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    Photabulous Fun

    Celebrity photographer Evin Thayer gives regular Houstonians the supermodeltreatment

    Rachel Hanley
    May 13, 2010 | 4:08 pm
    • Andrea Walker applies my makeup before the big shoot.
      Photo by Evin Thayer
    • This is one of the better before shots (there were worse ones, believe me). Themustache isn't as strong, but you can clearly see a burn.
      Photo by Evin Thayer
    • This one is my favorite of the after shots.
      Photo by Evin Thayer
    • Hello Facebook profile pic.
      Photo by Evin Thayer

    I’ve never had a photo session, short of what you find in department stores. Yet, I’ve also harbored a secret (maybe not so secret) dream of being a model.

    With those two forces combined, I jumped on the opportunity to have a photo session with photographer Evin Thayer. Besides fulfilling my own selfish desires and curiosity, the session supports a good cause — AIDS charities.

    Through May 27, Thayer offers a makeup and photo session combo for $199 (about a $450 cut from his regular price). The event is named “A Face for a Cause” and $100 dollars from each session goes to an AIDS charity — this year, LIVE CONSORTIUM. I say, if you must indulge, do in a way that supports a good cause.

    Thayer — a third-generation Houstonian — has over 30 years of experience in high-end photography. He's shot Hakeem Olajuwon, Mary Lou Retton, astronaut John Glenn, George and Barbara Bush, Kenny Rogers, Walter Cronkite, Lynn Wyatt, Bill White and a host of other famous names. Yet, Thayer says he's most proud of making regular, everyday people feel good about how they look in photographs.

    He professes to have photographed tens of thousands of people over the last three decades after all. Most of them were as unfamous as me.

    At least, that's what I told myself.

    I arrived at Thayer’s two-story house-converted studio in Montrose more than a little nervous. Did I pick the right outfits? Is my hair OK (aka is it flying away without me)? Most of my concerns were dismissed in the spa-like atmosphere (Thayer's house is over 100 years old and has won architecture awards for the best use of an old house), except one — the makeup session.

    I know NOTHING about makeup. I don’t wear it (short of the sporadic eye liner and mascara) and have no opinions to offer. Most men probably know more than I do.

    My makeup artist was Andrea Walker and she quickly put me at ease. She was very friendly and did not gasp in horror when I couldn’t answer the most basic questions about my makeup preference.

    Walker asked if I wanted to keep it natural but I decided to give her full reign of my facial fate.

    She then asked me if I was opposed to falsies. I said, “Excuse me?” Walker repeated herself. “I don’t know what that is ...” I said slowly, fearing the worst. She responded, “Fake eyelashes.”

    When I hear “falsies” I think breast enhancements, so you can imagine my relief it was only eyelashes. I consented and she began applying the makeup.

    Overall it was a lot of fun, I even got airbrushed. I had some concerns about the intensity of the makeup, but with the bangs I have, it all made sense in the end.

    After my time with Walker, I moved onto Thayer and the photo studio. Thayer is extremely nice and patient throughout the process (no matter how many times he told me to smile).

    There was a dash of humor in the session as Thayer demonstrated every pose I need to take beforehand. "Cross your legs, with the right on top, like so." And then, he'd cross his legs with right on top like so. It proved very helpful and very funny.

    I was allowed up to three outfit changes but decided on two — a loose printed top and a tight black shirt. We took a series of shots in one outfit, quick break, and then finished with the other. The time went by quickly and before I knew it, I was scanning through dozens of pictures of myself selecting my favorites.

    He helped me narrow the selection to a handful he then cleaned and retouched (notice the lack of flyaway hairs).

    If you compare the before shot with the finished product, you can see there’s a huge difference. I was sunburned and you can’t even tell in the finished product. I did notice a moustache in the before shot that I’ve never seen before. I’m attributing it to funny lighting or the results of a really fabulous camera that picks up the smallest detail.

    Whatever the cause, it spurred a pricey trip to Sephora after which I may be solidified as a non-makeup believer (in four years, my savings from not buying makeup could probably buy a car).

    Overall the experience was a lot of fun and I would recommend it to anyone wanting a portrait — individually, as a family or even with your pet (though it takes a very special cat to cooperate). Thayer will even do individual shots with say a mom, and then add in the family in the second half — very flexible. I know my mother is in a constant state of wanting a family portrait, yours probably is too.

    If you ever decide to do your own professional model shoot, there are a few tips Thayer gave me for dressing. He nixed one of my jackets, which inspired me to get some direction I could pass onto you.

