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    Sundance Film Festival 2017

    How Trump trumped the media: Documentary examines how the press got the election so wrong

    Jane Howze
    Jan 24, 2017 | 11:20 am

    Donald Trump may have officially assumed the nation's highest office in Washington, D.C., but he continues to be a major presence at the Sundance Film Festival in Park City, Utah. “Trumped: Inside the Greatest Political Upset of All Time” was screened for 200 members of the press Monday in a tent off Main Street in Park City, Utah, while a ferocious blizzard caused water to drip from a leaky ceiling. Despite the less than ideal conditions no one left.

    The documentary, created by John Heilemann, who has covered every election since 1992, Mark Halperin and former Austin political operative Mark McKinnon (creators of Showtime’s The Circus) analyzes the 2016 election from the vantage point of hindsight and as a result offers an outside-the-bubble perspective of how nearly everyone in the media got the bizarre and unprecedented presidential election so wrong. It traces Trump’s entry into the race, his destruction of each Republican contender, and culminates in his surprise election victory.

    Heilemann, in the Q&A session following the film, acknowledged that Sundance booked the film when it was just an idea and that his team had worked around the clock since the election and had only finished editing the film this week.

    The highly entertaining documentary focuses on the campaign from the press’s perspective, including many of the sound bites already seen on TV. Political junkies expecting insight from his advisers will be disappointed — the filmmakers let the story unfold through replays of his press conferences, the debates and several short interviews from the Trump private jet — always with a TV on in the background. I found these particularly interesting.

    On one you can catch a glimpse of Trump from a distance talking animatedly and affectionately with Melania Trump. On another, an interviewer asks Trump if he gets coached on what to say and he says no, he doesn’t need that. He speaks from his heart. Indeed he does and the film shows that while many supporters don't like all he says, they like that he is unscripted.

    This documentary has some laugh-out-loud parts, perhaps because truth can sometimes provide the best humor. Does anyone remember in 2015, when then-President Obama was asked if he could imagine Trump as president and he replied “yes, in a Saturday Night Live skit?” Similarly Trump’s comments about his….er…manhood, when replayed, had many in the audience chortling. If you just watched those snippets, you could see how the election was so shocking.

    Yet, through the lens of hindsight, the spectacle of the Trump plane pulling up to a hangar full of supporters, the excitement of the crowds (one young woman stated “I grew up watching him on The Apprentice”) and the politically incorrect and supremely confident Trump provided a moment of “How did we all miss this?”

    The film chronicles election night at Hillary Clinton’s extravagantly outfitted Jacob Javits Center election party that included a glass ceiling and a stage in the shape of the United States. One of the first signs that all was not going well was NBC's Andrea Mitchell telling the filmmakers that she is getting unsettling reports from Michigan. The film shows the shock and dismay of the filmmakers: “We were wrong and we need to figure out why.”

    Concluding the Q&A, Heilemann was asked by someone who was tactfully critical of the press (this is Sundance after all — not many openly Trump supporters here), asking what happened to reporter objectivity. He replied that everyone agrees the press is “fucked up” but they disagree on why.

    Some critics have taken the filmmakers to task for not trying to destroy Trump. He commented, “I think that it is incumbent on journalists not to become dispassionate because that’s phony. I think you should be passionate for the things that matter which are things like truth and accountability. We should try to represent the interests of the country and to hold people in power accountable and try to stay focused on what is true and which is false. “

    Even those who didn’t vote for Trump will find this documentary interesting, entertaining and instructional for future campaigns —even though, in the documentary, Bernie Sanders warns that an election should not be sport or a soap opera. The documentary will be screened on Showtime on February 3.

    Even those who didn’t vote for Donald Trump will find this documentary interesting, entertaining and instructional for future campaigns. It premieres on Showtime February 3.

    Donald Trump hat
    Photo via nydailynews.com
    Even those who didn’t vote for Donald Trump will find this documentary interesting, entertaining and instructional for future campaigns. It premieres on Showtime February 3.
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    Movie Review

    The Only Living Pickpocket in New York lifts big rewards from small stakes

    Alex Bentley
    Oct 30, 2026 | 10:30 am
    John Turturro in The Only Living Pickpocket in New York
    Photo courtesy of Sony Pictures Classics
    John Turturro in The Only Living Pickpocket in New York.

    John Turturro is one of those people who embodies the term “character actor” the best. With over 120 credits in his nearly 50-year career, Turturro has rarely been the star of any of his projects. Instead, filmmakers have mostly used his unique face, New York accent, and inimitable acting style to help support the lead actors, a role for which Turturro seems well-suited.

    Now 69, Turturro is taking the reins in The Only Living Pickpocket in New York, playing Harry, a long-in-the-tooth thief who still has skills but not as many opportunities. The plucking of wallets isn’t as lucrative in the mostly-cashless modern society, and Harry has little use for smartphones since he doesn’t know how to use them. However, a rare opportunity presents itself when he happens upon Dylan (Will Price), a young man who seems to be as oblivious as he is rich.

    After a clever robbery of Dylan’s vintage car, though, Harry discovers he might be in over his head, especially when he finds a card-shaped USB drive. It's the contents of the drive that soon puts Harry and anyone around him in danger, including his wife, Rosie (Karina Arroyave), who’s suffering from unresponsive wakefulness syndrome; Ben (Steve Buscemi), who helps Harry sell stolen items; and even his estranged daughter Kelly (Tatiana Maslany).

    Written and directed by Noah Segan, the film is a low-key thriller made to emulate the tempo of Harry’s life. While one of the plot points puts a degree of urgency into his actions, for the most part Harry is someone for whom slow and steady always wins the race. He is someone who has developed relationships over decades, including with NYPD Detective Warren (Giancarlo Esposito), and it’s those bonds that help him make it through each day.

    Even though Harry is a criminal, the film treats him as an overall good guy, especially through the way he takes care of Rosie and the generosity he displays with his (stolen) money. Almost no one has a bad thing to say about him, and so Segan comes up with a couple of ways to give him more depth. His one scene with Kelly does the trick, providing a glimpse into a lesser man who clearly existed at one time.

    One of the pleasures of the film for longtime movie fans are the reunions Turturro has with Buscemi (his co-star in The Big Lebowski) and Esposito (his co-star in Do the Right Thing). All three could be all-stars on a team of character actors, with each having made big impressions in all sorts of roles over the past 40 years. Seeing them back together again as very different characters from when they last collaborated underscores the level of talent each of them has.

    Turturro ably carries the load in the lead role, but given his acting style and the type of role he’s called to play, his performance is far from showy. The same goes for Buscemi and Esposito, who are there to give great support to the classic supporting actor. When someone does go over-the-top, as Price does in most of his scenes, it stands out in a bad way. Maslany scores a lot of points in her brief appearance.

    The Only Living Pickpocket in New York is a quiet film with big rewards despite its small ambitions. The beauty of the story lies in its small details, both character-related and not. Turturro rarely disappoints when he’s not the lead actor, and he demonstrates that he’s equally capable of making a movie great when he’s out front.

    ---

    The Only Living Pickpocket in New York opens in theaters on October 30.

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