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    Get Ready

    Club Nomadic is just about ready for its Super Bowl closeup; more Bruno Mars tickets on sale

    Clifford Pugh
    Jan 26, 2017 | 3:44 pm

    With only a week before Club Nomadic kicks off a three-night run of big-time Super Bowl parties, Jack Murphy was eager to show off the temporary Sawyer Yards venue Thursday morning. But the best news the Club Nomadic president had to share came nonchalantly during a tour of the multi-level nightclub: He's releasing 1,200 more tickets to the previously sold-out Bruno Mars concert on February 3.

    The tickets, priced at $225 each, will go on sale Saturday at tickemaster.com. Murphy said the extra tickets became available after he figured the final configuration of the venue would allow in more fans. Tickets also remain available for Sam Hunt and The Chainsmokers concert on February 2 (general admission $100 each).

    Having such sponsors as EA Sports (Sam Hunt/TheChainsmokers), Pepsico (which will debut its LIFEWTR brand at the Bruno Mars concert), and AT&T/DirecTV (which hosts a February 4 concert featuring Taylor Swift for clients and the singer's fans who have won tickets in special drawings), largely foots much of the bill of construction of the temporary venue. In return the corporations will get the second and third levels to entertain VIP clients amid the plush surroundings of speakeasy suites with table service for a "white glove experience" and low noise level.

    "You can have a conversation," Murphy explained. "A lot of people are doing business here."

    But the Super Bowl party veteran saved his real excitement for the venue's first floor, which will hold several thousand concertgoers in a standing-room-only situation. "They're the true fans," Murphy said, noting the energy and excitement they provide. "They're part of something elevated so it's not just another festival."

    Around six weeks ago, when CultureMap first visited the site, it was an empty lot with a newly poured concrete floor, and we, like others, were skeptical that Murphy could pull it off. But now that construction is close to completion, the 62,500-square-foot temporary aluminum shed fits in with the neighborhood's funky buildings and the interior is spacious enough that it looks like it can accommodate the expected 9,000 fans each of the three nights.

    There's still a lot of work to be done on the interior, but it seems doable. While noise now reverberates through the open spaces, Murphy expects that 7-1/2 miles of timber on the mezzanine levels, other natural materials and the large crowd will absorb sounds, making for pitch-perfect concert acoustics.

    A 190-foot video wall will flash images behind the main stage. With different configuration each of the three nights, "it will look like a different room every night," Murphy said.

    Modern art work will fill the entry and colorful images will reflect through the exterior, which is made polycarbonate plastic material so that colorful images and video mapping can be flashed across the front entrance at Edwards street.

    The one imponderable that has everyone involved collectively holding their breath is the parking situation. Murphy and Susan Christian, executive director of the Mayor's Office of Special Events, emphasized that there will be no place to park for concert-goers, with only limited traffic allowed on Edwards street in front of the venue.

    Attendees are encouraged to park in a large garage at 1600 Smith in downtown Houston, where regular shuttles will bring them to the venue. Sponsors from out-of-town will be shuttled from hotels. Uber and other ride-share services will have an expanded presence in the area, with specially marked areas for drop off and pick up.

    Message boards have already gone up in the area warning drivers of delays. More details will be released in the next few days as the city signs off on the final traffic management plan.

    As soon as the Swift concert ends and guests leave Club Nomadic, Murphy and his crew will begin the process of dismantling the building, which will take around 30 days, he said. It will be stored for use at Super Bowl LII in Minnesota next year.

    Bruno Mars will perform at Club Nomadic on February 3. 1,500 more tickets will go on sale Saturday (January 28) at Ticketmaster.com.

    Bruno Mars
    Photo by Kai Z. Feng
    Bruno Mars will perform at Club Nomadic on February 3. 1,500 more tickets will go on sale Saturday (January 28) at Ticketmaster.com.
    super-bowl
    news/entertainment

    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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    news/entertainment

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