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    (un)common sense

    4th Wall's must-see Sense and Sensibility rocks with rom-com laughs, amazing actors — and even Guns N' Roses

    Holly Beretto
    Dec 5, 2023 | 11:34 am

    Let's get one thing straight up front: this ain't grandma's Sense and Sensibility.

    Houston's 4th Wall Theatre Company's sparkling rendition of the Jane Austen classic — as penned by playwright Kate Hamill — is a tasty bon bon of wit and whimsey, brought to life by an exceptional ensemble. From some truly laugh-out-loud moments to those where members of the audience were sniffling into their programs, this non-stop rom-com is sure to lift the spirit.

    For those who need a refresher: Sense and Sensibility follows the Dashwood sisters, feisty Marianne and dignified Elinor, who find themselves in dire straits after the death of their father. Their half-brother has inherited their home and kicks the pair — along with their mother and younger sister — Margaret, out.

    As this is Regency England, Marianne and Elinor's prospects are pretty bleak: who's going to want to marry a girl with no dowry? And, make no mistake, this show concerns itself with marriage, underscoring the precarious place women had (and have) in the world.

    Delightfully dishy

    Sense and Sensibility is also a story about gossip, about how rumors and stories start, about how reputations are made and ruined. What does it mean when someone says a man fathered a child out of wedlock and everyone who heard was quick to believe it? What happens when a woman is seen as too forward...and those around her are certain she's done more than she has?

    Yes, these are thorny things, but thankfully, this version of Sense and Sensibility doesn't take itself too seriously. In a show where actors play the parts of people and horses and trees, and spin about on chairs and hover at window panes, there are plenty of laughs amid the deep examination of something as heady as reputation.

    Director Kim Tobin-Lehl guides her cast with a deft touch, setting them loose across the stage like marbles spilling from a jar. In duets and trios and septets, they giggle, twitter (no, not that Elon Musk disaster), connive, and cavort.

    As the action unfolds on stage, we see other cast members looking through windows or around plants, occasionally commenting like a Greek chorus — gone rogue — on everything from the motives of the Dashwood sisters toward their would-be-could-be-maybe suitors, their lives and choices, and well, everything else.

    Amazing actors shine in a stellar Sensibility

    This Sense and Sensibility cast is among the finest ensembles on a Houston stage this season — if not the finest. Faith Fossett turns in perhaps her finest performance, playing the fiery Marianne with vivacity. She's a whirlwind, falling hard for John Willoughby, and ignoring the very interested Colonel Brandon, and showing every emotion she has every minute that she has it. She is a delight to watch.

    Elinor, played by Christy Watkins, is her foil, in a performance that is restrained and even-keeled, the cool to Marianne's hot, right up until the moment it ceases to be. This pair is perfect together, goading each other, teasing, reprimanding. It's easy to believe they share DNA.

    Virtually everyone else in the cast does double duty, playing multiple parts, human and not. As the sisters' hapless half-brother and Marianne's dashing Mr. Willoughby, David Gow — making his first appearance on the 4th Wall stage — brings a natural quality to both parts, seamlessly shifting from a craven coward to a clever cad (no easy task and a testament to his keen comedic timing). Gow and Fossett quickly form an dynamic chemistry together that's simply joyous to watch.

    As the other of Marianne's suitors, Colonel Brandon, played by Timothy Eric, is a straight-shooter. Eric — who positively shone in the Ensemble's recent production of Clyde's — here brings warmth, elegance and gravitas to the role. Nick Farco plays a couple of brothers, Edward and Robert Ferras, one of whom captures the intrigue of the fair Elinor, and does so with charm and ease.

    Meanwhile, Skylar Sinclair lights up the room in her twin roles as youngest Dashwood sister Margaret and the elderly Mrs. Ferras. If there were a prize in this show for unbridled energy, Sinclair would nail it. Speaking of awards, Amy Mire takes home the award for best transition between characters, morphing from Mrs. Dashwood to Anne Steele with a change of headgear and a wildly funny accent shift.

    The rest of the ensemble — Rachel Logue, Philip Lehl, and Luis Galindo — are just exceptional. Logue is supremely funny as greedy sister-in-law Fanny Dashwood. Lehl is over-the-top as Mrs. Jennings, but some of the play's finest moments are in flashback scenes, where Lehl's quiet portrayal of Mr. Dashwood speak volumes. And whether Galindo is wielding and electric guitar or providing the sisters and their mom a sanctuary as John Middleton, he's always a treat to see on stage.

    Together, it's like this cast got together on stage and decided to turn this scripted show into an improbable, impetuous, imaginative improv. They absolutely glow.

    Lush lighting, a (literally) moving set, and terrific tunes

    To keep pace with the nonstop action, Ryan McGettigan's set is intentionally spare, designed with moving windows and chairs and doors that help spur the non-stop action along, set against Christina Giannelli's softly glowing, natrual lighting. Hats off to choreographer Krissy Richmond, who, in creating lively dance numbers, not only set the cast to reels, but also reels the cast along on casters — so that things literally keep rolling.

