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    Golden Moments at the Globes

    Houston-born directors rule at Golden Globes; Tina and Amy's best jokes (including Cosby zingers)

    Alex Bentley
    Jan 12, 2015 | 1:15 am

    Despite being around for 72 years, the Golden Globe Awards have been and likely always will be the redheaded stepchild of awards season. They’re rarely a harbinger for awards to come, mostly because they’re voted on by the Hollywood Foreign Press Association instead of industry professionals, and because they do things like shoehorn Birdman into the Best Comedy/Musical category.

    The co-hosts were not as biting with their quips as they have been the past two years, but they still got off a few great zingers.

    But they’re usually the most entertaining of the awards shows, because the stars have no reservations about guzzling multiple drinks, leading to some truly delightful moments. Returning as co-hosts for the third and last time were Tina Fey and Amy Poehler, two former Saturday Night Live cast members whose bond only seems to grow stronger as the years go along.

    The co-hosts were not as biting with their quips as they have been the past two years, but they still got off a few great zingers. On Patricia Arquette’s nominated role in Boyhood, which she shot over 12 years, they noted that this proves there are still great roles for women over 40, as long as they’re hired before they turn 40.

    And they went after George Clooney yet again, pointing out that his wife, Amal Alamuddin, has accomplished a tremendous amount in her non-Hollywood career, yet it was Clooney who received the lifetime achievement award.

    But they reserved their most shocking jokes for Bill Cosby — no surprise given Fey’s history at jabbing the comedian for the rape allegations against him. No recap does their jokes justice, so here’s the video instead:


    cos by vidstuffs

    However, once they got past the opening monologue, Fey and Poehler turned relatively tame, and the usually raucous awards show seemed to follow suit. There was not one boozy presenter or award winner, save for the reliably naughty Ricky Gervais, although even he seemed to censor himself.

    That doesn’t mean the night was devoid of memorable moments. Among ones worth remembering:

    • A standing ovation for, of all people, HFPA president Theo Kingman after he proclaimed the HFPA’s support of free speech in the wake of the Charlie Hebdo shootings.
    • Rapper Common, who co-starred in Selma, gave an eloquent speech honoring the civil rights fight that continues to this day.
    • Two other SNL alums, Kristen Wiig and Bill Hader, who co-starred in The Skeleton Twins, were as funny as always when they presented the award for best screenplay.
    • Kevin Spacey, who had been nominated seven previous times before winning this year for his role on House of Cards, tested the censors with the line, “This is the eighth time I’ve been nominated. I can’t believe I f---ing won one.”
    • Michael Keaton delivered the most personal speech of the night after winning Best Actor, Comedy/Musical for Birdman, revealing intimate personal details. In paying tribute to his parents and his upbringing, he said his name is really Michael John Douglas, a fact many were sure not to know. He also had the line of the night while choking back tears: “My best friend is kind, intelligent, funny, talented, considerate, thoughtful … did I say kind? He also happens to be my son, Sean.” Keaton may or may not get to deliver another speech this awards season, so it was a pleasure getting a peek inside his soul, if only for a minute or two.

    Boyhood was the big winner of the night, taking home three awards, including Best Supporting Actress for Arquette, Best Director for Austin-based director Richard Linklater, who was born in Houston and graduated from Bellaire High School, and Best Picture, Drama.

    Birdman seemed destined for a similar trio of awards after winning for Best Screenplay and Best Actor, but The Grand Budapest Hotel, from Wes Anderson, who was born in Houston and graduated from the St. John's School, surprisingly won for Best Picture, Comedy/Musical. Anderson gave a witty acceptance speech where he thanked voters from the Hollywood Foreign Press Association by their first names, with a lot of Helga's and Helmut's thrown in.

    Other winners on the movie side included J.K. Simmons for Best Supporting Actor in Whiplash; Amy Adams for Best Actress, Comedy/Musical for Big Eyes; Eddie Redmayne for Best Actor, Drama in The Theory of Everything; and Julianne Moore for Best Actress, Drama in Still Alice.

    On the television side, the Amazon series Transparent made a splash by winning Best Comedy/Musical and Best Actor for Jeffrey Tambor. Showtime’s The Affair won for Best Drama, and Ruth Wilson was honored as Best Actress.

    Common, who won the award for Best Song alongside John Legend for "Glory" from Selma, delivered one of the more eloquent speeches of the night.

    Common and John Legend at the 2015 Golden Globe Awards
    Photo by Paul Drinkwater NBC
    Common, who won the award for Best Song alongside John Legend for "Glory" from Selma, delivered one of the more eloquent speeches of the night.
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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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