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    The yard-free life

    Living it up: Trading the house for the high rise in Houston (updated withvideo)

    Peter Barnes
    Jun 13, 2010 | 10:07 am
    • One Park Place is changing the way some prominent Houstonians look a verticalliving.
      Photo by Ralph Bivins
    • Mosaic and Montage luxury apartments near Hermann Park
      Photo by Peter Barnes
    • Regency House
      Photo by Peter Barnes
    • An apartment at Regency House
      Photo by Peter Barnes
    • 2727 Kirby
      Photo by Peter Barnes

    Texans treasure their wide open spaces. In a state where flat, subdivision-friendly land seems to stretch from Galveston Bay to Oklahoma, it’s hardly a surprise that the word “home” has become synonymous with single-family houses set atop big yards.

    Lately, though, sleek new towers rising around Houston have challenged the prevailing attitude that apartments are fit only for those too old, too young or too broke to buy a house.

    Hyped at the height of the housing boom as bold experiments in urban living, high-end high rises like the Cosmopolitan, 2727 Kirby, One Park Place and a klatch of others have since evolved into vertical neighborhoods filled with families, empty nesters and a growing number of suburbanites who no longer spend their weekends thinking about lawn care.

    “There’s certainly a lot more choices now,” says Dr. Fabian Worthing III.

    The plastic surgeon traded his house for an apartment in One Park Place eight months ago. He’d lived a couple blocks away at the Four Seasons condos 15 years ago, but a lot has changed downtown since then. His new, 1,900-square-foot perch 22 floors up overlooks Discovery Green, features extensive soundproofing and comes with a community pool modeled after the waters of the Ritz-Carlton in Maui.

    “It faces east, so I watch the sun rise,” Worthing says. Afterward he makes a relatively fast 30-minute commute in the opposite direction of rush hour traffic to his office outside the Beltway.

    “I just decided that at this point in my life, I’m 60 now, I kind of wanted to simplify my life,” Worthing says.

    Walking on up to the River Oaks side

    These days, magnolia trees bloom right outside the "home" of Shannon Hall at Regency House, where he simplified his life in similar fashion 10 years ago. The co-owner of Sloan/Hall walks to his shop every day and lives within a quick stroll of Chuy’s, Whole Foods, the Red Room and any number of other River Oaks enclaves.

    Built in 1962, his building long-ago established the sort of community and lifestyle that’s recently drawn greater numbers of Houston families into high rises.

    “It really is a neighborhood, and I’ve enjoyed that component of it,” Hall says, “having kids in the building, but also older people and young people that are remodeling the apartments and kind of re-inventing the building.”

    Even downtown, where the nightlife might make one expect new buildings to fill with childless hipsters, residents have been surprised by the variety of people moving in.

    Kathleen Hayes says her neighbors include expectant mothers, downtown workers with houses elsewhere, empty nesters and young professionals alike. She sold her house in Tanglewood to rent at One Park Place — a move she says actually saves money after she factors in taxes and maintenance — and she hasn’t looked back.

    “Being able to walk to work and walk home for lunch is just priceless for me,” says Hayes, a longtime financial advisor at a downtown firm.

    Beyond work, she and her husband never have to hunt for parking when they frequent the theater, Rockets games or nearby restaurants. She often bumps into neighbors on the street, and she feels much safer wandering around downtown than she would have a few years ago. Plus, she says, walking everywhere even caused her to lose weight.

    While pleased with her new digs, Hayes notes that it is a different lifestyle and won’t suit everybody. Most families still prefer a yard to a balcony.

    Also, living in closer quarters makes it crucial to have a good sense of the community living in a building and wherever a homeowners’ association is functional, should you decide to go condo. For a growing contingent of Houstonians, though, living the high life has never made more sense.

    “I would imagine five years from now people won’t even wonder why we did what we did,” Hayes says.

    Watch the high-rise life:

    unspecified
    news/city-life

    washed out

    Houston DJs remember pioneering music store that's closing after 50 years

    Craig D. Lindsey
    Apr 28, 2026 | 4:49 pm
    Soundwaves record store closing sign
    Photo by Craig D. Lindsey
    Soundswaves announced its imminent closure on Saturday, April 25.

    The parking lot of the Soundwaves on 3509 Montrose was well-populated on Saturday, April 25. Earlier in the day, the record/skate/surf shop announced on Instagram that the store would be closing soon and all the merchandise was 50 percent off. Of course, people showed up to grab as many items – LPs, T-shirts, skate shoes – as they could, waiting in line as longtime owner Jeff Spargo rang up customers one-by-one.

    Soundwaves was once Houston’s mightiest independent record-store chain, with locations all over the city (its South Main location was frequented by hip-hop heads like the late DJ Screw and famed producer/ex-employee DJ Premier). It all started in 1970 when a then-19-year-old Jeff Spargo opened the Inland Surf Shop in Westbury. Seven years later, he would open up his first Soundwaves near Hobby Airport. He would later merge surfing and sounds when he launched the Montrose location in 1997. An official closing date has yet to be announced, and CultureMap was unable to reach Spargo for comment.

    As the new millennium introduced streaming-music platforms that made physical media almost obsolete, record chains like Soundwaves were on the decline. The Montrose store – once a prime destination for local and visiting DJs, with its overwhelming, eclectic selection of vinyl and CDs – would eventually become the last one standing.

    We asked a few of the city’s finest spinners if they have memories of stocking up at that location and/or other Soundwaves spots:

    Emdee “DJ Kool Emdee” Anderson: “I used to frequent it very often. I remember when DJ Premier used to work at the original Main St. location. And when No More Mr. Nice Guy [from his hip-hop group Gang Starr] was released, he put copies of the album in the front of every record slot. I joke with him about that when I see him.

    “That location was a hangout spot for DJs and producers. I got a number of gigs by helping others with music suggestions.”

    Kris Stivers: “I have tons of memories (and spent tons of money on records). I was there all the time – practically every location. I introduced my sister to a buddy of mine who worked there and, now, he’s my brother-in-law. My sister then got a job at the Montrose location. She called me once from the store and put Questlove on the phone. I met Little Brother and other artists there. I miss those days.”

    GrandfatherCLOC: “I met Blind Rob and Devin The Dude at the one on Gessner & 59. I still have a Soundbombing II T-shirt from when The ARE was working at South Main.

    “The most memorable was meeting DJ Theory from [KTRU radio show] 12" Sub, a few years after it was off the air, at the one on Montrose. I heard one of the employees speaking and was like, that's Theory's voice!”

    Jason “Flash Gordon Parks” Woods: “I went to all the locations. One of my fondest memories was finding Roy Ayers Ubiquity’s Starbooty and feeling like Steel in Juice.”

    Jason “DJ Burb” Rodgers: “I only went to the one on Main. I used to go there every Tuesday after getting out of class at UH-D to listen to some new releases in the listening booths.”

    Jason Graeber: “I remember all the great music lovers who worked there. Chris and Brandon always knew about the new EDM artists that were coming out. Bucky was great at introducing people to new rock and underground music. Before you had online influencers, the kids at the record stores drove what people listened to. I remember walking in and checking the end caps from my favorite employees to see what new music they were recommending. I feel that this is something that is missing and why it is harder for great bands to get traction.”

    closingsmusicsoundwaves
    news/city-life

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