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    Missing the Mayan Temple

    Medical waste? Remembering the scream-happy glory days of AstroWorld

    Caroline Gallay
    Jun 3, 2010 | 12:05 pm
    • Good-bye, AstroWorld.
      Courtesy photo
    • Texas Cyclone's rickety wooden supports made the ride extra scary in a way themakers probably didn't intend.
      Courtesy photo
    • Dungeon Drop taught me all I know about physics.
    • I used to love cooling off in the tidal wave of water caused by the BambooShoot's famous descent.
    • Drive to San Antonio to Six Flags? No thanks.

    The 104-acre plot of land off the 610 loop where AstroWorld once stood has been sold to Forth Worth-based Mallick properties for an undisclosed price. The deal's already closed, officially crushing any dreams I had for a revival of the Houston theme park.

    I was an annual season ticket-holder to AstroWorld, and wiled away many summers of my youth alternately riding the fastest/tallest/generally est-est rollercoasters I could find and then cooling off in the near-Tsunami known as the Bamboo Shoot. (My adult self cringes to think of what that water must have contained).

    Now that Conroe-based real estate duo Angel/McIver Interests, who bought the property in 2006 for $77 million, have off-loaded it, I think it's time to say a final goodbye to Astro(once Rocket)World.

    Goodbye, Turbo Twister, my first and favorite coaster.

    Goodbye, Mayan Temple, whose remains (along with some carousel critters) were bought by my high school boss when scraps of the demolished park were auctioned off.

    Goodbye, Texas Cyclone, whose historic wooden supports made the rickety ride to seemingly certain death seem quaint and charming.

    Goodbye, Greased Lightin', where I got stuck and spent some of my most memorable hours praying that no one behind me threw up on the back of my head.

    Goodbye, Dungeon Drop, where I learned everything I still know about physics by putting quarters on my knees to watch them hover with me as we fell.

    Le sigh.

    Although plans aren't nearly complete, Michael Mallick suggested to the Wall Street Journal that the land might be room for the Texas Medical Center (located about a mile north of the plot) to expand. I say we strike a compromise. Maybe a medical-themed theme park? We've even got a name for the first coaster — the Cardiac Arrest.

    unspecified
    news/city-life

    washed out

    Houston DJs remember pioneering music store that's closing after 50 years

    Craig D. Lindsey
    Apr 28, 2026 | 4:49 pm
    Soundwaves record store closing sign
    Photo by Craig D. Lindsey
    Soundswaves announced its imminent closure on Saturday, April 25.

    The parking lot of the Soundwaves on 3509 Montrose was well-populated on Saturday, April 25. Earlier in the day, the record/skate/surf shop announced on Instagram that the store would be closing soon and all the merchandise was 50 percent off. Of course, people showed up to grab as many items – LPs, T-shirts, skate shoes – as they could, waiting in line as longtime owner Jeff Spargo rang up customers one-by-one.

    Soundwaves was once Houston’s mightiest independent record-store chain, with locations all over the city (its South Main location was frequented by hip-hop heads like the late DJ Screw and famed producer/ex-employee DJ Premier). It all started in 1970 when a then-19-year-old Jeff Spargo opened the Inland Surf Shop in Westbury. Seven years later, he would open up his first Soundwaves near Hobby Airport. He would later merge surfing and sounds when he launched the Montrose location in 1997. An official closing date has yet to be announced, and CultureMap was unable to reach Spargo for comment.

    As the new millennium introduced streaming-music platforms that made physical media almost obsolete, record chains like Soundwaves were on the decline. The Montrose store – once a prime destination for local and visiting DJs, with its overwhelming, eclectic selection of vinyl and CDs – would eventually become the last one standing.

    We asked a few of the city’s finest spinners if they have memories of stocking up at that location and/or other Soundwaves spots:

    Emdee “DJ Kool Emdee” Anderson: “I used to frequent it very often. I remember when DJ Premier used to work at the original Main St. location. And when No More Mr. Nice Guy [from his hip-hop group Gang Starr] was released, he put copies of the album in the front of every record slot. I joke with him about that when I see him.

    “That location was a hangout spot for DJs and producers. I got a number of gigs by helping others with music suggestions.”

    Kris Stivers: “I have tons of memories (and spent tons of money on records). I was there all the time – practically every location. I introduced my sister to a buddy of mine who worked there and, now, he’s my brother-in-law. My sister then got a job at the Montrose location. She called me once from the store and put Questlove on the phone. I met Little Brother and other artists there. I miss those days.”

    GrandfatherCLOC: “I met Blind Rob and Devin The Dude at the one on Gessner & 59. I still have a Soundbombing II T-shirt from when The ARE was working at South Main.

    “The most memorable was meeting DJ Theory from [KTRU radio show] 12" Sub, a few years after it was off the air, at the one on Montrose. I heard one of the employees speaking and was like, that's Theory's voice!”

    Jason “Flash Gordon Parks” Woods: “I went to all the locations. One of my fondest memories was finding Roy Ayers Ubiquity’s Starbooty and feeling like Steel in Juice.”

    Jason “DJ Burb” Rodgers: “I only went to the one on Main. I used to go there every Tuesday after getting out of class at UH-D to listen to some new releases in the listening booths.”

    Jason Graeber: “I remember all the great music lovers who worked there. Chris and Brandon always knew about the new EDM artists that were coming out. Bucky was great at introducing people to new rock and underground music. Before you had online influencers, the kids at the record stores drove what people listened to. I remember walking in and checking the end caps from my favorite employees to see what new music they were recommending. I feel that this is something that is missing and why it is harder for great bands to get traction.”

    closingsmusicsoundwaves
    news/city-life
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