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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

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    Best August Theater

    8 best new plays and musicals opening on Houston stages this month

    Tarra Gaines
    Aug 3, 2026 | 11:00 am
    Queensbury Theatre presents Mean Girls
    Photo by Alexander Cross
    Queensbury Theatre presents Mean Girls

    August tends to bring darkened stages across Houston theaters as our favorite local companies prepare for the big fall season. But this month, Houstonians still have lots of summer theatrical shows and musicals opening.

    Many of these productions spotlight family relationships and dynamics. From long lost twins to bickering sister Muses to awkward meet-the-parents family dinners, Houston stages show us families at their most dramatic and comic. In addition, Stages takes us to Vegas with a nun tour guide and Miller Outdoor brings us dance and acrobatics amid visual art masterpieces.

    The Tempest at Miller Outdoor Theatre (now through August 7)
    As one of Shakespeare’s final plays, this story of magic, regret, revenge, and forgiveness has always been a favorite of directors. After years exiled on an enchanted island with his daughter, the aging magician, Prospero, settles the score on those who put him there, including his brother. In this production, Prospero becomes Propera, and director Sharon Ott, who is also the UH director of the School of Theatre and Dance at University of Houston will emphasize themes of motherhood.

    “There have been many productions of this play with women playing the role, so it's not a novel idea of mine,” Ott says. “But as a woman, I read this play very personally. It's even more personal as I get older because the play was written at the end of Shakespeare’s artistic life. Our design team, choreographer, and composer/sound designer will bring Shakespeare's visual and aural magic to the Miller Outdoor Theatre.”

    Comedy of Errors at Miller Outdoor Theatre (now through August 8)
    The Shakespeare Festival alternates Tempest with one of Shakespeare’s first comedies. Hijinks will ensue, interlaced with scenes of shenanigans, in this mistaken identity comedy. With warring cities, an imprisoned father, two sets of adult twins who were separated by a tempest at sea as infants, angry wives, a lost bag of money, and a very confused town who’s going to blame all the madness on witchcraft, the story could not get much more convoluted on its way to a happy ending. According to Errors director, Jack Young, this Miller production will lean in on the farcical nature of the play with a 60s “vibe” and a “cap tip” to classic television sitcoms of that era, like The Honeymooners.

    A Nice Indian Boy from Aerial Roots Theatre Company (now through August 9)
    A new Houston theater company makes an auspicious debut with this delightful twist on the “bring the fiancé home to meet the parents” plot. In fact, playwright and noted screenwriter Madhuri Shekar’s regional hit play was recently adapted into a critically acclaimed Desi rom-com. Shy and unlucky in love, gay American Indian engineer Naveen, meets the man of his dreams, Keshav, at his local Hindu temple. The only hitch is that his new love is white, though adopted by a nice Indian family. When Naveen finally takes Keshav home to meet his traditional parents, his sister arrives to bring her own drama to a most awkward dinner. The Asia Society hosts this inaugural production from Aerial Roots.

    Late Nite Catechism Las Vegas: Sister Rolls the Dice! at Stages (August 4-16)
    This is one habit Houstonians just can’t break. Yes, Denise Fennell as Sister is back with another audience participatory adventure from the Late Nite Catechism theatrical universe. In this one, the church needs a new roof, so Father Murphy has decided that Sister, with her extensive gambling experience running the church sanctioned bingo game for the last 25 years, will organize a Las Vegas Night. Sister will tackle topics ranging from magicians to show girls, all the while reminding audiences that what happens in Vegas may stay in Vegas, but God sees and remembers everything.

    Mean Girls at Queensbury Theatre (August 6-16)
    Keeping with this summer's trend of musical fun, Queensbury brings audiences this fetching Broadway adaptation of Tina Fey’s most quotable and meme-able blockbuster comedy from the early 2000s. As a reminder, the musical introduces the naive Cady on her first day of American high school as she tries to break into the mean girls clique who rules the school. This production showcases a great local cast with some Texas musical theater heavy vocal hitters, like Abigail Bensman, Sara Sachi, Teresa Zimmermann, and Holland Vavra.

    Xanadu from Garden Theatre (August 14-30)
    The 2007 jukebox musical adaptation of the cult classic '80s hit Broadway tells the story of a Greek muse who descends to Earth to inspire a young painter and a former '40s big band musician-turned-real estate mogul to partner in opening a roller disco night club, plus added subplots involving sibling jealousy and demigoddess pranks among the muses. (Houston connection fun fact: Theatre Under the Stars artistic director, Dan Knechtges, was nominated for a Tony Award for his choreography of the original Broadway production of the show.) Since then, Xanadu has become a campy hit for regional theaters across the nation. Next up, Garden Theatre slips on the roller skates and weaves some “Strange Magic” for end of summer fun in the intimate Matchbox 3.

    Holly Street at A.D. Players (August 19-September 6)
    The Houston theater company that specializes in family-friendly productions with spiritual themes opens its 26-27 season a little early with this world premiere drama about a unique kind of love geometry. Set in the 1940s after World War II, the play tells the story of two sisters ,Virginia and Martha, as they prepare for a Christmas pageant in rural Kentucky. But the holidays are not so joyful, as Virginia recently lost her fiancée, Paul, during the war. As life sputters forward, two veterans and friends of Paul arrive unexpectedly having also fallen for Virginia through her letters when Paul read them aloud at the front. As Christmas nears, hidden truths surface, loyalties are tested, and affection and grief collide in surprising ways.

    Cirque-tacular: The Art of Circus at Miller Outdoor Theatre (August 28)
    Still celebrating its reopening, Miller Outdoor brings in Cirque-tacular, the New York based aerial and ground acrobatic performing arts company with a history of lots of off-Broadway and internationally touring hits. Its Art of Circus show surrounds performers with sets that recreate some of the greatest art masterpieces. From Van Gogh’s swirling skies, to Da Vinci’s all perceiving genius, Warhol’s pop images, and O’Keeffe’s beguiling natural forms, these colors, movements, and stories inside the paintings inspire the performers into dance, acrobatics, and aerial artistry.

    Queensbury Theatre presents Mean Girls

    Photo by Alexander Cross

    Queensbury Theatre presents Mean Girls

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