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    Music Matters

    Confessions of an Eagles rock band groupie: How to make Don Henley smile

    Jane Howze
    Jan 19, 2014 | 11:28 am

    LOS ANGELES — I really did not get the Eagles until I saw a documentary about the band at the Sundance Film Festival last January. But I was so enthralled I rushed out to buy tickets to their one performance slated for 2013 in Las Vegas, only to find out the following week that they had booked a 50-city "goodbye" tour.

    Fortunately, with my business travels I was able to see them again in New York, Dallas, Birmingham and Philadelphia.

    Attending a recent concert in southern California, where they are performing a series of concerts through Jan. 25, was almost an afterthought. Because I reviewed the Philly concert for CultureMap, I got linked up to an Eagles fan club who got first shot at tickets for the newly re-opened Forum in Los Angeles. I signed up as a lark, only to learn I had scored tickets in the third row. Word was that they would wrap up their tour in LA and call their days as Eagles fini. Of course, once I committed to go, they announced 20 or 30 more dates, including a stop in Houston next month and a European tour.

    So what is there new to say about this concert?

    The Eagles performed "Seven Bridges," which was not done at previous concerts, and it was wildly received.

    Otherwise, the performance didn't have a note or word out of place. Even Glenn Frey's repartee of, "I'm from Detroit where mother is half a word," was said at the exact same moment in the same way. The only thing I noticed different was the concert started at 8:26 p.m. rather than 8:05 as usual.

    There are crazy people who sit in the front rows of concerts. I found this to be true at the 2012 Paul McCartney show at Minute Maid Park and it just as true here as a woman behind me got so drunk that she fell over on me as she tried to dance. She yelled. She cursed. She sung badly and loudly. Thankfully her boyfriend took her home before the end.

    What started as a mild admonishment from Frey at concerts last summer that "you guys in the front rows, put away your cameras and phones and listen to the music" has become almost a witch hunt as imposing security guards kept walking up and down the aisles in the front looking for cellphones. But anyone who knows anything about the Eagles knows that they are control freaks. And most of us stealthily got our pictures.

    Frey asked those in front to stay seated during ballads, which resulted in much of the front section staying seated more than they would have normally. I think we all weren't clear what was a ballad and what wasn't since many of their songs are in that in-between space.

    Although I know only a handful of people in LA, what are the chances of running into three of them at the concert, including one who was sitting directly in front of me? Count me grateful.

    And count the Eagles grateful, too. Unlike the other concerts where they left the stage so quickly that it appeared they were rushing to catch a bus, this time they went to each part of the stage, made eye contact and received the accolades they so richly deserved.

    And I actually saw Don Henley smile — first time in six concerts. The band looked connected and they did connect. And, when they're at Toyota Center on Feb. 21, I won't be too tired to go with my friends.

    The Eagles, from left. Joe Walsh, Timothy Schmit, Don Henley and Glenn Frey

    The Eagles band
    Eagles Facebook
    The Eagles, from left. Joe Walsh, Timothy Schmit, Don Henley and Glenn Frey
    unspecified
    news/entertainment

    Movie Review

    Fun visuals can't save The Magic Faraway Tree's meager plot

    Alex Bentley
    Aug 24, 2026 | 10:30 am
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
    Photo courtesy of Vertical Entertainment
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

    With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

    The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids — Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) — are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

    Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

    Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

    Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

    There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

    A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

    With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

    ---

    The Magic Faraway Tree is now playing in theaters.

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