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    Practically Perfect

    Mary Poppins flies into TUTS for a jolly holiday of music and magic

    CultureMap Create
    Oct 14, 2022 | 12:30 pm
    Mary Poppins at TUTS
    Graphic courtesy of TUTS

    Spend a jolly holiday season with Theatre Under The Stars and its eye-popping, spectacular, and wonder-filled production of the Disney classic Mary Poppins. Based on the Disney film and book by P.L. Travers, this brand-new production of the hit musical runs December 6-24 at the Hobby Center for the Performing Arts.

    Though rehearsals have yet to begin, the creative team is already hard at work. CultureMap sat down with director Julie Kramer and choreographer Jessica Hartman — who had both just come from a meeting discussing the show's flying — to talk theater magic, family bonding, and the enduring fascination for this fix-it-all nanny.

    CultureMap: Julie, what made you interested in directing this show?

    Julie Kramer: I’m so intrigued by Mary Poppins. Her story is almost 100 years old and she's such an unusual heroine, coming in and rescuing everyone. I also love that this show is an expression of community — from the chimney sweeps to the eccentric neighbors to the woman who feeds the birds, everyone is a part of the experience.

    Our cast is a mix of actors out of New York and leading lights of the Houston theater community, and together we're composing a love letter to this town and theater in general. Getting to make magic with something that's so beautiful and joyous, especially after the pandemic, feels like a huge gift.

    CM: Jessica, why did you want to choreograph this show?

    Jessica Hartman: My Virgo personality has never quite understood Mary Poppins but as I've grown older, my perspective has shifted. She changes the way this family is looking at each other and helps them to see each other in a different way, and that's a good challenge for me. How do I take something that I know so well and honor what has existed before while still being creative and take the audience somewhere unexpected?

    CM: How do you begin to approach a show with so many “magical” elements?

    JK: I already had a fascination with magic and magicians and putting them onstage, so this show encourages that interest. There's flying and things appearing from the magic carpetbag, and I’m looking for every opportunity to find magic in the staging and create unexpected moments that you will probably not have seen in other productions. TUTS has a fantastic props department and we’ll be using them for all they’re worth.

    JH: Mary Poppins is magical from the beginning — she makes anything possible — so we want the audience to feel like Jane and Michael discovering all these new wonders. We've really taken a microscope to the script to find those moments.

    CM: How do you make a classic that's beloved by so many your own?

    JK: It's no secret that PL Travers had some issues with the movie, so we’ve been talking a lot about her and what she thought. The stage musical is more British, grounded in this world of Edwardian London, and the book is by Julian Fellowes, who did Downton Abbey.

    But it's also still a Disney show, so there still needs to be that family feel and those truly magical Disney moments. There’s also more music in the musical, which means you get the songs and numbers you know and love but might also discover new favorites. Sadly, there are no dancing penguins ... but don't think I wasn't tempted!

    CM: What do you think audiences will like most about this musical?

    JH: As a mom during Christmas, the thing I want most for my daughter is experiences. Going to the theater with your family and seeing something so magical — nothing can beat that.

    JK: This cast is phenomenal; you're going to see a very high level of performance. But also one of the first things I did after Broadway reopened was take my whole family to see Aladdin. To be able to sit with them and watch genies be real and magic carpets fly, to feel that joy and possibility together as a family was so healing. It reminded me why I do what I do.

    I really hope people will take this opportunity to gather their families together and come to the show. It speaks to parents and children and our childhood selves, and it has so much heart. That’s ageless and timeless.

    ---

    TUTS' production of Mary Poppins runs December 6-24, 2022, at the Hobby Center for Performing Arts. Click here to purchase tickets.

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    Everything's Book-worthy in Texas

    Texas Monthly revives book imprint with titles on barbecue and history

    Brianna Caleri
    Jun 16, 2026 | 10:30 am
    Burnt Bean Co. Seguin
    Burnt Bean Co./ Facebook
    Burnt Bean Co. in Seguin is Texas Monthly's reigning No.1 Best BBQ Joint in Texas, so it's a safe bet it'll show up in barbecue editor Daniel Vaughn's new book.

    Texans who like reading about the Lone Star State will have an important new source of reading material when the Texas Monthly Press relaunches in the fall of 2027. Texas Monthly is teaming up with Penguin Random House to bring back its imprint after roughly three decades, and the new slate of releases is ready for readers to peruse.

    The new imprint will "publish books across genres and formats that capture the spirit and stories of Texas," according to Texas Monthly's announcement. The catalog will include both fiction and nonfiction works that highlight the people of Texas, the state's history, politics, business, sports, the arts, and more. The original imprint ran from the late 1970s to the early 1990s.

    The Texas Monthly Press editorial team will be led by Mark Warren, who was born in Texas and formerly served as a Random House editor. He'll work with members of the current Texas Monthly team as well as newcomers from Trinity University Press in San Antonio, which will close at the end of this year.

    Here are some books readers can expect to see when the imprint launches next year:

    • The Texas Monthly Barbecue Book by Daniel Vaughn, Paula Forbes, and the editors of Texas Monthly: "A spiritual guide and useful companion for barbecue enthusiasts." This book covers everything from technique to culture.
    • True to the Union by Stephen Harrigan: A sequel to The Gates of the Alamo, this novel set between 1840s and the Civil War is a love story between existing character Terrell Mott and German emigrant Hannah Schönleber, who are "swept up in the fight over slavery" and need to flee Texas and Confederate partisans.
    • The Bowie Knife That Killed Dracula by William Broyles and Stephen Harrigan: This "saga" that references the Texan who killed Dracula "will take readers from the pyramids of Tenochtitlán to the battered walls of the Alamo, the court of Queen Victoria, and, finally, the deep and spectral forests of Transylvania."
    • The third book in the Which Way Tree trilogy by Elizabeth Crook: The third book concludes the story of Benjamin Shreve, who is now an old rancher on the Texas-Mexico border, as well as that of his half-sister, Samantha.
    • Where the River Took Us by Aaron Parsley: This follow-up to a 2026 Pulitzer Prize-winning article by a Texas Monthly writer and flood survivor "explores the ways events and decisions from our respective pasts determine both how we experience tragedy as it unfolds and how we move through the world forever changed because of it."

    “Texas Monthly is a business built on great stories, so books make sense at the DNA level for us,” said Texas Monthly CEO Scott Brown in the announcement. “The copublishing venture between Texas Monthly and Penguin Random House will be defined by editorial excellence, built-in audience, and unbeatable publishing-industry strength.”

    Readers can sign up to receive updates from the Texas Monthly Press at Press.TexasMonthly.com. Writers who want to submit a manuscript can email TexasMonthlyPress@TexasMonthly.com.

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