint of the artists, it has become a measure of weighing the need to generate an income versus the amount of risk that comes with taking a band and crew out on the road. Sometimes, it's simply a matter of how concerned artists are about the possible spread of the virus among fans who show up to gigs.

    That said, it's imperative that folks check venue websites frequently before they head out to make sure shows are still happening, and what health guidelines are required for that performance.

    Despite a few, highly-anticipated shows being cancelled ahead of their February dates, these shows are still on the books, including a huge Mardi Gras celebration worth the drive. CultureMap's best, biggest, and most notable shows of the month are as follows:

    Tool with Blonde Redhead
    Friday, February 4
    Toyota Center, 1510 Polk St.

    Suburban dads, unite! When Tool first burst onto the scene in the '90s with the dark, heavy albums Undertow and Ænima, it provided a jukebox soundtrack for bros to show off how cool 6/8 time signatures could be while shooting pool with fellow bros.

    The Southern California band, led by the enigmatic Maynard James Keenan, has grown past their hard rock-metal early years, morphing into today's version of prog-rock made popular in the '70s, writing songs veering past ten minutes rather than focus on radio friendly tunes that speak to the masses.

    No matter, as Tool developed a strong following that shows up anytime they are in town on the strength of their live performances and the mystique they've built from releasing only three albums over the last 20 years.

    Tickets start at $75 plus fees. Doors open at 6:00 p.m.

    Chris Thile
    Saturday, February 5
    Cullen Theater, Wortham Theater Center
    559-575 Prairie St.

    Tapped as the successor to Garrison Keillor's hosting duties for the long-running NPR show, A Prairie Home Companion, and later renamed to Live from Here with Chris Thile, the award-winning mandolin player Chris Thile found himself without a regular gig after the network pulled the plug on the show when it couldn't perform live from anywhere due to the pandemic.

    It was a real shame — Thile was just starting to roll on one of the best public radio programs in the country.

    That said, the extremely affable MacArthur Fellow and Grammy Award winner is back to doing what he does best: playing to appreciative audiences, no doubt enhanced by his time broadcast over the airwaves. He's on the road to support his latest collection of folk-influenced tunes, Laysongs, released last year.

    Tickets start at $35 plus fees. Show starts at 6:30 p.m.

    Joss Stone and Corinne Bailey Rae
    Tuesday, February 8
    713 Music Hall, 401 Franklin St., Ste. 1600

    Two of the most successful female British singers over the last two decades not named Adele team up on this fantastic bill of exceptionally talented vocalists. Joss Stone and Corinne Bailey Rae each made waves with hits on both sides of the pond.

    The former made No. 2 on the Billboard charts for her 2007 album, Introducing Joss Stone, and garnered notice for gender-bending the White Stripes classic, "Fell in Love With a Girl," into a sultry, bluesy "Fell in Love With a Boy."

    Corinne Bailey Rae made it as high as No. 4 for her 2006 self-titled debut, which would go on to sell almost two million copies in the U.S. behind the strength of songs, "Like a Star," and "Put Your Records On."

    Tickets start at $29.50 plus fees. Show starts at 8 p.m.

    CultureMap Recommends: Caribou
    Thursday, February 10
    White Oak Music Hall, 2915 N Main St.

    One of the smartest and most exciting indie dance producers today, Canadian wunderkind Dan Snaith is back after a few COVID-aborted tours with his Caribou project, touring behind 2020's full-length, Suddenly.

    A real-life PhD-level mathematician, Snaith brings that extremely logical brain into his songcraft. But whereas other genius-level intellects would veer their music towards the inaccessible, the Snaith smartly pulls the best beats and melodies from the history of pop, rock, R&B, and soul, and places them against a canvas of exquisite psyched out electro that carries its fair share of emotion.

    A full-size touring band makes Caribou a must-see show this month.

    Tickets start at $26 plus fees. Doors open at 7 p.m.

    The Wombats
    Thursday, February 10
    House of Blues, 1204 Caroline St.

    What a story: U.K. trio The Wombats debuted at the tail-end of what was a high-water mark for British indie-guitar music that produced the likes of Arctic Monkeys, Franz Ferdinand, The Libertines, and countless of B-level imitators.

    At first, it seems as though The Wombats would be part of the latter group, but the band stuck it out and found continued success based on wry, humorous lyrics ("Let's Dance to Joy Division") and high-energy Brit-pop influenced hooks and synths.

