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    BACK TO THE FUTURE

    MFAH launches world's most comprehensive digital archive of Latin American andLatino art

    Tyler Rudick
    Jan 18, 2012 | 3:14 pm
    • Cover for the journal Azulejos (Mexico City), Vol. I, No. 2 (September, 1921),coleción de Instituto de Investigaciones Bibliográficas: BibliotecaNacional/Hemeroteca Nacional, Mexico City
    • Cover for Carlos Mérida’s exhibition, La Pintura en su estado actual, held atMexico City’s Galería de Arte Mexicano, 1953
    • Luis Cardoza y Aragón, “México, de cerca, de lejos…: A André Breton,” ElNacional: Diario Popular (Mexico City), Sep. 19, 1936, pages one and three,coleción de Instituto de Investigaciones Bibliográficas: BibliotecaNacional/Hemeroteca Nacional, Mexico City
    • Kenneth Kemble, “Para aquellos a quienes esta exposición pueda sorprender…” (Tothose of whom this exhibition may surprise…], In Kemble exhibit catelogue,Buenos Aires: Galería Pizarro, 1961
    • Daniel Joseph Martinez, To Make a Blind Man Murder for the Things He’s Seen(Happiness Is Over-rated), 2002, silicon over animated Fiberglass skeleton usingcomputer-controlled pneumatics, digital audio with self-contained sound system,museum purchase with funds provided by the 2007 Latin American Experience Galaand Auction
    • Carlos Cruz-Diez, Cromosaturación (Chromosaturation), 1965/2004, threechromo-cubicles (fluorescent light with blue, red and green filters), gift ofthe Cruz-Diez Foundation at the Museum of Fine Arts, Houston
    • Maurício Nogueira Lima, Objeto rítmico no 2 [Rhythmic Object (second version)],1953, plastered paint on hardboard, The Adolpho Leirner Collection of BrazilianConstructive Art, museum purchase with funds provided by the Caroline Wiess LawAccessions Endowment Fund
    • Xul Solar, Jefa (Patroness), 1923, watercolor on paper set on cardboard, museumpurchase with funds provided by the 2005 Latin American Experience Gala andAuction

    After a decade of culling historical material from across North and South America, the Museum of Fine Arts, Houston and its research institute, International Center for the Arts of the Americas (ICAA), will launch its long-awaited digital archive of Latin American and Latino art on Thursday.

    The centerpiece of a $50 million initiative that began in 2001 to expand the museum's 20th-century Latin American art, the new online collection offers an array of primary-source material — including artists' writings and correspondence as well as other textual material from period journals and newspapers — all brought together for the first time in a free searchable database.

    "Primary documents like this are fundamental to the history of art," ICAA director Mari Carmen Ramírez said.

    "The project is about access to documents, rather than the collecting of physical objects," ICAA director Mari Carmen Ramírez told CultureMap in a recent phone interview. "The material never leaves the institutions or countries that have shared them with the archive."

    The study of Latin American art has been plagued by a lack of scholarly infrastructure, she said. Throughout the Americas, uncataloged materials remain sequestered in universities, museums and private collections throughout the Americas without a means to find them.

    "Primary documents like this are fundamental to the history of art," Ramírez explained. "Until now, though, they haven't been available in any comprehensive format. We hope this project opens new avenues of scholarship."

    Documents of 20th-Century Latin American and Latino Art, as the online archive is known officially, begins with a look at 2,500 documents from Argentina and Mexico as well as the American Midwest. The Midwest is an area rich in groundbreaking Chicano art, yet, like many regions of the United States, it's often not included in broader studies of Latin American art.

    "Artists from the U.S. are typically not appreciated as part of this history of Latin American art," said Victor Sorell, one of the key American consultants for archive and director of the Institute for Latino Studies at the University of Notre Dame. "It's wonderful to see so many neglected arenas of visual arts finally commanding attention."

    To accompany the online archive, the MFAH and Yale University Press will publish a series of 13 books throughout the next decade featuring selections from the digital collection, many of which will be published for the first time in English. The first volume, Resisting Categories: Latin American and/or Latino? will be available in the coming weeks.

    "The project offers one of the first fully continental looks at Latin American art," said Tomás Ybarra-Frausto, a noted Chicano art historian and editor of the forthcoming Resisting Categories book. "At last US Latino American voices will be incorporated into the dialogue."

    "This certainly will change the larger art historical record as a whole, offering a new map to modernity," he noted. "The archive presents a complex multi-centric perspective on modern art.

    "Not just New York, Paris, and Los Angeles, but other centers like Chicago and Lima as well."

    Starting Thursday, the MFAH will host a free two-day symposium to mark the new archive. Click here for details.

    unspecified
    news/entertainment

    Fun with Time

    Interactive adventure Time Mission clocks into Houston development

    Alex Bentley
    Apr 13, 2026 | 11:00 am
    Time Mission
    Photo courtesy of LOL Entertainment
    The immersive experience Time Mission will open at the MarqE Entertainment District n summer 2026.

    Time for a new immersive experience to come to Houston: Time Mission, a kid-friendly, team-based adventure, is scheduled to land at the MarqE Entertainment District in summer 2026.

    Created by LOL Entertainment, a location-based entertainment company specializing in immersive attractions, Time Mission blends physical and mental challenges in a fast-paced experience, a release says.

    Players take on real-world tasks like cracking codes, dodging lasers, solving riddles, and exploring hidden tunnels to earn points for their team.

    Racing through 25+ unique portals, teams of two to five players embark on a time-travel journey across the past, present, and future, all while collecting points and battling the clock.

    The website says the attraction is appropriate for "players age 6 to 106."

    “We’ve seen a shift in how people seek entertainment, choosing immersive adventures that foster connection and excitement," says Rob Cooper, CEO of LOL Entertainment, in the release. "We’re excited to introduce Dallas to an experience where strategy, innovation, and teamwork collide.

    There are currently Time Mission locations in Pennsylvania, New York, Rhode Island, Virginia, Illinois, and Belgium. Dallas will be the first Texas location, with another opening in Houston in summer 2026.

    Immersive attractions have been popular in Houston for several years, from Meow Wolf just north of downtown to interactive experiences dedicated to balloons and more.

    Time Mission will be located in a 10,000-square-foot space at the Marq Entertainment District (7620 Katy Fwy, Suite 355). The exact opening date will be announced at a later time.

    kidsfamiliesentertainment
    news/entertainment
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