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    Love, economic ruin & unknown singer

    Taking stock of Sundance: Six don't-miss films from last year's festival thatmay have Oscar magic

    Jane Howze
    Jan 2, 2013 | 6:01 am
    • Helen Hunt and John Hawkes in The Sessions, which was called The Surrogate atSundance.
      Photo courtesy of Fox Searchlight Pictures
    • Richard Gere stars in Arbitrage
    • A scene from the Queen of Versailles
      Photo by Lauren Greenfield
    • Searching for Sugar Man is on the short list for the Oscar for Best Documentary

    While others spent New Year’s Day watching bowl games and making resolutions, I was focused on movies. For the last four years I have reviewed films at the Sundance Film Festival, the granddaddy of film festivals, which takes place the last two weeks of every January in Park City, Utah.

    With bowl games in the background, I took stock of Sundance 2012, the jewels I discovered and where I went wrong—way wrong—in movie choices. And with 2013 Sundance program in hand, I resolved to choose only great films to review for this year’s festival.

    During last year’s Sundance Film Festival, I saw about 25 movies in a 10-day period and reviewed 11 of them — some good — really good — and some not so good. Many of my favorites, which are available on DVD or soon will be, have Oscar potential (nominations will be announced on Jan. 10). They include:

    The Sessions (on DVD February 12)

    Known as The Surrogate at Sundance, The Sessions is based on a true story about Mark O’Brien, a disabled man in an iron lung (played by John Hawkes), who wants to lose his virginity. With the help of his priest (William H. Macy), he contacts professional sex surrogate Cheryl (played by Helen Hunt).

    The title and subject matter are awkward and squirm-inducing, but the film is funny, charming and poignant. In the hands of a less talented group of actors, it might have seemed contrived and phony.

    Hawkes does all of his acting with his face—an impressive performance. Hunt is brave, gentle and courageous, in a film that required no-hold-barred nudity.

    The film was a runaway hit at Sundance where it received the Audience Award in the U.S. Dramatic category. Both Hawkes and Hunt have been nominated for a Golden Globe award and are talked about as Oscar nominees for Best Actor and Best Supporting Actor.

    Beasts of the Southern Wild (available on DVD)

    Set in a river community outside of New Orleans, Beasts of the Southern Wild catapults viewers into the magical, apocalyptic world of a 6-year-old girl (supremely talented Quvenzhané Wallis) who battles prehistoric creatures released by melting polar ice caps.

    Winner of the 2012 Grand Jury Prize at Sundance, this film has already received more than 20 awards and buzz is that it will be an Oscar contender for Best Film.

    Arbitrage (available on DVD)

    Richard Gere and Susan Sarandon star in this tale of a troubled hedge fund tycoon who cooks the books of his company and watches as his life spirals out of control as his mistress dies, the accountants discover the fraud and the authorities start closing in on him.

    This could have been a formula movie but turned out to be well- acted with an unpredictable ending. Definitely worth a Saturday night rental.

    Gere is nominated for a Golden Globe for Best Actor in a Drama and has an outside chance at an Oscar Best Actor nomination.

    My Sister’s Sister (available on DVD)

    This romantic comedy focuses on Iris who invites her friend Jack, who is grieving for his deceased brother, to stay at her father’s cabin. Hannah, Iris’ sister, who is nursing a broken relationship, shows up unexpectedly also seeking solitude and healing.

    The result is a funny, clever and haunting story of real people dealing with the angst, sibling rivalry and the exhilaration of love and how to put it all together in a complicated world.

    Although the movie has an indie feel with a small budget and improvised dialogue, three superb actors — Emily Blunt, Rosemarie DeWitt and Mark Duplass — coupled with a non-formula ending, make this movie deeply satisfying.

    No Oscar chances, but still highly watchable.

    Searching for Sugar Man (on DVD January 22)

    This documentary about forgotten '60s musician Rodriguez, and the filmmaker’s search to find him and reunite him with his huge fan base in South Africa, has received rave reviews world-wide. It was my first movie at Sundance 2012, and also my last, because it won Audience Award for Best Documentary and I just could not resist the opportunity to again experience its magic.

    I was not the only one to be enchanted by Rodriguez’ story. 60 Minutes profiled Rodriguez and he performed on David Letterman. The film is one of 15 on the 2013 Oscar shortlist for Best Documentary.

    Queen of Versailles (available on DVD)

    This documentary focuses on Jackie and David Siegel, owners of Westgate Resorts, and their family as they build a 90,000 square foot home—the largest and most expensive house in the United States—and the crisis they go through as their fortune is wiped out during the economic bust of 2008.

    Director Lauren Greenfield won top directing prize at Sundance for U.S. documentary. Although this film didn’t score big in general release or make the Oscar documentary short list, it was one of my favorites of Sundance; both a funny and tragic depiction of the 2008 recession.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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