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    Meow Wolf Preview

    What to touch, see, and hear at Houston's new Meow Wolf installation

    Tarra Gaines
    Oct 24, 2024 | 10:27 am

    The art anticipation is almost over as Meow Wolf Houston finally opens on Thursday, October 31. Radio Tave becomes the fifth location for the immersive and interactive art experience venture, joining Santa Fe, Las Vegas, Denver, and Grapevine,Texas, as Meow Wolf’s alien worlds take over America.

    \u200bRadio Tave showcases Houston artists including Havel Ruck Projects.

    Photo by Tarra Gaines

    Radio Tave showcases installations by Houston artists, including Havel Ruck Projects.

    When CultureMap got invited to a sneak preview of Radio Tave, I was ready to tune in. In the past, I’ve had the opportunity to explore the original Santa Fe and the Las Vegas venues. Even for someone who has opened one of Meow Wolf trans-galactic refrigerators before, the experience can be overwhelming to the senses. For those new to the Meow Wolf experience, here’s our CultureMap Radio Tave programming guide to help you navigate the art adventure that awaits.

    Follow the Story

    All Meow Wolf experiences have an overarching science fiction narrative that binds the diverse collection of contemporary visual, sound, and video art together. While each story is unique, they do have some commonalities including a narrative frame. A Meow Wolf experience usually begins with a place of normality — a suburban family home, a grocery store, a radio station — where someone, somehow opened a doorway into another dimension, reality, or universe.

    For Houston’s Radio Tave, we enter the lobby of what seems to be a small town Texas radio station, yet the staff and crew have all disappeared. At first glance, the lobby desk, broadcast room, offices and even record library all appear normal, if dated, but a closer look around and the oddities begin to pile up just like the dishes left in the break room sink.

    Almost every door, including the break room refrigerator, leads to another art dimension. It’s up to each visitor to choose which door to walk through and then land in some far, far away galaxy in the Meow Wolf multi-art-universe. Along the way, we can put together clues as to what exactly happened to the staff and DJs of Texas radio station ETNL.

    Walk the Dimensional Bridges

    While each Meow Wolf exhibition is unique there are some commonalities over all or most of the five city experiences. Look for dark light illuminated forests, alien arcades and alleyways, room sized installations built upon that city's theme, and some type of refrigeration unit that leads to infinity. Seriously, there’s always a refrigerator. Some of the working phones installed throughout Radio Tave can dial out to the Santa Fe, Denver, Vegas, and Grapevine venues.

    Listen for Houston Melodies

    While anyone even slightly familiar with Meow Wolf will expect touchable visual art that transports visitors, sound has also always been a component in previous exhibitions. For Houston, sound art becomes an even more intrinsic, interactive part of the whole experience.

    “That was the core conceit that we wanted to do something focused on audio, sound, music and all that could imply,” explains Spencer Olsen, senior creative director for Radio Tave. “Before we even had the radio station as a theme, sound was a theme. We wanted to do something very musical, something with spoken word and then the radio station jumped out of that core idea.”

    Sound and music follow and surround visitors everywhere they go from the ghostly broadcast within Station ETNL to the bird calls based on local grackles in the event and bar area, to what looks like organic chimes on an giant alien tree in the Bailiwick area where mysterious broadcasts commence, to the jukebox in Cowboix Hevvven. Yes, as CultureMap previously reported, Radio Tave has its own colorful Texas dive bar, albeit one located somewhere at the end of the universe. Most of these soundscapes are interactive in some way, allowing visitors to take part in the creation of the art.

    Read the Fine Print

    This one you might want to save for a second or third visit, but try playing detective or just be nosy as you examine cluttered desks and read framed newspaper articles and concert posters on the walls. Feel free to open cabinets and peek through cubbyholes and holes in the woodwork. Art lies in the smallest places within Radio Tave, and if you can open a drawer or even a peep through a hole in a trashcan, there’s probably micro worlds to discover. Some of those bits of office and dive bar minutia help give us clues about the big narratives.

    Spot Your Favorite Houston Artists’ Work

    When a Meow Wolf exhibition comes to a town they always recruit local and regional artists to join in on the artful experience building. And those contributions can be seen at all levels. Some Houston artists were given a specific space, ranging from a file cabinet to create a radio bat cave, to a wall or full hallways for their mural art, while other artists were allotted whole rooms for immense installations. In another round of selections, some creatives were chosen for the project Art Team Task Force (ATTF), that oversees the on-site installation. Meow Wolf describes the ATTF work as applying the final artistic “frosting,” to ensure “continuity and connections across installations and exhibitions; evolving and perfecting the process with each installation.”

