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    Hodge Podge

    Houston artist bids farewell, for now, with career-spanning new exhibit

    Craig D. Lindsey
    Jun 18, 2025 | 10:29 am

    Artist Robert Leroy Hodge is saying goodbye to Houston – well, not exactly.

    The Houston-born multidisciplinary artist recently debuted his latest exhibit, Diamonds That Fall from the Treetop, at SANMAN Studios. Known more for his eye-catching, pop-art collages (in 2023, he collaborated with Austin artist Tim Kerr for the No Kings But Us exhibit at Blaffer Art Museum), this mini-retrospective will feature selected works from his two-decade career – including the early stuff.

    “A lot of kids think I only make collages,” Hodge tells CultureMap. “And, also, I'm not making collages anymore like that. So, it's like the end of an era. I show where I started with these portraits and real paintings and drawings and how I kind of got into collage. It's a wide range of things I do, not just collage.”

    Diamonds will also be his last exhibit in Houston, but he’s not moving away. Hodge will cut down on doing local exhibits and focus more on getting his art and his name out there in other parts of the world. He’s out to prove that serious art can come out of this place.

    “When I interact with politicians and people in higher positions, they treat local artists like they're secondary, they're not good enough,” he says. “[They say] ‘They're in Houston because they can't be in New York and LA,’ and that's not the case. I could be anywhere, and I chose Houston.”

    But Hodge wants to be known as an artist from Houston, instead of just in Houston. “There’s nothing wrong with being a local artist in your city, but that’s not what I want,” he says. “I live here, but for me to get to the next space I wanna get to, I need to be showing more in New York, LA, out the country. And it's nothing personal – when you do a lot of stuff here, you just can't keep doing the same thing. You start to feel stagnant.”

    As much as he loves both the city and its art scene, Hodge knows that the visual arts isn’t a high priority around here. “We are an oil-and-gas city,” he says. “And because that's the main way money is being made, arts and culture is not primary. And, then, the new mayor is not really into art. So, it's like it all depends on who loves art and who's in office.”

    Within city limits, Hodge says he will be more of a curator and mentor, helping young artists and working with galleries and studios on creating showcases for those artists and others. He also wants to continue collaborating with fellow art enthusiasts of color, like the folks at SANMAN.

    “I wanted to do it with SANMAN because it's owned by two young Black men,” he says. “They got a staff of Black creatives, and I wanted to really show cohesiveness between Black men.”

    But Hodge isn’t completely hanging up the idea of doing another big solo show in his hometown. “This is the last one for a while,” he says, “unless the Menil calls or something crazy happens.”

    -----

    Diamonds That Fall will be on display through Saturday, August 16.

    Robert Leroy Hodge Sanman Studios
      

    Courtesy of Robert Leroy Hodge/SANMAN Studios

    The exhibit shows a range of the artist's works.

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    Best July Art

    Where to see art in Houston now: 9 fun new exhibits opening in July

    Tarra Gaines
    Jul 9, 2025 | 4:30 pm
    ​Artechouse presents "Blooming Worlds"
    Photo courtesy of Artechouse
    Artechouse presents "Blooming Worlds"

    Art blooms in our world class museums but also on our city streets this July. From exhibitions featuring traditional paintings and sculptures to high tech immersive and interactive shows, we’re weaving art into the best of summertime fun and dreaming up beautiful new artistic creations all over Houston.

    “Town Meeting 1978-2028” at Art League Houston (now through July 20)
    Pioneering Houston-based interdisciplinary artists Nick Vaughan and Jake Margolin continue their decades-long project to create new and sometimes monumental artworks in response to little-known pre-Stonewall queer histories. For this latest exhibition, the duo explore a more recent and influential piece of Houston history, “Town Meeting I,” the pivotal convening of 4,000 LGBTQIA+ Houstonians at the Astro Arena in 1978. For this show at Art League, they’ve used their “wind drawing” technique of stenciling unfixed charcoal powder on paper and blowing it away, leaving a ghost-image. Using archival images of “Town Meeting I” as the bases of their stenciling, the finished “wind drawings” highlight the ephemerality, beauty, and loss of queer histories. In addition to these new works, Vaughan and Margolin hope to inspire, facilitate, and develop programming in 2028 to commemorate the 50th anniversary of “Town Meeting 1.”

