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    Sundance Film Festival 2017

    How Trump trumped the media: Documentary examines how the press got the election so wrong

    Jane Howze
    Jan 24, 2017 | 11:20 am

    Donald Trump may have officially assumed the nation's highest office in Washington, D.C., but he continues to be a major presence at the Sundance Film Festival in Park City, Utah. “Trumped: Inside the Greatest Political Upset of All Time” was screened for 200 members of the press Monday in a tent off Main Street in Park City, Utah, while a ferocious blizzard caused water to drip from a leaky ceiling. Despite the less than ideal conditions no one left.

    The documentary, created by John Heilemann, who has covered every election since 1992, Mark Halperin and former Austin political operative Mark McKinnon (creators of Showtime’s The Circus) analyzes the 2016 election from the vantage point of hindsight and as a result offers an outside-the-bubble perspective of how nearly everyone in the media got the bizarre and unprecedented presidential election so wrong. It traces Trump’s entry into the race, his destruction of each Republican contender, and culminates in his surprise election victory.

    Heilemann, in the Q&A session following the film, acknowledged that Sundance booked the film when it was just an idea and that his team had worked around the clock since the election and had only finished editing the film this week.

    The highly entertaining documentary focuses on the campaign from the press’s perspective, including many of the sound bites already seen on TV. Political junkies expecting insight from his advisers will be disappointed — the filmmakers let the story unfold through replays of his press conferences, the debates and several short interviews from the Trump private jet — always with a TV on in the background. I found these particularly interesting.

    On one you can catch a glimpse of Trump from a distance talking animatedly and affectionately with Melania Trump. On another, an interviewer asks Trump if he gets coached on what to say and he says no, he doesn’t need that. He speaks from his heart. Indeed he does and the film shows that while many supporters don't like all he says, they like that he is unscripted.

    This documentary has some laugh-out-loud parts, perhaps because truth can sometimes provide the best humor. Does anyone remember in 2015, when then-President Obama was asked if he could imagine Trump as president and he replied “yes, in a Saturday Night Live skit?” Similarly Trump’s comments about his….er…manhood, when replayed, had many in the audience chortling. If you just watched those snippets, you could see how the election was so shocking.

    Yet, through the lens of hindsight, the spectacle of the Trump plane pulling up to a hangar full of supporters, the excitement of the crowds (one young woman stated “I grew up watching him on The Apprentice”) and the politically incorrect and supremely confident Trump provided a moment of “How did we all miss this?”

    The film chronicles election night at Hillary Clinton’s extravagantly outfitted Jacob Javits Center election party that included a glass ceiling and a stage in the shape of the United States. One of the first signs that all was not going well was NBC's Andrea Mitchell telling the filmmakers that she is getting unsettling reports from Michigan. The film shows the shock and dismay of the filmmakers: “We were wrong and we need to figure out why.”

    Concluding the Q&A, Heilemann was asked by someone who was tactfully critical of the press (this is Sundance after all — not many openly Trump supporters here), asking what happened to reporter objectivity. He replied that everyone agrees the press is “fucked up” but they disagree on why.

    Some critics have taken the filmmakers to task for not trying to destroy Trump. He commented, “I think that it is incumbent on journalists not to become dispassionate because that’s phony. I think you should be passionate for the things that matter which are things like truth and accountability. We should try to represent the interests of the country and to hold people in power accountable and try to stay focused on what is true and which is false. “

    Even those who didn’t vote for Trump will find this documentary interesting, entertaining and instructional for future campaigns —even though, in the documentary, Bernie Sanders warns that an election should not be sport or a soap opera. The documentary will be screened on Showtime on February 3.

    Even those who didn’t vote for Donald Trump will find this documentary interesting, entertaining and instructional for future campaigns. It premieres on Showtime February 3.

    Donald Trump hat
    Photo via nydailynews.com
    Even those who didn’t vote for Donald Trump will find this documentary interesting, entertaining and instructional for future campaigns. It premieres on Showtime February 3.
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    Movie Review

    Knives Out series takes a more serious turn in Wake Up Dead Man

    Alex Bentley
    Nov 28, 2025 | 4:00 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources — mystery novels and Catholicism — collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations — especially between Blanc and Father Jud — are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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