    And let's just take a second to talk about the music. From the Jackson Five to a little Uptown Funk, the choices for set list are sly, uproarious, and inspired ways to keep the energy moving throughout the whole show. Oh, and be sure not to miss an epic rendition of the rousing "Call Me Maybe" and "It's Raining Men" — a total scene-stealer.

    A local gem of a company, 4th Wall has created a Sense and Sensibility that is all at once approachable, heartbreaking, and hilarious by turns. Is it possible to out-Austen Jane Austen? If so, 4th Wall has certainly done it.

    -----

    Sense and Sensibility by 4th Wall Theatre Company runs through December 23 at Studio 101 (1824 Spring St.). For tickets, showtimes, and more information, visit 4thwalltheatreco.com.

    Sense and Sensibility 4th Wall Theatre Company

    Photo by Gabriella Nissen

    (Left to right) Amy Mire, Luis Galindo, David Gow, Philip Lehl, and Skyler Sinclair in 4th Wall Theatre Company's production of Sense and Sensibility.

    news/arts

    Best October Art

    9 must-see October art openings at Houston museums and galleries

    Tarra Gaines
    Oct 8, 2026 | 9:00 am
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”
    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”

    Houston falls into new art realms this month as intriguing new exhibitions open that take art lovers from Earth’s elements, specifically silver, all the way to the Moon.

    The Blaffer showcases provocative contemporary artists, and the CAMH gets back to the land. For those looking to start their own art collection, October is also the month for art festivals. Then, in keeping with the collecting theme, the MFAH brings Houston the world class Modernism collection from a true Texas original, Charles Butt.

    “Maria Gaspar: We Press Our Hands to the Steel Curtain” at Blaffer Art Museum (now through November 21)
    In her artwork, interdisciplinary artist Maria Gaspar considers the concept of walls not just as physical structures but as barriers that can influence individual psyches and even societies. Growing up in Chicago in the neighborhood near the Cook County Correctional Facility, Gaspar became interested in jails and prisons and how they impact communities within those wall and outside of them.

    The exhibition brings together sculpture, sound installations, video, archival materials, and participatory projects that draw from Gaspar’s years of collaborative research inside and beyond the jails. A highlight of the exhibition is Clamour, a 60 hour video documenting the demolition of one of Cook County Correctional Facility’s housing blocks.

    "Singular Visions” at The Silos at Sawyer Yards (now through November 21)
    Sculpture Month Houston celebrates its 10th anniversary with this special exhibition in one of Houston’s most unique art spaces, the Site Gallery housed within the decommissioned former rice silos complex at Sawyer Yards. Participating artists have each taken over one of the cylindrical silo spaces, which allows visitors to enter and engage directly with the art in a truly immersive experience.

    Look for work that intrigues as it challenges ordinary ideas of reality from some of Houston’s most dynamic artists, including: Tom Bandage, Michael Bhichitkul, Christie Blizard, Steve Brudniak, Alton DuLaney, Jonathan Durham, Alicia Eggert, Tim Glover, Stephan Hillerbrand + Mary Magsamen, Beili Liu, Steve Murphy, Steve Parker, Gladys Poorte, Chris Powell, Margo Sawyer, Amy Scofield, Zulma Vega, and Ed Wilson.

    “Adriana Corral: As Long as Life Endures” at Blaffer Art Museum (now through December 5)
    Texan interdisciplinary artist Adriana Corral uses a research-based practice to explore themes of memory, loss, human rights abuses, natural disasters, and hidden histories. Corral’s art installations, sculptures, drawings, and films attempt to unearth and preserve those histories.

    The exhibition will feature the new film by Corral, Terrebonne, created as part of her research in coastal Louisiana, where she worked with members of the Pointe au Chien Indian Tribe. The film examines how land loss, rising waters, and ecological collapse disproportionately threaten Indigenous communities. Also on view is a large scale transparent bullet resistant polycarbonate sculpture that references above-ground mausoleums often found in places like New Orleans. The juxtaposition of the material with the form asks viewers to ponder questions of who can afford to buy environmental safety and who cannot.

    “A Material Inheritance” at Houston Center for Contemporary Craft (now through January 30, 2027)
    In celebration of its 25th “silver” anniversary, HCCC presents this once-in-a-generation exhibition that examines silver as material and metaphor. Giving both a bit of a science and art history lesson, the exhibition will explore how, as the Earth’s most reflective element, Silver has changed human cultures. Silver’s unique properties, along with human ingenuity, led to advances in mirror-making, photography, and scientific instrumentation, while its weight, density, and malleability established it as a prime medium for currency, ceremonial objects, jewelry, and treasured heirlooms.

    The exhibition will showcase artists who work with silver in a multitude of ways, including: Shane R. Hendren, Edward Lane McCartney, Jaydan Moore, Leah Ying Lin, and Anjali Srinivasan. The selected pieces will span a range of ways to work with silver as a medium, from traditional metalsmithing and jewelry making to experimental glass, ceramic, and kinetic media practices that reveal silver’s remarkable conceptual and material range.