    A recent return of guitar-based bands culminated in a run to the top of the charts in their native country with their latest album, Fix Yourself, Not the World, hitting No. 1. No small feat for a little band that could.

    Tickets start at $25 plus fees. Show starts at 7 p.m.

    Patti LaBelle with Stephanie Mills, and After 7
    Saturday, February 12
    Smart Financial Centre in Sugar Land, 18111 Lexington Blvd.

    Old school R&B-soul-disco fans are in for a treat when the legend Patti LaBelle returns to town. Her career has lasted 60 years, her first hit coming in 1962 with "I Sold My Heart to the Junkman." That kicked off decades of hits across multiple genres, including "You'll Never Walk Alone," "Lady Marmalade," "On My Own," and "Stir It Up" from the Beverly Hills Cop soundtrack. Expect wall-to-wall hits at this gig.

    Tickets start at $52.75 plus fees. Show starts at 8 p.m.

    CultureMap Show of the Month: Bad Bunny
    Wednesday, February 16 and Thursday, February 17
    Toyota Center, 1510 Polk St.

    Bad Bunny is a bad dude. He'll play four shows in Houston this year, which is almost never heard of for any artist, let alone a pop-reggaeton-trap star from Puerto Rico. The first two come at Toyota Center this month.

    The other two are the just-announced performances at the much bigger Minute Maid Park this summer as part of his El Último Tour Del Mundo Tour (The Last World Tour). It's a crazy rise for the Latin performer who hit No. 1 guesting on the Cardi B track, "I Like It", and seemingly everywhere else, even beer commercials with Snoop Dogg.

    Tickets start at $51 plus fees. Doors open at 7:00 p.m.

    Mardi Gras Galveston
    Friday, February 18 through Tuesday, March 1
    The Historic Strand, Galveston

    The biggest Mardi Gras celebration west of the Mississippi returns to Galveston this month. Yes, Galveston isn't a part of Houston — we wouldn't want to start World War III with any BOIs — but Mardi Gras Galveston draws thousands of Bayou City natives to the island for multiple parades, parties, and concerts. The best part of the whole enterprise is it's cheap to get in and is always guaranteed fun with ample amounts of revelry, beads, gumbo and king cake.

    This year's performers run the gamut of rock, country, Latin, and DJs: headliners include alt-rockers 3 Doors Down (February 19), country singer Matt Stell (February 25), and Tejano band Siggno ( February 20). Most shows take place at the main stage, located at 23rd and Strand in Saengerfest Park but plenty more will take place in various locations.

    Tickets start at $11.50 plus fees. Gates open at 5 p.m.

    Houndmouth with Buffalo Nichols
    Sunday, February 20
    Heights Theater, 339 W 19th St.

    Festival mainstays Houndmouth perform a much more intimate show at Heights Theater this month, bringing their brand of heart-on-sleeve, folk-inspired rock. Think of them as the kid brothers to Band of Horses and you're close.

    Epic Americana-inflected songs such as "Sedona" put them closer to acts like The Lumineers and The Head and the Heart. The Indiana trio is touring new songs in advance of their fourth album. Get a first listen before they inevitably return to larger audiences.

    Tickets start at $28 plus fees. Doors open at 7 p.m.

    Action Bronson and Earl Sweatshirt with The Alchemist X Boldy James
    Friday, February 25
    House of Blues, 1204 Caroline St.

    Underground cult hero Action Bronson has made a name for himself, first as an MC, and secondly as a cable television star, appearing on a number of shows with the hilarious F**k, That's Delicious on Viceland perhaps being the most notable.

    His larger than life palette and personality often overshadows the fact that he's a talented rapper who draws on New York rap greats Wu Tang Clan and Kool G Rap. He'll be joined by Earl Sweatshirt, who has also enjoyed fame on the underground rap circuit, initially as part of the oddball horrorcore collective, Odd Future.

    Tickets start at $45 plus fees. Show starts at 7 p.m.

    Beloved hard rock heroes Tool are at Toyota Center on Friday, February 4.

    Tool
    Photo by Travis Shinn
    Beloved hard rock heroes Tool are at Toyota Center on Friday, February 4.
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    Movie Review

    New horror movie Faces of Death puts a modern twist on cult classic

    Alex Bentley
    Apr 10, 2026 | 4:00 pm
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy — in which content creators go to increasing lengths for clicks — is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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