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    Trendysomething in SoMo

    Do I really look like Franz Ferdinand? Döppelganger does Dallas

    Steven Devadanam
    Feb 18, 2010 | 7:00 am
    • It really only makes sense that I be mistaken for singer Alex Kapranos.
    • As I take a sip from my sage-kumquat cocktail, I hear a shriek echo across thevelveteen walls: “OMG, Franz Ferdinand is here!”
    • Hours later, I awoke with that familiar crunch of last night's champagne in mySexed-Up Possum hair.

    Friendster, Snood, the animated paper clip from Microsoft Office 97 – all technological sensations that hit the tipping point at an alarming rate before they quickly bit the dust. Some of these fads are less offensive than others (who doesn’t love a daily LOLcat, or knowing all of your lady friends’ bra colors?), but some, no matter how fleeting, can find you grinding your teeth as you angrily jab your fingertips onto the computer keys as you update your Facebook status, “I am so over celebrity döppelgangers!!”

    For those unacquainted, Celebrity Döppelganger Week is a Facebook trend in which, instead of using a real picture, a user uploads a photograph of a celebrity with whom they vainly perceive shared physical features but is in reality much more attractive. At the beginning of the month, a ghastly groupthink swept cyberspace as what seemed like millions of Internet users logged onto myheritage.com to upload a photo and receive the validation that yes, you do belong on the red carpet.

    Despite the closing of Döppelganger Week, the photos continue to identify a slew of friends and frenemies on News Feed. No matter how admittedly tool-ish it may be to fancy oneself in the limelight, the most catastrophic fallout of the meme is that a stray glance may convince the all-too-casual Facebook stalker that one of his friends has overnight become movie-star-glam.

    I’d say that this charade must stop, but I try to channel my activist energy into other causes, and I happen to have been a beneficiary of Celebrity Döppelganger Week. The other weekend, I found myself in Dallas on business. On my first night in town, I ventured out to the hippest haunt I could find – the new, rouge-colored Bar Céline, tucked away behind the trendy restaurant Parc.

    Some cruel friend had told me that Dallas is a much more walkable city than Houston. This may be true during the day, and also within a very defined area. But once you cross the boundary in which all commercial establishments require valet, you know you’re in trouble. After a terrifying walk from Uptown through shady East Dallas (muggers are surprisingly receptive to the old standby retort, “But you don’t even have the password to my iPhone apps!"), I landed at Bar Céline and entered a room of young artists, artist-types, and musicians, many from around the world and in town for an epic art fair.

    As I took a sip from my sage-kumquat cocktail, I heard a shriek echo across the velveteen walls.

    “OMG Franz Ferdinand is here!”

    A bright blonde young thing came trampling across the room with her horde of Dallasite divas. After they introduced themselves, it became apparent that I’d been mistaken for the lead singer of indie Scottish art school band, Franz Ferdinand, known for their garage-rock meets post-punk revival style, with the occasional vaguely homoerotic lyric thrown in for good measure.

    This is not the first time this has happened. Any resemblance to the singer was most noticeable several years ago when the band came to Houston, and at the show, many confused concertgoers asked for me to pose in photos with them. Of course, I obliged. I’m also not going to pretend that I didn’t capitalize on the resemblance to access the backstage boy’s room.

    It really only makes sense that I be mistaken for the singer. We’re both half Scotch (in terms of genealogy and blood alcohol content), and sometimes, after a streak of gray days in Houston, my complexion reaches the beautiful level of pallid ashiness that is epidemic in the British Isles. I also might indulge in the occasional mod wardrobe change, as I was that night in Dallas.

    But what I think really pulled it all together was a recent ‘do from my backyard hairdresser, Evelyn. The last time I sat down on the patio chair, she whispered in my ear, “I’m going to give you the ‘Sexed-Up Possum’ style,” followed by a sharp cackle. I feared that “Sexed-Up Possum” might later translate as “Under-Sexed Steven,” but this turned out to be quite the opposite. Once Evelyn was done with me, I looked like a Quadrophenia-era skinny tie-wearing master mod — perfect for deceiving star-struck Dallasites.

