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    Meow Wolf Preview

    What to touch, see, and hear at Houston's new Meow Wolf installation

    Tarra Gaines
    Oct 24, 2024 | 10:27 am

    The art anticipation is almost over as Meow Wolf Houston finally opens on Thursday, October 31. Radio Tave becomes the fifth location for the immersive and interactive art experience venture, joining Santa Fe, Las Vegas, Denver, and Grapevine,Texas, as Meow Wolf’s alien worlds take over America.

    Meow Wolf Houston
      
    Photo courtesy of Meow Wolf

    Obsidiodyssey represents different stages of the creative process within Radio Tave.

    When CultureMap got invited to a sneak preview of Radio Tave, I was ready to tune in. In the past, I’ve had the opportunity to explore the original Santa Fe and the Las Vegas venues. Even for someone who has opened one of Meow Wolf trans-galactic refrigerators before, the experience can be overwhelming to the senses. For those new to the Meow Wolf experience, here’s our CultureMap Radio Tave programming guide to help you navigate the art adventure that awaits.

    Follow the Story

    All Meow Wolf experiences have an overarching science fiction narrative that binds the diverse collection of contemporary visual, sound, and video art together. While each story is unique, they do have some commonalities including a narrative frame. A Meow Wolf experience usually begins with a place of normality — a suburban family home, a grocery store, a radio station — where someone, somehow opened a doorway into another dimension, reality, or universe.

    For Houston’s Radio Tave, we enter the lobby of what seems to be a small town Texas radio station, yet the staff and crew have all disappeared. At first glance, the lobby desk, broadcast room, offices and even record library all appear normal, if dated, but a closer look around and the oddities begin to pile up just like the dishes left in the break room sink.

    Almost every door, including the break room refrigerator, leads to another art dimension. It’s up to each visitor to choose which door to walk through and then land in some far, far away galaxy in the Meow Wolf multi-art-universe. Along the way, we can put together clues as to what exactly happened to the staff and DJs of Texas radio station ETNL.

    Walk the Dimensional Bridges

    While each Meow Wolf exhibition is unique there are some commonalities over all or most of the five city experiences. Look for dark light illuminated forests, alien arcades and alleyways, room sized installations built upon that city's theme, and some type of refrigeration unit that leads to infinity. Seriously, there’s always a refrigerator. Some of the working phones installed throughout Radio Tave can dial out to the Santa Fe, Denver, Vegas, and Grapevine venues.

    Listen for Houston Melodies

    While anyone even slightly familiar with Meow Wolf will expect touchable visual art that transports visitors, sound has also always been a component in previous exhibitions. For Houston, sound art becomes an even more intrinsic, interactive part of the whole experience.

    “That was the core conceit that we wanted to do something focused on audio, sound, music and all that could imply,” explains Spencer Olsen, senior creative director for Radio Tave. “Before we even had the radio station as a theme, sound was a theme. We wanted to do something very musical, something with spoken word and then the radio station jumped out of that core idea.”

    Sound and music follow and surround visitors everywhere they go from the ghostly broadcast within Station ETNL to the bird calls based on local grackles in the event and bar area, to what looks like organic chimes on an giant alien tree in the Bailiwick area where mysterious broadcasts commence, to the jukebox in Cowboix Hevvven. Yes, as CultureMap previously reported, Radio Tave has its own colorful Texas dive bar, albeit one located somewhere at the end of the universe. Most of these soundscapes are interactive in some way, allowing visitors to take part in the creation of the art.

    Read the Fine Print

    This one you might want to save for a second or third visit, but try playing detective or just be nosy as you examine cluttered desks and read framed newspaper articles and concert posters on the walls. Feel free to open cabinets and peek through cubbyholes and holes in the woodwork. Art lies in the smallest places within Radio Tave, and if you can open a drawer or even a peep through a hole in a trashcan, there’s probably micro worlds to discover. Some of those bits of office and dive bar minutia help give us clues about the big narratives.

    Spot Your Favorite Houston Artists’ Work

    When a Meow Wolf exhibition comes to a town they always recruit local and regional artists to join in on the artful experience building. And those contributions can be seen at all levels. Some Houston artists were given a specific space, ranging from a file cabinet to create a radio bat cave, to a wall or full hallways for their mural art, while other artists were allotted whole rooms for immense installations. In another round of selections, some creatives were chosen for the project Art Team Task Force (ATTF), that oversees the on-site installation. Meow Wolf describes the ATTF work as applying the final artistic “frosting,” to ensure “continuity and connections across installations and exhibitions; evolving and perfecting the process with each installation.”

    All together over 50 Texas artists contributed to the building of Radio Tave. While it’s going to take many repeat visits to fully discover all the Texas art woven into the experience, here are just a few of the outstanding Houston artists who contributed to the overall exhibit.

    Before Meow Wolf was just a kitty pup, Havel Ruck Projects (a.k.a Dan Havel and Dean Ruck) were creating reality-defying large installations in Houston, so they were always going to be a natural fit within the Radio Tave landscapes. Spend some time inside their mechanical room that resembles some kind of multi-dimensional HVAC system cooling an entire galaxy.

