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    Sundance Film Festival 2017

    How Trump trumped the media: Documentary examines how the press got the election so wrong

    Jane Howze
    Jan 24, 2017 | 11:20 am

    Donald Trump may have officially assumed the nation's highest office in Washington, D.C., but he continues to be a major presence at the Sundance Film Festival in Park City, Utah. “Trumped: Inside the Greatest Political Upset of All Time” was screened for 200 members of the press Monday in a tent off Main Street in Park City, Utah, while a ferocious blizzard caused water to drip from a leaky ceiling. Despite the less than ideal conditions no one left.

    The documentary, created by John Heilemann, who has covered every election since 1992, Mark Halperin and former Austin political operative Mark McKinnon (creators of Showtime’s The Circus) analyzes the 2016 election from the vantage point of hindsight and as a result offers an outside-the-bubble perspective of how nearly everyone in the media got the bizarre and unprecedented presidential election so wrong. It traces Trump’s entry into the race, his destruction of each Republican contender, and culminates in his surprise election victory.

    Heilemann, in the Q&A session following the film, acknowledged that Sundance booked the film when it was just an idea and that his team had worked around the clock since the election and had only finished editing the film this week.

    The highly entertaining documentary focuses on the campaign from the press’s perspective, including many of the sound bites already seen on TV. Political junkies expecting insight from his advisers will be disappointed — the filmmakers let the story unfold through replays of his press conferences, the debates and several short interviews from the Trump private jet — always with a TV on in the background. I found these particularly interesting.

    On one you can catch a glimpse of Trump from a distance talking animatedly and affectionately with Melania Trump. On another, an interviewer asks Trump if he gets coached on what to say and he says no, he doesn’t need that. He speaks from his heart. Indeed he does and the film shows that while many supporters don't like all he says, they like that he is unscripted.

    This documentary has some laugh-out-loud parts, perhaps because truth can sometimes provide the best humor. Does anyone remember in 2015, when then-President Obama was asked if he could imagine Trump as president and he replied “yes, in a Saturday Night Live skit?” Similarly Trump’s comments about his….er…manhood, when replayed, had many in the audience chortling. If you just watched those snippets, you could see how the election was so shocking.

    Yet, through the lens of hindsight, the spectacle of the Trump plane pulling up to a hangar full of supporters, the excitement of the crowds (one young woman stated “I grew up watching him on The Apprentice”) and the politically incorrect and supremely confident Trump provided a moment of “How did we all miss this?”

    The film chronicles election night at Hillary Clinton’s extravagantly outfitted Jacob Javits Center election party that included a glass ceiling and a stage in the shape of the United States. One of the first signs that all was not going well was NBC's Andrea Mitchell telling the filmmakers that she is getting unsettling reports from Michigan. The film shows the shock and dismay of the filmmakers: “We were wrong and we need to figure out why.”

    Concluding the Q&A, Heilemann was asked by someone who was tactfully critical of the press (this is Sundance after all — not many openly Trump supporters here), asking what happened to reporter objectivity. He replied that everyone agrees the press is “fucked up” but they disagree on why.

    Some critics have taken the filmmakers to task for not trying to destroy Trump. He commented, “I think that it is incumbent on journalists not to become dispassionate because that’s phony. I think you should be passionate for the things that matter which are things like truth and accountability. We should try to represent the interests of the country and to hold people in power accountable and try to stay focused on what is true and which is false. “

    Even those who didn’t vote for Trump will find this documentary interesting, entertaining and instructional for future campaigns —even though, in the documentary, Bernie Sanders warns that an election should not be sport or a soap opera. The documentary will be screened on Showtime on February 3.

    Even those who didn’t vote for Donald Trump will find this documentary interesting, entertaining and instructional for future campaigns. It premieres on Showtime February 3.

    Donald Trump hat
    Photo via nydailynews.com
    Even those who didn’t vote for Donald Trump will find this documentary interesting, entertaining and instructional for future campaigns. It premieres on Showtime February 3.
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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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