    “Divination: Beverly Buchanan & Dionne Lee” at the Contemporary Art Museum Houston (now through February 14, 2027)
    This is the second in a series of new exhibitions from the CAMH to bring together the work of artists across decades as a way to open up new interpretations. “Divination” finds thematic and art-making commonalities between photographers Beverly Buchanan (1940–2015) and Dionne Lee (b. 1988, New York City). CAMH senior curator Rebecca Matalon notes that though the artists come from different generations, they both explore relationships between Blackness and the land, share an interest in survivalist practices, and have unique relationships with their environment and landscapes.

    The exhibition will showcase Buchanan’s photography of her large-scale environmental works that she began in the 1970s, placing stone-like fragments in remote locations across the Southeast. "Divination" organizes Buchanan’s work in conversation with Lee’s 21st century photography and films that examine what it means to honor the land on which we live. The CAMH notes that the exhibition’s title comes from the idea that both artists created work to uncover hidden histories, but they were are also committed to letting these histories remain out of focus and elusive.

    “Wall Drawing Series: Jitish Kallat” at Menil Drawing Institute (now through August 8, 2027)
    Since 2018, the MDI has commissioned a contemporary artist to create a new work on an interior wall within the building. Art, Cold War history, and even state secrets merge in “Wall Drawing / Redux: A119,” the latest Wall Drawing Series installation by acclaimed multidisciplinary Indian artist Jitish Kallat.

    The time-based wall drawing grows out of Kallat’s interest and research into Project A119, a U.S. Air Force plan in the late 1950s to detonate a nuclear bomb on the Moon. Of course, the plan was never carried out, but the report on the project was only partially declassified at the turn of this century. For “Redux: A119,” Kallat has layered pages from the A119 report, titled “A Study of Lunar Research Flights - Volume I” with his own drawings and watercolors. The piece was then sheathed in laminated glass, and Kallat and the Menil team collaborated with researchers at Rice University on an electrical system so that the glass changes degrees of transparency every 500 seconds, which is approximately the time it takes sunlight to travel from the Sun to the Moon creating what we see as moonlight.

    “Bayou City Art Festival” at Memorial Park (October 9-11)
    The annual festival always gives art lovers and collectors a chance to meet artists, view original pieces, and purchase artwork from more than 270 creators across 19 disciplines, including world-class paintings, prints, jewelry, sculptures, and more, at prices for everyone. The fest will feature more than just visual artists, as a wide range of musical artists and bands take the festival stage, and look for roaming entertainment throughout the festival area. The three days also boast a wide range of interactive and educational activities for kids and adults.

    Affordable Art Fair at George R. Brown Convention Center (October 15-18)
    Presented in Houston for the first time, this fair's name sums up the mission, for the Affordable Fair is set to bring thousands of artworks from around the world. The prices, ranging from $100 to $12,000, will likely entice both the experienced and novice collector.

    The fair will feature work from 55 galleries, including 17 Houston favorites, as well as 22 U.S from the U.S and 16 prestigious international galleries. Affordable Art Fair organizers have programmed many special events over the weekend, such as a spotlight on Hispanic and Latin American artists from Houston, Mexico, and Argentina, in honor of Hispanic Heritage Month; special installations by artists Kayla Powers, Dan Trelenberg, and Brendan Flores; and a print workshops with PrintHouston. Look also for family hours with KIDO Preschool, Art After Hours evenings, and a Fair Director's Tour.

    "American Modernism from the Charles Butt Collection” at Museum of Fine Arts, Houston (October 25-January 18)
    As Americans continue to celebrate the nation’s 250th year, the MFAH offers up one Texan’s extraordinary collection of some of America’s greatest artists of the 20th century. While Charles Butt is well admired across the state for his philanthropy, especially when it comes to education, the H-E-B chairman also has a passion for collecting and wants to share that art with other Texans.

    The exhibition will give MFAH visitors new insights into the extent of American artistic diversity in the 20th as it showcases over 80 works of art by such greats as Stuart Davis, Georgia O’Keeffe, Jacob Lawrence, Thomas Hart Benton, Jackson Pollock, Joan Mitchell, and Andrew Wyeth, as well as Texas artists like Everett Gee Jackson and Mary Bonner. "American Modernism" will likely also give attendees a glimpse into Butt’s own vision and focus, as it is organized into five intriguing thematic sections reflecting Butt’s life-long passions including: Intimate Perspectives, The Language of the Sea, Land Progressions, Geometric Utopias/Dystopias, and New Directions.

    “More than a textbook survey of American modernism, the Charles Butt Collection shows many of the artists at turning points in their careers, with signature works and intimate sketches that encompass a remarkable range of expression and achievement,” MFAH curator of Modern and Contemporary Art Alison de Lima Greene said in a statement.

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection\u201d

    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection.”

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