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    Trendysomething in SoMo

    Are film festivals the new online dating?

    Steven Devadanam
    Jan 21, 2010 | 12:00 am
    • Want to date a nice Jewish boy?
      Photo by Haloise Redding
    • Fond memories of "Sabrina, the Teenage Witch"
    • Attention mom: With a birthday coming up, a subscription to J Date would bedivine.

    Would it be redundant to say that I love CultureMap? Even for the conspicuously clued in, it’s a great resource to find out about that slightly under-the-radar destination or event. Case in point: Saturday afternoon, after waking up mysteriously clutching a corkscrew, I roll over in my bed to find my shiny laptop waiting to entertain me (not like that). As the CultureMap homepage loads, my eyes are immediately directed to listing #1: “Being Jewish in France.”



    Is this a free trip to go… be Jewish in France? Can I manipulate my vague affiliation with the Web site and religion to rig the contest in my favor? No, even better — it’s a mentioning of that day’s premiere of a documentary of the same name at the MFAH. I text the 'rents to see if they are interested in attending. As a twenty-something, it’s a good idea to invite parents to cultural events because they think you’re inclusive and clueing them in on “what’s cool.” I assume such gestures will eventually garner enough points to earn a cell phone upgrade or a vintage Vespa.



    However, they are out of pocket, and all for the better since I quickly realize what a prize opportunity this is: film festival, heebs, art museum, France—all the perfect ingredients to meet a nice Jewish boy. Under the impression that the afternoon would play out like a sequel to Kissing Jessica Stein, I walk into the Mies-ian Brown Auditorium and am overcome by the pungent aroma of Estée Lauder fragrance and swarms of geriatric women. I am further stunned by an arm waving frantically in the front row, and I notice that it is my eldest sister, inviting me to join her and her husband. So much for getting my game on at the film fest—or so I thought.



    After a brief conversation about their Bellaire house-hunt, the lights dim and we settle in for a couple of hours of fairly disturbing footage and commentary. When intermission arrives, I prepare to bolt so that I can scamper to the closing line at Spec’s, but out of nowhere I hear a girl cry out from the aisle, “Steven? Is that Steven Thomson?”



    Brushing a bit of dirt off my shoulder, I explain to my sister how this happens all the time since the launch of Trendysomething in SoMo (it’s never happened), and turn to the sight of my childhood babysitter; let's call her "Kaylie." Although she’s a mere five or six years older than me, that means a lot when you’re 10 years old and the other is 16. I have fond memories of her clipping my fingernails while we watched Sabrina, the Teenage Witch and listening to Jewel and Dave Matthews Band in her Corolla as she drove me to school. Nevertheless, I was not necessarily in the mood to schmooze.



    “I barely recognize you—you’re all grown up!” she announces, galloping into my row for what I fear could turn into a full-blown catch-up session. I move my jacket from my lap to the spare seat next to me, so as to discourage any problematic lingering. But of course, she perches on the armrest between the two seats, placing us eye to eye in a very unfamiliar way.



    She launches into a long debriefing of everything she’s been up to since we parted ways at her high school graduation. I enter auto smile-and-nod mode as she details teaching English in Israel and a recent breakup. As if she telepathically understands my disinterest, she arrests me in a brutal eyelock the entire time. I don’t snap out of her eyelash-batting hypnosis until I notice her barely caressing my forearm as she invites me to visit her new studio in the Heights and “unscrew a bottle of Manischewitz sometime."

    

Realizing that my childhood babysitter is trying to pick me up, I wrangle my arm around my sister’s neck.

    

“Kaylie, I want to introduce you to someone.”



    “You didn’t tell me you were already dating somebody!” Kaylie squeals, hitting her hand on the armrest, causing her Tiffany charm bracelet to create a rattling echo in the theatre. “I’m mortified!”

    

I explain that I am actually with my sister, not a girlfriend, but for some reason, I don’t know how else to really put the facts on the table. Misinterpreting that I might still be up for grabs, Kaylie begins to ask me more about my present life.



    “I write self-referential columns,” I reply, hoping she might pick up on my Carrie Bradshaw quote. She does not, but I do notice her again beginning to caress my arm. My automatic reaction takes the form of a jolting movement that might best be described as clocking somebody in the face, best demonstrated in Episodes Four and Six of Jersey Shore.

    

I am at a total loss. Kaylie just sits there, holding her face as apologies spill from my mouth. But then, I can’t help but think: here is a grown woman—a borderline puma even—hitting on her former surrogate son.



    “What kind of guy bitch-slaps a girl?” she shrieks, alarming the whole auditorium. I feel the watchful gaze of a room full of judgmental mothers descend on my seat. Then comes the anticipated slinger: “Do you have any idea how much this nose cost?!”

    

I’m not sure which is worse, the fact that she made such a statement, or that indeed, I do recall two instances of Kaylie being out of commission due to surgery on her “deviated septum.” I grab my belongings, stand up and reply, “Kaylie, you must not know 'bout me.”

    

So the Fresh Prince of SoMo didn’t meet his Francophile Jewish American Prince. I still saw a quality documentary, established a certain degree of closure with a former caretaker, and on top of that, got to use my museum member discount. But I have a feeling things will be looking up—my birthday’s next month, and if I'm going to be following in the footsteps of my older siblings, I just know that mom’s gotten me a gift membership to JDate.

    unspecified
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    Movie Review

    Matt Damon and Ben Affleck square off in Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 2:30 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team — which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) — on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they discover close to $20 million. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary — an unexpected noise, a flashing light, etc. — adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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