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    Golden Moments at the Globes

    Houston-born directors rule at Golden Globes; Tina and Amy's best jokes (including Cosby zingers)

    Alex Bentley
    Jan 12, 2015 | 1:15 am

    Despite being around for 72 years, the Golden Globe Awards have been and likely always will be the redheaded stepchild of awards season. They’re rarely a harbinger for awards to come, mostly because they’re voted on by the Hollywood Foreign Press Association instead of industry professionals, and because they do things like shoehorn Birdman into the Best Comedy/Musical category.

    The co-hosts were not as biting with their quips as they have been the past two years, but they still got off a few great zingers.

    But they’re usually the most entertaining of the awards shows, because the stars have no reservations about guzzling multiple drinks, leading to some truly delightful moments. Returning as co-hosts for the third and last time were Tina Fey and Amy Poehler, two former Saturday Night Live cast members whose bond only seems to grow stronger as the years go along.

    The co-hosts were not as biting with their quips as they have been the past two years, but they still got off a few great zingers. On Patricia Arquette’s nominated role in Boyhood, which she shot over 12 years, they noted that this proves there are still great roles for women over 40, as long as they’re hired before they turn 40.

    And they went after George Clooney yet again, pointing out that his wife, Amal Alamuddin, has accomplished a tremendous amount in her non-Hollywood career, yet it was Clooney who received the lifetime achievement award.

    But they reserved their most shocking jokes for Bill Cosby — no surprise given Fey’s history at jabbing the comedian for the rape allegations against him. No recap does their jokes justice, so here’s the video instead:


    cos by vidstuffs

    However, once they got past the opening monologue, Fey and Poehler turned relatively tame, and the usually raucous awards show seemed to follow suit. There was not one boozy presenter or award winner, save for the reliably naughty Ricky Gervais, although even he seemed to censor himself.

    That doesn’t mean the night was devoid of memorable moments. Among ones worth remembering:

    • A standing ovation for, of all people, HFPA president Theo Kingman after he proclaimed the HFPA’s support of free speech in the wake of the Charlie Hebdo shootings.
    • Rapper Common, who co-starred in Selma, gave an eloquent speech honoring the civil rights fight that continues to this day.
    • Two other SNL alums, Kristen Wiig and Bill Hader, who co-starred in The Skeleton Twins, were as funny as always when they presented the award for best screenplay.
    • Kevin Spacey, who had been nominated seven previous times before winning this year for his role on House of Cards, tested the censors with the line, “This is the eighth time I’ve been nominated. I can’t believe I f---ing won one.”
    • Michael Keaton delivered the most personal speech of the night after winning Best Actor, Comedy/Musical for Birdman, revealing intimate personal details. In paying tribute to his parents and his upbringing, he said his name is really Michael John Douglas, a fact many were sure not to know. He also had the line of the night while choking back tears: “My best friend is kind, intelligent, funny, talented, considerate, thoughtful … did I say kind? He also happens to be my son, Sean.” Keaton may or may not get to deliver another speech this awards season, so it was a pleasure getting a peek inside his soul, if only for a minute or two.

    Boyhood was the big winner of the night, taking home three awards, including Best Supporting Actress for Arquette, Best Director for Austin-based director Richard Linklater, who was born in Houston and graduated from Bellaire High School, and Best Picture, Drama.

    Birdman seemed destined for a similar trio of awards after winning for Best Screenplay and Best Actor, but The Grand Budapest Hotel, from Wes Anderson, who was born in Houston and graduated from the St. John's School, surprisingly won for Best Picture, Comedy/Musical. Anderson gave a witty acceptance speech where he thanked voters from the Hollywood Foreign Press Association by their first names, with a lot of Helga's and Helmut's thrown in.

    Other winners on the movie side included J.K. Simmons for Best Supporting Actor in Whiplash; Amy Adams for Best Actress, Comedy/Musical for Big Eyes; Eddie Redmayne for Best Actor, Drama in The Theory of Everything; and Julianne Moore for Best Actress, Drama in Still Alice.