    “Fragmentos de un sueño que yo también soñé (Fragments of a Dream I Also Dreamed)" at Art League Houston (now through July 20)
    “Every house is a body, and every individual body is a house full of memories and hopes,” says award-winning Venezuela born, Chicago-based artist, Jeffly Gabriela Molina, of her artistic focus. Molina’s fragmented, layered, and figural compositions explore that idea of home and memories. Delving into memories and stories, these figurative compositions, depicting people and relationships, fluctuate between stories of the present, past, and future. Taken together, the works in “Fragmentos de un sueño” aim to visually capture the feelings of vulnerability, nostalgia, and hope embedded in the experience of many immigrants. Art League notes that Molina’s pieces emphasize optimism over hardship, specifically addressing the longing for a home that no longer exists while striving to create a new one.

    “Every Fiber of Their Bodies” at Art League Houston (now through July 20)
    Working with natural fibers such as linen, paper collage, and hand-spun paper yarn made from calligraphy paper and book pages, textile artist Lin Qiqing weaves stories ofhuman relationships, gender, immigration, and language. As the title hints, the labor-intensive weaving process brings thematic depth to the images of bodies depicted in the pieces. The woven pieces also make connections to the natural world, as when Lin crumples then smooths handmade mulberry paper to resemble human skin, or when she uses handwoven fiber to mimic the body’s movement. Lin process includes research and experimenting with natural materials to explore themes of the internal human struggle for existence and our interactions with the world around us.

    “Annual Juried Exhibition” at Archway Gallery (now through July 31)
    For the 17th year, the artist owned Archway Gallery celebrates Houston artists with its juried exhibition of area artists who are not members of the space. This year’s exhibition is juried by Project Row Houses founder and MacArthur "genius" fellow, Rick Lowe. The acclaimed artist and social activist has selected work from over 35 area artists representing a diversity of medium and styles. Sales from the exhibition will go to Houston’s Brave Little Company, the theater company for Houston’s kids and their gown ups.

    “Foyer Installation: René Magritte” at Menil Collection (now through August 3)
    After a critically acclaimed trip to Australia, some of our favorite Belgian-born Houstonians are back home. Yes, the Magritte paintings have returned to the Menil Collection after taking a star turn in a monumental Magritte retrospective at Sydney’s Art Gallery of New South Wales. Now the Menil is celebrating their return with a special installation in the main building foyer. The Menil Collection owns the largest collection of work by René Magritte outside the artist’s native Belgium, and this display focuses on a core group of paintings from the 1950s and ’60s that truly represent Magritte’s status as a master creator of impossible painted worlds and an icon of the Surrealist movement. The paintings were purchased within a couple years of their making by the museum’s founders, John and Dominique de Menil. They represent and important part of 20th century art history, as the de Menils became Magritte’s biggest champions in the United States, helping to shape the artist’s reception and reputation in the postwar American art world. Stop by to welcome them home and slip into their enigmatic wonder.

    “Blooming Wonders” at Artechouse (now through September)
    The latest immersive exhibition from the Houston venue that brings art, science, and technology home together, Artechouse, lets the flowers blossom. The exhibition contains several dynamic installations, including “Timeless Butterflies,” a 270 degrees projection space that puts visitors in the middle of a butterfly cloud. Audiences journey with a flock of butterflies into an immense garden of flowers. Another immersive piece, “Infinite Blooms” takes audiences on a journey through an endless digital forest of cherry blossoms. The installation, “Akousmaflore et Lux” creates a very different type of garden where plants transform into musical instruments. “Clay Pillar” by Interactive Items / Vadim Mirgorodskii invites visitors to sculpt new forms using clay and a little help from an AI program. Note that “Blooming Wonders” runs simultaneously with the rock ‘n’ roll exhibition, “Amplified” with “Wonders” open during the daytime.