    All together over 50 Texas artists contributed to the building of Radio Tave. While it’s going to take many repeat visits to fully discover all the Texas art woven into the experience, here are just a few of the outstanding Houston artists who contributed to the overall exhibit.

    Before Meow Wolf was just a kitty pup, Havel Ruck Projects (a.k.a Dan Havel and Dean Ruck) were creating reality-defying large installations in Houston, so they were always going to be a natural fit within the Radio Tave landscapes. Spend some time inside their mechanical room that resembles some kind of multi-dimensional HVAC system cooling an entire galaxy.

    Visual and theater artist Afsaneh Aayani has worked with many theater companies around town as a puppetry and set designer, director, collaborator, and advisor. Her Persian-inspired room that fuses painting, sculpture, and lighting design is must-see. As is the case for Radio Tave in its entirely, be sure to open the ornate cabinets.

    Jasmine Zelaya’s flowered covered portraits have been displayed all over town including on giant marquees in downtown Houston and on a monumental scale on the Rice University campus. Now those portraits become a part of Radio Tave’s otherworldly landscapes.

    Revisit Houston Hip Hop history with El Franco Lee II’s mural and audio homage to DJ Screw. Dig through the geology of memory in Patrick Renner’s earth stratum of found and hoarded objects. Wander through Falon Mihalic’s sculptured mural garden inspired by local flora.

    Those are just a few of the Houston artists’ works visitors will find at Radio Tave. Now that Meow Wolf has found a permanent Houston home, visitors have plenty of space/time to continue those art adventures.

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    Best January Art

    Blockbuster Frida Kahlo exhibit and 8 more new Houston art openings

    Tarra Gaines
    Jan 8, 2026 | 3:00 pm
    Nickolas Muray, Frida with her Pet Eagle, Coyoacán, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.
    Nickolas Muray, Frida with her Pet Eagle, Coyoacán, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.
    The Museum of Fine Arts, Houston presents "Frida: The Making of an Icon

    The art world looks to the Museum of Fine Arts, Houston this month as it unveils a monumental Frida Kahlo exhibition, but there’s many other shows around Houston opening this month, especially of contemporary and new art. From possible AI photographic futures to photo art that weaves the past and present together, from ceramics turned inside out to magic mirrors, and the art of agriculture, Houston museums and galleries bring us a very artful New Year.

    “Anachronous” at Holocaust Museum Houston (now through March 8)
    In this new exhibition of work from Argentinian photographer Cynthia Isakson, the artist has selected old family photos taken and kept over decades through war, displacement, and travels across continents. She then takes those images and incorporates them into her contemporary photography. Melded together, these layered images become new stories and expansive portraits of a family over many years.

    The 18 digital photographs in the exhibition were printed on fabric and thematically draw ties between the past and present, illustrating the family threads woven through time. Generations and place also become linked, as viewers witness the connections between Warsaw, Buenos Aires, and Houston through five generations of one family.

    “norMAL and unreMARKable” at Throughline (January 10-February 7)
    Featuring works by Heather L. Johnson and Henry G. Sanchez, this show of recent pieces explore how we define the “unusual” and “exceptional” in both psychological and sociological terms. Johnson works with embroidery and drawing to explore physical manifestations of environmental toxicity brought on by society’s technological dependence. After being diagnosed with cancer, Sanchez broke with his past social art practice to experiment with multimedia installations. He uses this work as a way to consider how that diagnosis has changed his artistic and personal mission. Taken together, these “norMAL and unreMARKable” pieces examine the fragility of contemporary life.

    “The Uncanny In-Between” at Blaffer Art Museum (January 10-March 14)
    This exhibition of ceramic work will showcase five acclaimed artists of Korean heritage who work across the U.S., including Audrey An (Philadelphia), Wansoo Kim (Clarksville), Hoon Lee (Allendale), Texan Hayun Surl, and Hae Won Sohn (Alfred, New York). Organized by Sso-Rha Kang, curator at the Carnegie in Covington, Kentucky, these ceramic pieces have subversive forms that weave together personal mythologies, traditional techniques, and technological interventions.

    At once an exhibition and also an archival project, the ceramic pieces will be shown beside high-resolution 3D digital renderings of the interiors of each artwork. These renderings allow Blaffer visitors to glimpse the interior of some of the pieces, viewing the art beyond the surface into their hidden depths.

    “End Cash Bail” at Lawndale Art Center (January 14-17)
    This limited-time exhibition centered on Texas prison systems brings together the visual and literary arts with works of poetry, paintings, collages, cyanotypes, photography, and more. Curated by KB Brookins, the ACLU of Texas artist-in-residence, Lawndale states that the exhibition is intentionally wide-spanning in perspective and art mediums and genre to show the extensive impact and responses to the Texas jail crisis.

