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    a lone starlet

    From Texas to Broadway: a local star shines in her Color Purple homecoming

    Tarra Gaines
    Jan 8, 2018 | 8:35 am

    Never underestimate the power of a good ol Texas high school musical theater production. Adrianna Hicks, the star of the national touring The Color Purple revival, certainly doesn’t because growing up in McKinney, Texas, a school rendition of Guys and Dolls changed the course of her life.

    In The Color Purple musical, Hicks plays Celie, the abused but ultimate survivor female hero first brought to life in Alice Walker’s Pulitzer prize-winning novel. Whoopi Goldberg earned her first Oscar nomination in the Steven Spielberg directed film adaptation. The story was then turned into a musical, a Broadway hit back in 2005, but the 2015, John Doyle directed revival quickly became a critical darling, earning the Tony Award for best musical revival.

    As the national tour of the show heads to Houston, CultureMap caught up with Hicks by phone to learn more about this new version and how she feels coming back to her home state she left more than a decade ago on a journey to Broadway.

    Musical Calling
    As a girl, church choirs gave Hicks a passionate love of music and later she learned to play the flute and joined the school band.

    “I’m very thankful because it helped me to learn to read music, how to join with other instruments and to appreciate the art of classical music,” she explained of her early music experiences, yet only during her sophomore year at McKinney High did she have her theatrical epiphany.

    “Even today I have those images in my mind,” she described of that Guys and Dolls production, the first live musical she remembers seeing. And that show became her revelation that there existed a performing art where music, dance and acting melded into one form. At that moment, she knew: “This is what I want to do.”

    Hicks soon got herself up on that high school stage, playing the butler in Joseph and the Amazing Technicolor Dreamcoat.

    “I had my mini-solo that lasted a couple of bars, a couple of lines. That was it, but I’ll never forget being so nervous,” she confessed, going on to recount her next part, the Sour Kangaroo in Seussical, which she laughingly describes as her first meaty, “character role," and Alice in Big River. She still remembers the joy in having a beautiful solo number.

    In a rather wondrous coincidence, or perhaps performing arts destiny, her senior year also introduced Hicks to the show she now stars in, as the Thespian program at McKinney took seniors to New York for spring break. The final show they saw during the trip: The Color Purple, with the kids even participating in a talkback with some of the actors.

    Broadway Home
    Fast forward a decade to 2015 when Hicks had moved to New York and won a swing role in Broadway revival, playing an understudy for seven of the nine female parts in the show, including Celie, an experience that gave Hicks an intimate understanding of each of those characters’ perspectives.

    That year, a new group of Texas high school students with a love of musical theater came to Broadway for the same spring break program and this time it was Hicks who sat in front of them, giving them guidance and encouragement.

    “It was incredible. I told them: guys I was in your position ten years ago. It’s the show that just keeps on giving,” she said of that very special moment of her musical world coming full circle.

    The New Celie
    Even as she brings inspiration to the next generation of theater kids, she draws insight from the many extraordinary actresses to have played Celie. Still, Hicks believes each performer has added their own uniqueness to the role, and she can do no less.

    “There’s no way I can fill any of these women’s shoes. I’m so honored and humbled that they’ve called me to continue the journey of this character,” she said. “All I have to bring is myself and that’s exactly what they had. I look at that in the sense that all these women could only be true to the essence of who they were and that brought out a different element of Celie. We’re all intricately created beings.”

    This stripped-down production in particular calls on Hicks to bring much of herself. The show goes back to the emotional core of the story, relying on the words, music and performances to reveal the intricacies of the characters. This Color Purple has no elaborate sets, and gives the actors only minimal costume changes and makeup; meanwhile, Hicks must play Celie’s growth and change from an adolescent to middle aged woman.

    “It’s a challenge because in our production you can’t hide behind anything, the set, makeup, costume changes,” she describes, going on to praise director Doyle for helping them trust their bodies to do the work.

    A Journey Full Circle
    All that work earned her a home on Broadway, but now as the star of the touring production, she comes home to Texas.

    Though she must keep to a tight performance schedule through Houston, Dallas and San Antonio, she plans to visit friends and family, especially her mother. She also wants to go back to her high school, where her musical theater journey began, and visit with some of her old teachers.

    “That would be wonderful because they were the ones who helped me get to this point.”

    ---

    The Color Purple runs at the Hobby Center Tuesday, January 9, through Sunday, January 14, 2018.

    Adrianna Hicks and the cast of The Color Purple.

    Adrianna Hicks (Celie) and the North American tour cast of The Color Purple
    Photo by Matthew Murphy
    Adrianna Hicks and the cast of The Color Purple.
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    3 stage future

    Hobby Center raises the curtain on $45 million renovation project

    Tarra Gaines
    Nov 2, 2026 | 8:00 pm
    Stage rendering of the new Hobby Center performance space
    Rendering Courtesy of The Hobby Center for the Performing Arts
    The new Hobby Center performance space will offer an elevated audience experience close to the artists.