    Visual and theater artist Afsaneh Aayani has worked with many theater companies around town as a puppetry and set designer, director, collaborator, and advisor. Her Persian-inspired room that fuses painting, sculpture, and lighting design is must-see. As is the case for Radio Tave in its entirely, be sure to open the ornate cabinets.

    Jasmine Zelaya’s flowered covered portraits have been displayed all over town including on giant marquees in downtown Houston and on a monumental scale on the Rice University campus. Now those portraits become a part of Radio Tave’s otherworldly landscapes.

    Revisit Houston Hip Hop history with El Franco Lee II’s mural and audio homage to DJ Screw. Dig through the geology of memory in Patrick Renner’s earth stratum of found and hoarded objects. Wander through Falon Mihalic’s sculptured mural garden inspired by local flora.

    Those are just a few of the Houston artists’ works visitors will find at Radio Tave. Now that Meow Wolf has found a permanent Houston home, visitors have plenty of space/time to continue those art adventures.

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    See these shows

    World premieres and a modern Hamlet headline Houston's 12 best new theater shows

    Tarra Gaines
    May 2, 2025 | 2:02 pm
    Open Dance Project presents Panopticon
    Photo by Lynn Lane
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    May is set to thrill Houston audiences, as some theater companies end their 2024-25 seasons with their biggest shows of the season. Look for new spins on classics, plus some dramatic and lavish world premieres. From danced dystopias to Jack the Ripper, the hottest romances to convenient comedy, cake and coffee with friends to tiki bar mai tais with friends, we’ve got the most delicious shows to savior this spring.

    Panopticon from Open Dance Project (May 2-10)
    For their 10th anniversary season, Houston’s source for truly innovative immersive dance is revisiting some of their most provocative shows that invite audiences to walk through danced worlds. First up, Panopticon sets audiences into a futuristic dystopian society where everything is regimented and monitored, even joy and sexual attraction. The audience takes on the role of visitors from the outside “Savage” lands, a place that still offers moments of privacy and spontaneous human emotions. During our tour of Panopticon, we walk amidst the moderated, regulated citizens to view their daily lives. Perhaps we’ll discover two would-be lovers struggling with their desire for physical and emotional intimacy in a world where deep, human connection is forbidden. Open Dance Project once again offers dance storytelling at its most intimate.

    Denise Fennell’s Lessons Learned at Stages (May 2-11)
    In addition to their fun, eclectic mix of comedy, drama, and musicals, for their 2024-25 season Stages brought in comedy fav Denise Fennell for an add-on season of four Late Nite Catechism shows. Now that she’s dispensed sisterly schooling for summer, Halloween, Christmasm and wedding season, this one-woman-show phenomenon takes off her habit to teach us some real life lessons she’s learned as an artist, performer, and writer. Drawing from personal experiences and observations, Fennell weaves together hilarious tales of everyday life, showcasing her talent for finding humor in the ordinary.

    Hamlet from 4th Wall Theatre (May 2-24)
    You’ve never seen Shakespeare’s masterpiece done this way before. Using a directorial vision first conceived by the innovative New York theater company Bedlam, this stripped down and raw Hamlet calls for a cast of only four actors. Wesley Whitson tackles the role of the conflicted Prince Hamlet with Christy Watkins, Philip Hays, and 4th Wall co-founder Philip Lehl jumping in and out of around 30 roles between them, including furniture. The other 4th Wall co-founder, Kim Tobin-Lehl, directs this greatest of tragedies.

    Primary Trust at Alley Theatre (May 2-25)
    This recent Pulitzer Prize-winning show by Eboni Booth is making its Houston debut. The play explores the inner and outer lives of Kenneth, a lonely 38-year-old man who works in a bookstore in a small New York town. His one after-work joy is sipping on mai tais at the local tiki bar with his friend Bert. But after being laid off from his long-time job, he is forced to make changes in his life of comfortable routine. This tender comedy cherishes the intimate moments in any life where every choice matters and every connection holds the power to create change.

    Coconut Cake at Ensemble Theatre (May 9-June 1)
    Ensemble partners with several prestigious theaters across the U.S. to produce this new play by acclaimed playwright Melda Beaty as a “rolling” world premiere. The show has already won awards for giving authentic voice to a group of retired Black men who meet every week for coffee at a local restaurant. The dramatic and comic play gives audiences a seat at the table to listen in as these men talk about their wives, families, and the latest neighborhood gossip. But when a mystery woman moves into the abandoned house down the street, with her Creole wiles, tempting coconut cake, and medicine cabinet secrets, the men find their daily talks and perhaps quiet, retired lives might change forever.

    Bug from Dirt Dogs (May 16-31)
    Having treated Houston audiences to a standout production of the Tracy Letts contemporary classic August: Osage County two years ago, Dirt Dogs goes back to the Letts well for this devastating earlier work that explores the darkness in the human mind. Bug's exploration of conspiracy theories and paranoia might seems just as timely today as it did in the late 90s. A lonely waitress and veteran drifter find unexpected love as they meet regularly in a seedy Oklahoma City motel room. But as their affair continues, mysterious bugs begin to take over their space. Are they simple pests or could they be the result of military experiments? The couple’s fears soon over take them and disrupt any attempt at normalcy.

