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    howling for you

    Meow Wolf reveals Houston artists adding local flavor to its Fifth Ward project

    Tarra Gaines
    May 16, 2024 | 3:30 pm

    Meow Wolf, the Santa Fe-based art collective that has become a pioneering leader in creating large-scale immersive art experiences across the U.S., definitely knows how to build anticipation. After announcing in 2022 that their fifth exhibition would open in 2024 in Houston’s Fifth Ward, they’ve kept up a steady stream of artful hints about the project, though the exact opening date for the Houston venue remains as mysterious as the story it will tell.

    \u200bSculpture installation by Ibraim Nascimento
      

    Courtesy of Ibraim Nascimento

    Sculpture installation by Meow Wolf new ATTF member Ibraim Nascimento.

    For Houstonians still a bit hazy on what exactly a Meow Wolf is, think of a trip to the wildest contemporary art museum you’ll ever see where can choose your own art adventure to explore, and all the sculptures, murals, video, light and sound artworks tells a piece of an overarching and futuristic narrative.

    In February, Meow Wolf revealed the 40 acclaimed Houston and regional artists who would collaborate on the project. The list of local creative superstars included such well know artists as innovative theatrical set and puppet designer Afsaneh Aayani, art activist Kill Joy, and two longtime pillars of Houston’s installation and immersive art community in Dan Havel and Dean Ruck of Havel Ruck Projects.

    But the Meow Wolf Houston surprises keep dropping with their most recent announcement of the Texas artists who will be part of their Art Team Task Force.

    It takes a national and international village of artists to create each Meow Wolf immersive experience, but the company continues to adhere to its ideals of championing up and coming local artists with each new exhibition they open.

    To herd all those artists and make sure each project resonates with both the Meow Wolf otherworldly aesthetic and also reflects some of the local art scene, the Art Team Task Force (ATTF) sends 20-30 artists to guide many aspects of the construction process. The team oversees the on-site installation. Meow Wolf describes the ATTF work as applying the final artistic “frosting,” to ensure “continuity and connections across installations and exhibitions; evolving and perfecting the process with each installation.”

    They also want local artists on that team in ensure each project has the “Meow Wolfian” feel while also setting its roots into Houston’s unique art culture. To bring that Houston perspective to the project, Meow Wolf has brought aboard 10 Houston artists to be integral members of the Art Team Task Force, including Mathieu Jean Baptiste, Edilia Bautista Fine Arts, LLC, Hannah Bull, Caitlin Caselli, Mel Eason - Joybrush Signs, Patrick Medrano, Ibraim Nascimento, Lovie Olivia, Jebhani Vargas, and Jason Vines.

    This Houston team within the larger ATTF team were chosen because they represent some of the diversity of Houston’s culture and range from muralists, sculptors, sign makers, and character designers. Many of these artists’ works have been featured in prominent galleries and several of the muralists’ work can be seen all around town in public spaces like Houston parks, schools, and business. As part of Meow Wolf’s task force, they’ll be a crucial part of transforming Meow Wolf Houston into an immersive experience that is all new while also being all Meow Wolf.

    “ATTF is Meow Wolf in its truest form, bringing together artists across various disciplines and putting collaboration at the forefront,” task force manager Mat Crimmins said in a statement. “We are honored to have this lineup of multi-talented visionary artists joining the team from Houston.”

    meow wolfart team task forceexhibitions-visual-artsgalleriesarts-culture
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    this ballerina knows business

    Houston Ballet names new executive director with deep ties to its past

    Tarra Gaines
    May 5, 2025 | 10:00 am
    Sonja Kostich Houston Ballet
    Photo by Bre Johnson
    Houston Ballet appoints Sonja Kostich as the organization’s next Executive Director.

    Dance lovers who saw Houston Ballet artistic director Stanton Welch’s beautiful and fierce Maninyas back in February probably didn’t realize they were witnessing a dance with significant hidden history. Maninyas was the Australian-born Welch’s first American commissioned work when it had its 1996 world premiere in San Francisco. Seeing that premiere inspired Ben Stevenson, Houston Ballet's artistic director at the time, to invite Welch to create a piece for the company, eventually paving the way for Welch to serve as the company's artistic director.