    The Super Glam Photo Shoot Wardrobe checklist:

    Color Sessions:
    Select colors complimentary to your skin tone
    Avoid pale yellows and greens
    Earth and jewel tones, primary and bright colors photograph well
    Nix the shoulder pads
    Avoid busy patterns
    Black and White create nice contrast
    Furs and Textures photograph well
    Think head to toe on all clothing selections
    Shoes should be polished, tennis bleached
    Group shots should compliment (not necessarily matchy-matchy)
    When in doubt, bring multiple outfits and the studio will help

    Black and White Sessions (the same as above with a few additions):
    Choose either light or dark clothing
    Cottons, knits and denims work well
    Belts should match shoes
    Simple jewelry is preferred
    Avoid dresses that button down the front
    The key for B&W: keep it simple

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    preserve Houston's history

    Preservationists stage last-ditch attempt to save historic Houston theatre

    Emily Cotton
    Feb 17, 2026 | 3:30 pm
    Garden Oaks Theatre protest
    Courtesy of Arthouse Houston
    Community members rally to preserve the Garden Oaks Theatre.

    Houstonians residing in the Heights, Garden Oaks, and far beyond were thrown into a tizzy last week by the abrupt news that the Garden Oaks Theater had been purchased by commercial developers in a $7.1 million, off-market deal.

    Within a matter of days, demolition permits were granted, sewer lines disconnected from the city, and — as of Monday night — construction fencing was placed around the property. Both Preservation Houston and Arthouse Houston, an offshoot of the Friends of River Oaks Theatre, have voiced concerns over the apparent plans to raze the Art Deco building before the community has had time to react to the news.

    Built in 1947, the Garden Oaks Theater is one of several post-war Houston theaters designed for the Interstate Circuit by H.F. Pettigrew and John A. Worley of the Dallas firm Pettigrew & Worley, alongside its sister cinema, the River Oaks Theatre. It is a classic example of streamlined Art Deco design — an architectural gem that connects Houston’s everyday streetscape to its cinematic past.

    Arthouse Houston has been sitting on preservation plans for the theater for years, waiting for it to be sold by the church that had owned and utilized the building since the 1990s. The 700-plus seat theater, along with its stage, has retained its original architectural details and features throughout the years, save for a short stage extension project carried out by the church.

    Developers have not responded to proposals by Arthouse Houston to either buy or lease the movie theater to return it to its original use while simultaneously operating as a community arts center and much needed “third place.”

    According to State of Texas records, parties involved include the Heights Equity Trust, Sage Equity Partners, and Heights Investment Fund, LLC. None of these entities have responded to CultureMap’s request for comment about their plans for the property.

    Jim Parsons, programs and communications director for Preservation Houston, issued this statement to CultureMap:

    “The Garden Oaks Theater and buildings like it give the city a sense of identity. People don't just recognize these places, they remember them. Houston is always changing, but when we treat historic architecture as disposable, we risk losing the landmarks that anchor neighborhoods and give them character.”

    Maureen McNamara, Arthouse Houston’s co-founder and director, is hoping that developers took note of the “save the theater” rally that took place at the theater on Sunday, February 15, and may have a change of heart. Coverage of the rally by ABC13 was widely circulated on social media, so it’s unlikely that the developers are unaware of the public outcry to save the theater — and is what likely led to fencing going up only a day later.

    “We feel like we’re pretty well poised to step in and help investors to incorporate the theater into a larger project, and the first step is to make sure that we win them over,” McNamara tells CultureMap. “Part of winning them over is making sure they know how much the community cares, and seeing how beautiful and dynamic restoring our historical buildings and theaters can be.”

    The restoration of River Oaks Theatre and the attention that project has brought to the area is something McNamara is confident she can replicate.

    “There are nonprofit organizations all over the US saving and running historic theaters as community arts centers, and arts and film centers — there are models for this. Austin just did a big push with the Paramount Theatre,” says McNamara. “I’d like for it [Garden Oaks Theater] to exist for its original purpose — at least in part, as a movie theater — with some live theater components as well.”

    A petition on change.org has already garnered more than 1,000 signatures. In addition, Arthouse Houston will attend a Houston City Council meeting on Wednesday, February 18, at 9 am to discuss what there is to be done about this situation. McNamara encourages people to join them.

    “We would love any help we can get getting people there, signing up to speak if possible — it would be great to have a crowd there.”

    Garden Oaks Theatre protest

    Courtesy of Arthouse Houston

    Community members rally to preserve the Garden Oaks Theatre.

    preservationpreservation houstongarden oaks
    news/city-life

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