    And so I summoned my skills from a questionable Harwin knockoff "Rosetta Stone: Scottish Brogue" cassette tape and wooed the room with my witty British slang and tales of Glasgow. When impersonating a rocker, it's important to maintain a glazed "over it" stare so that your fans remain on pins and needles as they wait to hear your next destination. Instead, I let my newfound friends take me all over the city, bumping between club after club, skipping entrance lines, and desperately avoiding insistent requests to perform in exchange for lines of Dallas' favorite vitamin.

    I obviously ended the night with obligatory free access to the "Notorious" suite at Hotel Zaza, where I brought select members of my new entourage. Hours later, I awoke in a glorious pile of groupies, with that familiar crunch of last night's champagne in my Sexed-Up Possum hair. I turned to my side to find what, only hours ago, had seemed to be an anonymous silk stocking dream boy. Yet it instantly became clear that this was a familiar face — an estranged cousin of a friend's ex from a raucous sophomore year rendezvous.

    "This is going to sound crazy, Alex, but you look just like this guy I once met at a party in Houston. Steven..."

    It's surprising how a charming, "Fancy that!" can get you out of the most difficult of situations. Not wanting to push my luck, I strapped on my Ben Sherman boots and headed out the door, leaving my horde to wake up wondering whether the entire night had ever even happened. And so, Celebrity Döppelganger Week came to a quick halt for me, leaving a string of lies and broken hearts in its wake.

    My luck at look-a-likes might not be over yet, though: for the past two days, I've been slammed by strangers swearing that I'm the real-life Johnny Weir, U.S. Olympic skater. I just need to get my hands on one of those hot pink shoulder tassels.

    unspecified
    news/city-life

    a new record

    Houston Livestock Show and Rodeo commits over $30 million to education

    Jef Rouner
    Dec 2, 2025 | 10:00 am
    Houston Livestock Show and Rodeo cattle exhibition
    Courtesy of the Houston Livestock Show and Rodeo
    The money supports studies in fields such as animal husbandry.

    The Houston Livestock Show and Rodeo continues its annual tradition of breaking its own record when it comes to educational endowments. On Giving Tuesday, the organization pledged to disburse $30,353,380 in 2026 in the form of scholarships, grants, and other funding.

    “This milestone moment of reaching $30 million in a single year highlights the Rodeo’s unwavering dedication to Texas youth and education,” HLSR president and CEO Chris Boleman said in a statement. “Thanks to our loyal donors, sponsors, more than 36,000 volunteers and dedicated attendees, 2026 will reach historic heights in supporting the next generation of leaders, agricultural professionals and organizations that share the Rodeo’s mission.”

    This brings the total of education funding provided by the Rodeo since 1932 up to $660 million. Last year's $28 million commitment also set a new record.

    One innovation this year is the establishment of the Area Go Texan Vocational Scholarship, a program that expands on the relationship with 68 Texas counties through the Area Go Texan affiliate program. One student from each county will receive $6,000 toward a degree or certificate in a vocational field at a Texas nonprofit college or university. Another $500,000 in vocational scholarships will awarded to 10 schools in 2026. Guidelines for applying can be found at this link.

    In total, the Rodeo will hand out $15,126,000 in scholarships, $11,273,500 to junior exhibitors, $3,430,880 in grants, and $523,000 in graduate assistantships. Grants will be awarded to 82 Texas institutions and organizations, such as Arts for Rural Texas, BridgeYear, The Bryan Museum, Diversity in the Arts and Entertainment, Greater Houston Partnership Foundation, Multicultural Education and Counseling through the Arts (MECA), Space Center Houston, Texas State University Development Foundation, and University of St. Thomas at Houston.

    Money for the annual endowment is raised through the annual auctions, sales of livestock and art, and through charitable donations. The goal of the endowment program is to promote study and research in agriculture, animal husbandry, and other fields that directly benefit the Rodeo.

    The Rodeo is scheduled to run from March 2 – 22, 2026. More information on performers, attractions, and vendors can be found at RodeoHouston.com. Scholarship applications are open through February 2, with funds being awarded in summer 2026.

    rodeohoustonhouston livestock show and rodeo
    news/city-life
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