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    Sundance Film Festival 2014

    Real stars of Sundance: Documentaries on dinosaurs, dancers, Romney and legal battles

    Jane Howze
    Jan 26, 2014 | 11:30 am

    PARK CITY, Utah — Dramas at the Sundance Film Festival can be hit (Little Miss Sunshine or Winter’s Bone) or miss (too numerous to name), but year in and year out the real stars are documentaries, which are consistently outstanding. The 2014 lineup includes stories of social injustice, historical and political issues, and subjects covered only superficially by the mainstream press. And, naturally, there are those that are uniquely Sundance in their weirdness.

    Among the many documentaries are these five that will soon be available on the big or small screen (or perhaps your nearest dance club) :

    Mitt

    In the past, Sundance has featured documentaries on Dick Cheney and Ronald Reagan. Moving down the Republican chain of command, Mitt follows presidential candidate Mitt Romney in his two failed presidential runs, beginning in Christmas 2006 through his concession speech on election night in 2012.

    One thing is clear about the film. Romney's bond with his family is incredibly strong.

    Filmed by fellow Mormon Greg Whitely, the film avoids any discussion of political strategy (because Whitely was denied access to advisors) and instead focuses on Romney's relationship with his family (because Whitely had almost unfettered access to Romney, his wife and five sons). It is an intimate, fascinating and sometimes painful film to watch as the family experiences the disappointment of defeat in Romney's final run for the nation's highest office.

    Most of the time, though, Romney appears loving, funny and often quirky. He eats spaghetti out of a carton and irons the cuffs of his shirt while wearing it. He also riffs on his favorite movie, O Brother, Where Art Thou? One thing is clear from watching the film: Romney's bond with his family is incredibly strong.

    In the Q&A following the film, a member of the audience admitted that she wasn't a big fan of Romney but liked him more after watching the film. It's available now on Netflix.

    Dinosaur 13

    Featured in the coveted opening night film reserved for Sundance’s strongest documentaries, Dinosaur 13 tells the story of the discovery of the largest and most complete Tyrannosaurus Rex skeleton (nicknamed Sue) ever found and the custody battle between the government and the paleontologists who loved her.

    The South Dakota scenery is dramatic and the film illuminates, without being political, the arcane laws governing fossils, Indian lands and the fate of an average American against the federal government unleashed. It was purchased by Lionsgate and CNN Films, and will be released later this year.

    Private Violence

    Private Violence follows a professional advocate for abused women as she works with a victim who presses charges against her husband who kidnapped and nearly killed her, only to be released by the police. There are pictures of burns, bruises and lacerations that made me turn my head away, but the film also shows how current laws work against the victims and that the penalties are stiffer for abusing a stranger than your spouse.

    HBO will show the film in its summer lineup and it will be introduced in women’s centers throughout the country later this year. More importantly, after the showing, the filmmaker was surrounded by people who were so moved by the documentary that they wanted to help on a local level. That's the beauty of Sundance.

    The Case Against 8

    The Case Against 8 offers an inside look at the five-year legal battle to overturn California's Proposition 8, passed in 2008, that barred same sex marriage in the Golden state. The film puts a human face on the issue by following two same sex couples whose lawsuit over the initiative eventually was decided by the Supreme Court. The film also focuses on the unlikely relationship between co-counsel Ted Olson and David Boies who had been on opposing sides in the legal battle that resulted in George W. Bush's 2000 election win over Al Gore.

    The film, which received a standing ovation, will probably not change anyone’s mind about gay marriage but is a primer for the time, emotional and financial commitment it takes to argue a case that ultimately ends up before the nation's highest court. It was acquired by HBO and will be shown in June.

    Living Stars

    The 63-minute film, Living Stars, is a string of 30-second vignettes of Argentineans from all walks of life who show off their dancing skills. I loved seeing the middle-aged dentist grooving out by his dental chair to Lionel Richie's "All Night Long" with unabashed joy. But after the 20th amateur dancer, it seemed like I was trapped in an audition of So You Think You Can Dance? with dancers who didn't make the cut.

    There is no plot or dialogue — just average people dancing. Feel good? Yes, for 10 minutes. Memorable? Not really. Marketable? Maybe, if it's shown at dance clubs nationwide where you, too, can join the danceathon.

    Dinosaur 13

    Sundance Film Festival, Dinosaur 13
    Photo by Todd Miller
    Dinosaur 13
    unspecified
    news/entertainment

    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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