    Kim’s Convenience at Main Street Theater (May 17-June 15)
    The international hit Canadian television and Netflix comedy began as an Ins Choi play about the Kims, a Korean-Canadian family running a neighborhood convenience store in Toronto. While contending with new luxury buildings going up around the convenience store and a Walmart preparing to move in, the Kims also must manage their traditional expectations for their children. Their daughter and son are very much a product of their modern, Canadian upbringing.

    Meanwhile, when Mr. Kim receives an unexpected offer for his property, he has a difficult decision to make. Should he take the money and give in to developers or convince his daughter to follow in his footsteps and run the family business? This Main Street production is the first time Houston will get a chance to see the original stage play that started the Kim’s Convenience streaming sensation and changed some of the rules of situation comedies.

    In the Heights from Theatre Under the Stars (May 20-June 1)
    With music and lyrics by Hamilton author Lin-Manuel Miranda and book by Quiara Algeria Hudes, In the Heights is set over three days in the Washington Heights neighborhood in NYC. Narrated by bodega owner Usnavi, the show follows the daily struggles and celebrations of the people in Usnavi’s neighborhood, as some of them question what home means to them. During these few days, there’s news of a winning lottery ticket and then an electrical blackout ends up shedding new light on family and romantic relationships. The show touches on issues of immigration, assimilation, gentrification, and even the high price of college education, making Heights just as relevant as when it debuted on Broadway in 2008. Yet, it’s the rich lives and songs of the characters that will bring the TUTS 2024-25 season to close on such a joyful note.

    Private Lives at Alley Theatre (May 23-June 15)
    Though first staged in 1930, the reason that this Noël Coward classic comedy has withstood the test of time is that the show’s witty, central couple became a model for almost a century of sexy, bickering lovers to appear on stage and screen afterwards. To keep it fresh, the Alley gives Private Lives a tango spin, moving the sophisticated comedy from Europe to South America. When divorced couple Elyot and Amanda accidentally find themselves honeymooning with their new spouses in adjacent rooms, sparks fly and tempers flare in a whirlwind of passion and humor. The Alley brings back acclaimed director KJ Sanchez to add that spicy twist to the relationships, transporting audiences to 1930s Argentina and Uruguay.

    Toros at Rec Room (May 24-June 14)
    After giving Houston audiences an original and reinvigorated take on the American classic Death of a Salesman last month, Rec Room gets contemporary with this play about a trio of aimless twenty-somethings. Toro is back in Madrid hanging out with his high school friends, Juan and Andrea (and Juan’s dying golden retriever, Tica). They spend their weekends exactly like they used to: chain-smoking pitis in Juan’s garage, listening to Juan’s latest DJ mix, and going out to clubs around Madrid. As sexual tensions emerge and old power dynamics get challenged, these third-culture-kids struggle to grow up, take responsibility, and find a version of reality to believe in. This is a Rec production so look for a surreal twist to all this Gen Z angst, perhaps in the role that veteran Houston actor Greg Dean is playing.

    Raymonda from Houston Ballet (May 29-June 8)
    Dance lovers have certainly been anticipating this show ever since HB announced artistic director Stanton Welch would be creating a world premiere new vision for this most traditional classical ballet. The original late 19th century storybook ballet, choreographed by Marius Petipa to the music of Russian composer Alexander Glazunov, is rarely staged in its entirely, lacking some of the drama that modern audiences crave. Though inspired by Petipa, Welch has moved the original story set in the Middle Ages to a more fairytale realm.

    In Welch’s version, the lovely young Raymonda and her sisters are destined to be betrothed to dukes from various countries. But Raymonda's heart already belongs to another. An evil plot by the queen’s trusted advisor may change the destiny of Raymonda and her one true love. Along with HB’s world class dancers, look for lavish sets and costumes by acclaimed Italian designer Roberta Guidi di Bagno. Raymonda is sure to become a treasured classic amongst Houston Ballet’s illustrious repertoire.

    Let. Her. Rip. at Stages (May 30-June 22)
    When Stages announced their 2024-25 season, they left the final pick to the incoming artistic director, Derek Charles Livingston, who has chosen this world premiere thriller play by Maggie Lou Rader. It’s a work he helped to develop in his previous position as the director of new plays at the Utah Shakespeare Festival.

    Houston will be the very first to see the first full production of this intriguing tale of camaraderie, activism, and ferocity which lies in the crosshairs of London’s Match Women labor movement and the Jack the Ripper murders of 1888. Labor leaders Em, Liza, and Nana are endeavoring to make the East End safer for women and all working people when the headlines move away from their accomplishments to the man murdering women of their community. They must reignite their fight against deadly misogyny, police brutality, and their own personal demons. But as tensions come to a head, who will make the final rip?

    Open Dance Project presents Panopticon
      
    Photo by Lynn Lane
    Open Dance Project presents Panopticon
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