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    Trendysomething in SoMo

    Are film festivals the new online dating?

    Steven Devadanam
    Jan 21, 2010 | 12:00 am
    • Want to date a nice Jewish boy?
      Photo by Haloise Redding
    • Fond memories of "Sabrina, the Teenage Witch"
    • Attention mom: With a birthday coming up, a subscription to J Date would bedivine.

    Would it be redundant to say that I love CultureMap? Even for the conspicuously clued in, it’s a great resource to find out about that slightly under-the-radar destination or event. Case in point: Saturday afternoon, after waking up mysteriously clutching a corkscrew, I roll over in my bed to find my shiny laptop waiting to entertain me (not like that). As the CultureMap homepage loads, my eyes are immediately directed to listing #1: “Being Jewish in France.”



    Is this a free trip to go… be Jewish in France? Can I manipulate my vague affiliation with the Web site and religion to rig the contest in my favor? No, even better — it’s a mentioning of that day’s premiere of a documentary of the same name at the MFAH. I text the 'rents to see if they are interested in attending. As a twenty-something, it’s a good idea to invite parents to cultural events because they think you’re inclusive and clueing them in on “what’s cool.” I assume such gestures will eventually garner enough points to earn a cell phone upgrade or a vintage Vespa.



    However, they are out of pocket, and all for the better since I quickly realize what a prize opportunity this is: film festival, heebs, art museum, France—all the perfect ingredients to meet a nice Jewish boy. Under the impression that the afternoon would play out like a sequel to Kissing Jessica Stein, I walk into the Mies-ian Brown Auditorium and am overcome by the pungent aroma of Estée Lauder fragrance and swarms of geriatric women. I am further stunned by an arm waving frantically in the front row, and I notice that it is my eldest sister, inviting me to join her and her husband. So much for getting my game on at the film fest—or so I thought.



    After a brief conversation about their Bellaire house-hunt, the lights dim and we settle in for a couple of hours of fairly disturbing footage and commentary. When intermission arrives, I prepare to bolt so that I can scamper to the closing line at Spec’s, but out of nowhere I hear a girl cry out from the aisle, “Steven? Is that Steven Thomson?”



    Brushing a bit of dirt off my shoulder, I explain to my sister how this happens all the time since the launch of Trendysomething in SoMo (it’s never happened), and turn to the sight of my childhood babysitter; let's call her "Kaylie." Although she’s a mere five or six years older than me, that means a lot when you’re 10 years old and the other is 16. I have fond memories of her clipping my fingernails while we watched Sabrina, the Teenage Witch and listening to Jewel and Dave Matthews Band in her Corolla as she drove me to school. Nevertheless, I was not necessarily in the mood to schmooze.



    “I barely recognize you—you’re all grown up!” she announces, galloping into my row for what I fear could turn into a full-blown catch-up session. I move my jacket from my lap to the spare seat next to me, so as to discourage any problematic lingering. But of course, she perches on the armrest between the two seats, placing us eye to eye in a very unfamiliar way.



    She launches into a long debriefing of everything she’s been up to since we parted ways at her high school graduation. I enter auto smile-and-nod mode as she details teaching English in Israel and a recent breakup. As if she telepathically understands my disinterest, she arrests me in a brutal eyelock the entire time. I don’t snap out of her eyelash-batting hypnosis until I notice her barely caressing my forearm as she invites me to visit her new studio in the Heights and “unscrew a bottle of Manischewitz sometime."

    

Realizing that my childhood babysitter is trying to pick me up, I wrangle my arm around my sister’s neck.

    

“Kaylie, I want to introduce you to someone.”



    “You didn’t tell me you were already dating somebody!” Kaylie squeals, hitting her hand on the armrest, causing her Tiffany charm bracelet to create a rattling echo in the theatre. “I’m mortified!”

    

I explain that I am actually with my sister, not a girlfriend, but for some reason, I don’t know how else to really put the facts on the table. Misinterpreting that I might still be up for grabs, Kaylie begins to ask me more about my present life.



    “I write self-referential columns,” I reply, hoping she might pick up on my Carrie Bradshaw quote. She does not, but I do notice her again beginning to caress my arm. My automatic reaction takes the form of a jolting movement that might best be described as clocking somebody in the face, best demonstrated in Episodes Four and Six of Jersey Shore.

    

I am at a total loss. Kaylie just sits there, holding her face as apologies spill from my mouth. But then, I can’t help but think: here is a grown woman—a borderline puma even—hitting on her former surrogate son.



    “What kind of guy bitch-slaps a girl?” she shrieks, alarming the whole auditorium. I feel the watchful gaze of a room full of judgmental mothers descend on my seat. Then comes the anticipated slinger: “Do you have any idea how much this nose cost?!”

    

I’m not sure which is worse, the fact that she made such a statement, or that indeed, I do recall two instances of Kaylie being out of commission due to surgery on her “deviated septum.” I grab my belongings, stand up and reply, “Kaylie, you must not know 'bout me.”

    

So the Fresh Prince of SoMo didn’t meet his Francophile Jewish American Prince. I still saw a quality documentary, established a certain degree of closure with a former caretaker, and on top of that, got to use my museum member discount. But I have a feeling things will be looking up—my birthday’s next month, and if I'm going to be following in the footsteps of my older siblings, I just know that mom’s gotten me a gift membership to JDate.

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    Movie review

    Messy Frankenstein movie The Bride! stitches camp and confusion

    Alex Bentley
    Mar 9, 2026 | 3:45 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

    moviesfilmmaggie gyllenhaalannette beningchristian balejessie buckleypeter sarsgaardpenélope cruzmovie review
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