    “Weci | Koninut” at Avenida Houston (now through September 1)
    Houston is a place for big dreams, and this wondrous outdoor exhibition near George R. Brown Convention Center gives us the space to do so. Created by First Nations artists Julie-Christina Picher and Dave Jenniss, this interactive installation weaves together visual arts, Indigenous storytelling and sensory technologies in the form of six immense sculptural dreamcatchers. Each of these dreamcatchers are unique and represent one of the six seasons from the Atikamekw culture, an Indigenous people in Canada. Activated by people passing by, the dreamcatchers come to life with lights, sounds, and story, making the whole installation truly interactive. “Weci | Koninut” creators say that they want the installation to offer a total immersion experience for visitors, to create a moment where nature and dreams converge. Each piece offers a place for the public to slow down, sit, reflect, and yes, dream.

    New Murals in the East End and Midtown (ongoing)
    We could spend days viewing all the new murals painted across town, just in the last few years. But in honor of summer outdoor art viewing, we thought we’d spotlight two noteworthy new additions to our city-wide gallery of murals. As part of his major exhibition last spring at the CAMH, Vincent Valdez worked with San Antonio muralist Rubio and local students to create “Memoria, Memory.” Dedicated to his mother Theresa Santana Valdez (1947–2020), the vivid mural on historic Navigation Boulevard features her favorite bird and flower. Over in Midtown, check out “Stellar Illumination,” the latest installation in the city’s Big Walls Big Dreams mural series. Created by Robin Munro, also known as Dread, the seven stories high “Illumination” depicts a celestial scene of an astronaut gazing at Earth from space.

    “The Weight of Place” at Anya Tish Gallery (July 11-August 23)
    This group exhibition will explore themes of memory and the emotional, psychological, and physical landscapes memories can evoke. The will showcase three contemporary Texas-based female artists: Megan Harrison, Marisol Valencia, and Lillian Warren. While these artists work in different mediums–including large-scale paintings, mixed media works, and elegant porcelain sculptures–they are inspired by personal reflection and nature to create artworks that reflect on the ways we hold onto the past through sensory experience.

    “In Residence: 18th Edition” at Houston Center for Contemporary Craft (July 12-June 27, 2026)
    This annual exhibition celebrating the Center’s Artist Residency Program reaches it’s big 18th anniversary. Over the many years, the residency program has supported so many emerging, mid-career, and established artists working in all craft media. The program gives them a space for creative exploration, exchange, and collaboration with other artists, arts professionals, and the public. Now arts and craft lovers will get a chance to see the culmination of that work with this exhibition featuring pieces in fiber, clay, copper, and found objects by 2024-2025 resident artists Prerata Bradley, Stephanie Bursese, Atisha Fordyce, Nela Garzón, Gbenga Komolafe, Gabo Martinez, Preetika Rajgariah, Macon Reed, Jamie Sterling Pitt, Adam Whitney, and Dongyi Wu.

    “My Texas” at Our Texas Cultural Center (July 27-August 22)
    Award winning, Russian-born photographer, Anatoliy Kosterev, chronicles his personal exploration of Texas with photographs he took around the Lone Star State. The photos offer extraordinary views of Texas, from our dynamic cities to dramatic and sometimes lonesome landscapes. Kosterev’s photographic style blends science and technology with an artistic eye. He puts those two perspectives into practice when documenting all facets of life in Texas. Using HDR, drone imaging, macro photography, and traditional camera methods, he captures a diversity of subjects from quiet human moments to vast landscapes to delicate close-ups of insects and flowers.

    \u200bArtechouse presents "Blooming Worlds"
      

    Photo courtesy of Artechouse

    Artechouse presents "Blooming Worlds."

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