    Sonja Kostich Houston Ballet
      

    Photo by Bre Johnson

    Houston Ballet appoints Sonja Kostich as the organization’s next Executive Director.

    It seems those dance waves from Maninyas continue to reverberate, for on stage for that 1996 world premiere performance was acclaimed ballerina Sonja Kostich. And today Houston Ballet announced Kostich will leap into the role of Houston Ballet executive director beginning in August.

    Kostich assumes the directorship after major triumphs in roles onstage, backstage, and behind executive desks across the dance world. As a young dancer, Kostich trained at the prestigious School of Classical Ballet, a program created by Mikhail Baryshnikov. Then at 17 she was chosen by Baryshnikov himself to join the American Ballet Theatre. Such began a impressive career dancing with the San Francisco Ballet, Zurich Ballet, Baryshnikov’s White Oak Dance Project, and collaborations with renowned director Peter Sellars. One of Kostich’s big endeavor mixing dance and entrepreneurship came in 2008, when she co-founded the contemporary dance company OtherShore in New York. She also served as co-director for six years.

    After hanging up her ballet slippers, at least professionally, Kostich pursued a career in business, earning a Bachelor of Business Administration in Accounting from the Zicklin School of Business at CUNY Baruch College, where she graduated Salutatorian at age 42. She also completed a master's degree in arts administration.

    Kostich's professional experience includes roles at Goldman Sachs, Mark Morris Dance Group, and New York City Center. From 2018 to 2022, she was Chief Executive and Artistic Officer of Kaatsbaan Cultural Park, leading a successful rebranding and revitalization of the organization.

    Since 2022, Kostich has served as president and executive director of Baryshnikov Arts Center in New York City. Her work at the Center likely caught the HB board’s eye, as her tenure helped to achieve financial stability, expand opportunities for artists, and increase both earned and contributed income to record-breaking levels while engaging new, diverse audiences.

    “We are thrilled to welcome Sonja Kostich to Houston Ballet,” said Kristy Bradshaw, Houston Ballet board chair, in a statement. “Our board has worked diligently to ensure the continued financial strength and operational excellence of our company, building on the legacy of our retiring executive director, Jim Nelson. It is through this solid foundation — marked by fiscal stewardship, exceptional senior leadership, and a highly capable organizational structure that we have been able to attract such remarkable talent in Kostich. We are confident that her vision, creativity, and leadership will further elevate our company on the global stage. We look forward to this exciting new chapter for Houston Ballet.”

    Kostich has as many good things to say about the company as the board does about welcoming her.

    “Houston Ballet is an exemplary company with exceptional artists, dedicated employees, and a robust history of supporters and audience goers,” said Kostich. “I am deeply humbled and honored to build upon the company's remarkable legacy and look forward to developing thoughtful and valuable long-term relationships within the community. Ballet as an art form has a phenomenal capacity to generate real inspiration and engagement in all ages."

    Along with collaborating with Welch in the past, Kostich also has ties to the company’s co-artistic director, Julie Kent. Kent and Kostich overlapped during their dance careers at the American Ballet Theatre.

    Both Welch and Kent also sing Kostich’s praises.

    “I am thrilled that Sonja will be joining Houston Ballet as executive director. She will be an excellent partner to bring Houston Ballet into our next chapter,” said Welch. “Along with her exceptional leadership capabilities, Sonja will also bring a level of unique dance expertise that will enhance our Company.”

    Julie Kent added, “I very much look forward to what will be a highly collaborative experience that will only elevate what Houston Ballet can achieve, both artistically and as an organization. Sonja’s extraordinary talents and drive are a perfect match for our future goals.”

    The feelings are mutuals from Kostich who ended her statement saying, “I am thrilled by this opportunity to work with Stanton and Julie, truly accomplished and respected artistic leaders, as we work together on a firm vision for the limitless potential for the future of Houston Ballet.”

    James Nelson, the retiring executive director, will assume the title of executive advisor, supporting Kostich during her transition.

    houston balletsonja kostich
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