    “Magic Mirrors” at Art League Houston (January 16-April 19)
    While the term probably conjures up vain queens in need of a beauty pep talk , magic mirrors are real historic pieces of art first invented in ancient China. When light hits the front of the “mirror,” an engraving on the back is projected onto an opposite surface. Interdisciplinary artist Jamie Ho began with the concept of a “magic mirror” to create art that explores how Chinese American women and their bodies have been depicted historically and in popular culture.

    Ho’s work uses GIFs, sculptures, new media, and installations to play with concepts of mirror images. As her sculptures reference historical and current Chinese diasporic objects, Ho also projects GIFs of her body onto the surfaces of some of her sculptures to create ghostly afterimages.

    “The River Entered My Home” at Art League Houston (January 16-April 19)
    Collaborating as Hammonds + West, Austin multimedia artist Hollis Hammonds and Austin poet and professor Sasha West interweave Morton’s drawings and West’s poetic text into multimedia installations and exhibits. The duo create work with an ecological and environmental focus on a personal and societal scale. Hammonds’ drawings depict the melancholy and darkness manifested in West’s poems, while West’s poems connect to Hammond’s visual landscapes which are often reflections on a fire that consumed her childhood home in Kentucky. As they collaborate across several different mediums, they blend sound with sculptural installation, video with drawings, and words with images.

    “Mud + Corn + Stone + Blue” at Blaffer Art Museum (January 17-March 14)
    Art, political history, and agriculture meet in this new exhibition organized by Blaffer chief curator Laura Augusta. Through the art works selected, the exhibition traces historical entanglements between the United States and Central America through the distinctive angle of U.S. agricultural policy.

    The show looks to be both expansive and personal as Augusta has drawn upon connections between her family’s history in the Great Plains and her relationships built through art in Guatemala. She notes the shared histories across the U.S. and Central America since the 1960s related to the corn industry. The artists showcased in “Mud + Corn + Stone + Blue” are from the U.S. Corn Belt, Guatemala, Nicaragua, El Salvador, and Honduras, with the exhibition drawing links between these places to illustrate their connections that cross borders and time.

    “Frida: The Making of an Icon” at Museum of Fine Arts, Houston (January 19-May 17)
    Fridamania will grip Houston this year, as the MFAH opens this brand new exhibition that they also organized. (Dance lovers should also look for the Houston Ballet to present Broken Wings, a ballet about the life of Kahlo in March.) What makes “Frida: The Making of an Icon” so different from most of the other surveys and retrospectives of Kahlo’s work around the world is this exhibition’s focus on how both her life and art inspired other artists over the many decades since her death.

    While the show will feature 35 masterpieces by Kahlo herself, it will also examine her great legacy and influence on other artists, including painters, sculptorsm and photographers, as well as activists and social communities. Organized thematically around some of those movements, like “Surrealism” and “Gendered Dialogues,” the show will also feature a special gallery of Frida related mass produced merchandise, as well as handcrafted tributes to her.

    “The exhibition reveals how the different facets of Kahlo’s complex persona(lity), which she so carefully crafted and projected, were adapted again and again over her decades-long transformation into an icon,” explains exhibition curator Mari Carmen Ramírez.

    “Imaging after Photography” at Rice’s Moody Center for the Arts (January 23-May 9)
    With the rise of AI as a tool to generate visual imaging, seeing may no longer be believing when it comes to the use of photography for documenting reality. As artists and photographers explore this new technology, they wrestle with how AI technology might reshape their art and how we see the world.

    Always on the vanguard of where art and science meet, the Moody Center presents this new exhibition of works by seven acclaimed national and international artists, including Nouf Aljowaysir, Refik Anadol, Grégory Chatonsky, Sofia Crespo, Joan Fontcuberta, Lisa Oppenheim, and Trevor Paglen. Though working in different photographic and video mediums, they all incorporate contemporary technologies into their practice in order to reflect on the history and future of photography. While their perspectives on a future where AI becomes a significant component of everyday life span a range from optimistic to pessimistic, these artists never shy from the complexity of those possibilities.

    “There are few topics as urgent as artificial intelligence and its impact on all facets of society,” describes Alison Weaver, Moody Center executive director and co-curator of the exhibition. “Through this presentation of works by some of today’s most thoughtful and visionary artists, we hope to inspire dialogue about the influence of new technologies on the images that populate our daily lives and shape our visual culture.”

    Nickolas Muray, Frida with her Pet Eagle, Coyoac\u00e1n, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.
    Nickolas Muray, Frida with her Pet Eagle, Coyoacán, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.

    The Museum of Fine Arts, Houston presents "Frida: The Making of an Icon."

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