    On the television side, the Amazon series Transparent made a splash by winning Best Comedy/Musical and Best Actor for Jeffrey Tambor. Showtime’s The Affair won for Best Drama, and Ruth Wilson was honored as Best Actress.

    Common, who won the award for Best Song alongside John Legend for "Glory" from Selma, delivered one of the more eloquent speeches of the night.

    Common and John Legend at the 2015 Golden Globe Awards
      
    Photo by Paul Drinkwater NBC
    Common, who won the award for Best Song alongside John Legend for "Glory" from Selma, delivered one of the more eloquent speeches of the night.
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    Movie Review

    Heartfelt movie The Life of Chuck adapts optimistic Stephen King story

    Alex Bentley
    Jun 13, 2025 | 5:30 pm
    Tom Hiddleston in The Life of Chuck
    Photo courtesy of NEON
    Tom Hiddleston in The Life of Chuck.

    Just like actors, once a filmmaker becomes known for a certain genre, it can be difficult to escape that pigeonholing. Writer/director Mike Flanagan has worked for 20 years in both film and television, and literally every project he’s done has been related to horror. He’s finally breaking out with The Life of Chuck, which is ironically based on a short story of the same name by Stephen King.



    Told in three chapters in reverse order, the film is almost impossible to describe without giving away its magic. The first section centers on Marty (Chiwetel Ejiofor), a teacher grappling, like everyone around him, with what seems to be the world falling apart. He’s comforted to a degree by reuniting with his ex-wife, Felicia (Karen Gillan), but is also baffled by multiple ads touting the retirement of Charles “Chuck” Krantz (Tom Hiddleston) after “39 great years.”

    The second section consists of little more than a slightly younger Chuck happening upon Taylor (The Pocket Queen), a drummer busking on a street corner, giving Chuck and a younger woman, Janice (Annalise Basso), the inspiration to start dancing. The final section goes back to the childhood of Chuck (Benjamin Pajak), where he’s raised by his grandparents (Mark Hamill and Mia Sara), discovers dance as an outlet, and wonders about various small mysteries.

    Flanagan finds a way to deliver a lot of story with relatively little effort. Using a wry narrator (Nick Offerman), a limited number of locations, and a series of great small performances, he creates an intriguing premise with few straightforward answers. The structure of the film is designed to confuse the viewer until just the right moment, and the revelation forces you to reexamine everything that came before.

    The biggest accomplishment by Flanagan is making what are essentially three short films and having each of them resonate equally. The film contains elements of science fiction, although the first section may hit a bit too close to home for some of those watching. All three sections, though, have a heartwarming bent to them that sells their central idea without becoming overly saccharine.

    To do so, each of the characters have to connect in a short amount of time. The casting of the film is crucial, and not only does that department succeed with the main roles, but a series of small roles are filled expertly as well. Carl Lumbly as a funeral home owner, David Dastmalchian and Harvey Guillen as parents of students, Matthew Lillard as Marty’s neighbor, Q’orianka Kilcher as Chuck’s wife, and Jacob Tremblay as a teenage Chuck are just a few of the recognizable actors that do yeoman’s work in their brief time on screen.

    Hiddleston is only prominently featured in the second chapter, but his performance there and in small glimpses throughout makes a big impression. Ejiofor is given the star turn in the first chapter and he absolutely kills, both in moments by himself and in scenes with Gillan, with whom he has great chemistry. Hamill, making a rare non-voiceover appearance outside of the Star Wars universe, and Sara, in her first notable role in 11 years, are also very memorable in the final chapter.

    The Life of Chuck is a film that’s filled with emotion, but the full impact of the story is not felt until the final moments. It has a mysterious journey that is initially frustrating, but the performances keep the film going until it gets to its satisfying payoff.

    ---

    The Life of Chuck is now playing in theaters.

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