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    Nice...and rough

    Electrifying Houston run of Tina: The Tina Turner Musical is simply the best showcase of an icon

    Holly Beretto
    Jan 3, 2024 | 1:47 pm

    Parris Lewis as Tina Turner in Tina: The Tina Turner Musical

    Matthew Murphy for MurphyMade

    Parris Lewis performs as Tina Turner in Tina: The Tina Turner Musical, playing at the Hobby Center for the Performing Arts through Janaary 7, 2024.


    The thing to know about Tina: The Tina Turner Musical is that it is far less musical than it is a celebration.

    Those going into the show — now playing at the Hobby Center for the Performing Arts — who are looking for a deep biography of the Queen of Rock and Roll may well emerge knowing little more than when they arrived.

    Part of that is that the book, written by Katori Hall with Frank Ketelaar and Kees Prins, tries too hard to cram too much of this remarkable woman's life into a two-and-a-half-hour show, which was always going to be an issue when the life in question is Tina Turner's six-decade singing career.

    The other part is, simply, on so many levels, Tina Turner's music just speaks for itself. And what speaking it does!

    Sing along through curtain call

    This is a crowd-pleasing show, the kind where audiences know the words and cheer and dance during the curtain call (note: anyone tempted to leave during the curtain call should wait the extra time to get out of the Hobby Center garage with the rest of the crowd. You're welcome).

    It moves through Turner's life at a brisk pace, from her troubled childhood in a home where her father abused her mother, who chided her for singing too much in church and embarrassing her; to her meeting with Ike Turner, the man who would change her name from Anna Mae Bullock to Tina Turner and put her on a path to stardom, marriage, and 16 years of physical abuse; to her fall into desperation as a "40-something, soul singer has-been," according to one record executive; and her climatic re-birth as an artist, reclaiming her name and her fame, and finding her voice.

    Turner's story is so compelling it seems a written for the stage, and audiences will love every moment of her proud story. Backed with incredible performances, Tina brings all the hits across Turner's remarkable 60-year career. While some are crammed into scenes for effect, rather than chronology, the result is a soulful, rocking trip across music history.

    Parris Lewis shines as Tina. From the teenager who meets bandleader Ike Turner to a woman at mid-life rising like a phoenix from the ashes, she bristles, she quakes, she survives — and does it all with killer vocal chops that blend Turner's signature raspy, soul-filled sound with an an essence all her own. She's no sound-alike artist; she's a true powerhouse. And when she lets loose, lifting her full vocal power to the rafters, watch out. It is something to see.

    As Ike, Deon Releford-Lee is volcanic of temper, mean-spirited and a jealous foil to Tina. Clearly aware that her talent is eclipsing his, he takes his frustrations out on her, with cutting words and even more cutting blows. He brings a terrifying energy to the role, blending danger and charm around a voice perfectly suited for Ike and Tina's early days in soul and R&B.

    Wydetta Carter brings in a terrific performance as Gran Georgeanna, Tina's grandmother, the first to believe in her talent, telling her she has the very gift she needs to make it in the world. She's a standout in Act Two's "Tonight," a powerful blend of past and present moments, which also showcases an incredible Brianna Cameron as Yong Anna Mae.

    H-Town native GiGi Lewis — no relation to Parris — is sassy as Aline, Tina's sister, wielding comedic timing and a strong voice. (Editor's note: Read more about Lewis in Holly Beretto's terrific interview here.) She does double duty as an Ikette, the backup singers for the Ike and Tina Turner Revue, and it's clear she is a vocal force to reckon with. The ensemble is exceptional.

    The best

    There's a lot happening in Tina. There are Buddhist chants and mentions of the ancestors. There are projections that manage to be everything from a rain-soaked highway to a glitzy concert stadium stage, some of which work much better than others. There is choreographer Anthony Van Laast's energetic choreography that raises the show's heartbeat.

    And all of it melds together into this celebration of an artist that feels more like a concert with some scenes attached than a true musical. That is often the case with jukebox shows (see: Jersey Boys, MJ, etc.). With all the talent on stage, most people will be too busy having a great time to worry much about it.

    Make no mistake: Tina is a very good jukebox musical. It has a protagonist to cheer for, who also happens to have been a multi-hyphenate megastar who broke barriers, shattered records, and waged a comeback that cemented her status in music history.

    Tina Turner died last year. Her music will live forever. This musical ensures her story does, too.

    -----

    Tina: The Tina Turner Musical runs through Sunday, January 7 at Hobby Center for the Performing Arts (800 Bagby St.). For tickets, showtimes, and more, visit the official show site.

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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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