    The Hobby Center has brought Houston two decades of world class musical theater and plays as part of its Broadway at the Hobby Center series, as well being the home for Theatre Under the Stars and giving a stage and spotlight to some of Houston’s stellar music, dance, and theater organizations. As the organization moves into its next stage, the Hobby Center will more fully embrace its name and identity as a center to present even more diverse and dynamic local, national, and international performing art. To do so, it's raising the curtain on an epic $45 million plan to renovate the building and add a third permanent performance space.

    Plans calls for transforming the underutilized event area between the expansive Sarofim Hall and midsized Zilkha Hall — currently home to the Live at the Founder Club series — into a intimate club-like theater with seating for 160 people. Once complete, the realized concept will combine club-style seating, a full bar, and elevated dining and service throughout performances.

    The new theater will include balcony seating, with both levels wrapping around the stage on three sides. The downtown Houston skyline will make for the perfect backdrop for a range of performance genres and artists.

    “The space capitalizes on that kind of iconic downtown view with the stage set against the windows. It’s a space that is intended to create a really distinctive sense of place and connection to the city.” Hobby Center president and CEO Mark Folkes tells CultureMap. “This is an opportunity to really expand the identity and understanding of what a performing arts center is to the city.

    In the past several years, the Hobby Center has embraced its role as a presenter by founding the Beyond Broadway Series, which brings in stage and screen megastars for one or two night only performances, and the Live at the Founders Club season of intimate jazz, Broadway songbook, and world music performances. And it is this last series, now in its fourth year, that became the spark and inspiration for creating a new stage.

    “Through the first 20 years of our organization's life, I would say we primarily thought about ourselves as a building, a venue, which is true of most Houstonians,” Folkes says. Rising from Buffalo Bayou to take its place amid the Houston skyline, the building has become a familiar and treasured Houston landmark. But beyond the walls and spaces, Folkes also thinks of the Hobby Center as a prime connector between artists and audiences. Folkes explains they’ve been “playing in new spaces,” and Live at the Founders Club is one such inspired romp. Now, it will become the Hobby’s permanent third space.

    “It’'ll shift from being an event space as it is today, where we set up temporarily when we're doing this programming, to being a year-round venue that's open and presenting a diverse range of artists in this supper club hospitality environment,” Folkes says.

    Folkes thinks of the new space as one of limitless possibilities for performance programming. Once the space is complete, the programming will also ramp up from around 30 Founders Club performances per season to 150.

    “There are so many opportunities for engaging Houston-based artists as well as touring artists nationally and globally for this room specifically,” says Folkes, noting that the organization has more flexibility for programming artists for an intimate theater space. Many artists love being in such a space for the connection they form with the audience.

    For those who know Houston as a center for world class culinary arts, Folkes adds that the new theater will also include a designated kitchen and plans are in the works to make this an elevated dining, as well as performance, experience.

    Folkes says that one question many performing arts organizations have been thinking on is how to “create a more dynamic and vibrant Theater District that includes lots of different types of audience experiences." He believes this new space will be one answer to that quest.

    Other changes

    Beyond this third performance venue, audiences will notice lots of other changes throughout the Hobby Center campus. In May, Ken and Mady Kades made a $5 million gift as a significant element of the Hobby Center’s grand future that will include the Kades Club, a hospitality lounge that will become the ultimate place to see and be seen in the Theater District. But the next few years will also bring major transformations to the Grand Lobby, the Zilkha Hall Lobby, and the Hobby box office. Audiences can also expect enhanced food and beverage offerings, and refined pre-show and intermission gathering spaces.

    Stage rendering of the new Hobby Center performance space

    Rendering Courtesy of The Hobby Center for the Performing Arts

    The new Hobby Center performance space will offer an elevated audience experience close to the artists.

    Behind the scenes, the organization just completed renovations of its administrative offices. In addition, technology and fittings in Sarofim Hall have been upgraded for the first time in more than 20 years, with additional improvements in Zilkha Hall.

    Construction will begin in the summer of 2027, with an opening date for the as-yet-unnamed new performance space slated for fall 2028. Folkes assures Houstonians that the shows will go on throughout construction with no pause in performances in Sarofim and Zilkha Halls. Founder’s Club performances will continue while the renovations proceed, although in a different location.

    The campus transformation is led by Gensler as architect and interior designer, Charcoalblue as theater consultant, and Forney Construction as construction manager and general contractor. A New Stage, the capital campaign to support such visions has already raised $31 million to date, including three lead $5 million gifts from the Hamill Foundation, the Ken and Mady Kades Foundation, and the Sarofim Foundation.

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